A Daily Countdown to 700 Years with the “colpi d’Amor”
“Benedetto sia ‘l giorno, et ‘l mese, et l’anno, / et la stagione, e’l tempo, et l’ora, e ‘l punto…” — Rvf 61
“Benedetto sia ‘l giorno, et ‘l mese, et l’anno, / et la stagione, e’l tempo, et l’ora, e ‘l punto…” — Rvf 61
"chi per prova intenda amore"
— Rvf 1
A luminous biography and intellectual history that traces Petrarch’s restless life and enduring influence. Essential reading for understanding the man behind the sonnets.
“Young’s translations capture the raw ache of Petrarch’s longing. A fresh take that honors the original’s musicality.” — Modern Poetry Review
Here is my review of the excellent Petrarch Commentary and Exegesis in Renaissance Italy and Beyond
This amazing contribution to scholarship, Petrarch and the Origins of Textual Interpretation, edited by Teodolinda Barolini and H. Wayne Storey in 2007, and including chapters by both of the editors, as well as Martin Eisner, Furio Brugnolo, Marcello Ciccuto, John Ahern, Roberta Antognini, and Kathy Eden, offers a brilliant study of the key philological issues undergirding – and constituting – Petrarch’s work.
Published in the William and Katherine Devers Series in Dante and Medieval Italian Literature at Notre Dame, this 2009 volume edited by Zygmunt Baranski and Theodore Cachey (Petrarch and Dante:Anti-Dantism, Metaphysics, Tradition), is an informative read that helps elucidate the dynamic nature of the early vernacular tradition. See especially the chapters by Cachey, Barolini, Steinberg, Sturm-Maddox, and Martinez in this volume.
A luminous biography and intellectual history that traces Petrarch’s restless life and enduring influence. Essential reading for understanding the man behind the sonnets.
"del dolce mio mal prima radice" — Rvf 321
The standard critical edition of Petrarch’s Italian poems. Indispensable for scholars and serious readers.
Petrarch’s own annotated copy — the flyleaf where he recorded Laura’s death. Seen on my archival trip in 2023.
This is an exciting and magisterial edition of the Canzoniere, replete with careful and detailed notes and helpful contextual apparatus. It is the 2004 revision of Santagata’s wonderful 1996 edition.
In my opinion, Durling’s is the best translation of Petrarch’s vernacular poetry, and by far. Importantly, it is *not* a translation in verse, and it is a side-by-side rendition, which works very well in terms of accuracy and style. It also makes it especially nice for teaching purposes, and is a great way to introduce some of the original Italian into English-language classes.
"Sotto un gran sasso / in una chiusa valle" — Rvf 135
Here is an article I wrote in Rivista di Studi Italiani (vol. 41, no. 3, 2023, pp. 24-51) on Christine de Pizan and the wonderful Petrarchan poet Gaspara Stampa, and their engagement with Petrarchan praxes of citationality.
The essential companion for scholars.
Eight translations side-by-side.
Reconstructing the muse through verse.
Images, texts, and a wealth of free resources — with gratitude for shared image permissions.
Complete Canzoniere online, free to read.
High-resolution manuscript scans and diplomatic transcriptions.