A Daily Countdown to 700 Years with the “colpi d’Amor”
“Benedetto sia ‘l giorno, et ‘l mese, et l’anno, / et la stagione, e’l tempo, et l’ora, e ‘l punto…” — Rvf 61
“Benedetto sia ‘l giorno, et ‘l mese, et l’anno, / et la stagione, e’l tempo, et l’ora, e ‘l punto…” — Rvf 61
April 5, 2026
Almo Sol, quella fronde ch’io sola amo,
tu prima amasti, or sola al bel soggiorno
verdeggia, et senza par poi che l’addorno
suo male et nostro vide in prima Adamo.
Stiamo a mirarla: i’ ti pur prego et chiamo,
o Sole; et tu pur fuggi, et fai d’intorno
ombrare i poggi, et te ne porti il giorno,
et fuggendo mi toi quel ch’i’ piú bramo.
L’ombra che cade da quel’ humil colle,
ove favilla il mio soave foco,
ove ‘l gran lauro fu picciola verga,
crescendo mentr’io parlo, agli occhi tolle
la dolce vista del beato loco,
ove ‘l mio cor co la sua donna alberga.
Kindly Sun, that only branch I love,
that you loved once, alone retains
its lovely green, and is unequalled
since Adam first saw his ill and ours.
‘Let’s stop to gaze’: O, Sun, I call on you
in prayer: yet you still go, and make the hills
turn to shadow, and carry off the day,
taking from me what I most long for.
The shadow, falling on that humble hill
where my gentle fire is still sparkling
where the great laurel was a tiny shoot,
deepening while I speak, takes the sweet sight
of that blessed place from my eyes,
where its lady lives, and this heart of mine.
April 5, 2026
Giunto Alexandro a la famosa tomba
del fero Achille, sospirando disse:
O fortunato, che sí chiara tromba
trovasti, et chi di te sí alto scrisse!
Ma questa pura et candida colomba
a cui non so s’al mondo mai visse,
nel mio stil frale assai poco rimbomba:
cosí son le sue sorti a ciascun fisse.
Ché d’Omero dignissima et d’Orpheo,
o del pastor ch’anchor Mantova honora,
ch’andassen sempre lei sola cantando,
stella difforme et fato sol qui reo
commise a tal che ‘l suo bel nome adora,
ma forse scema sue lode parlando.
Sighing before the famous tomb
of fierce Achilles, Alexander said:
‘O fortunate one, who found so clear
a voice to write of you so nobly!’
But this pure white dove of mine
whose equal the world will never know,
gains little enough glory from my frail style:
so is his fate fixed for every man.
She most worthy of Homer or Orpheus,
or the shepherd that Mantua still honours,
that they would have sung of her alone,
is cruelly entrusted by unfortunate stars
to him who adores her lovely name,
but perhaps diminishes her praise by speaking.
April 5, 2026
Se Virgilio et Homero avessin visto
quel sole il qual vegg’io con gli occhi miei,
tutte lor forze in dar fama a costei
avrian posto, et l’un stil coll’altro misto:
di che sarebbe Enea turbato et tristo,
Achille, Ulixe et gli altri semidei,
et quel che resse anni cinquantasei
sí bene il mondo et quel ch’ancise Egisto.
Quel fior anticho di vertuti et d’arme
come sembiante stella ebbe con questo
novo fior d’onestate et di bellezze!
Ennio di quel cantò ruvido carme,
di quest’altro io: et oh pur non molesto
gli sia il mio ingegno, e ‘l mio lodar non sprezze!
If Virgil and Homer had seen that sun
that I can see with my eyes,
all their power would have been given
to praising her, blending both styles in one:
making Aeneas troubled and sad,
Achilles, Ulysses and the other demi-gods,
and him who ruled the Empire so well
for fifty years, and him whom Aegisthus killed.
That ancient flower of arms and virtue, Scipio,
suffered a similar fate to this new flower
of chastity and of every beauty!
Ennius sang of him in rough metres
as I do her: and oh may my art
not annoy her, and she not scorn my praise!
April 5, 2026
Questa fenice de l’aurata piuma
al suo bel collo, candido, gentile,
forma senz’arte un sí caro monile,
ch’ogni cor addolcisce, e ‘l mio consuma:
forma un diadema natural ch’alluma
l’aere d’intorno; e ‘l tacito focile
d’Amor tragge indi un liquido sottile
foco che m’arde a la piú algente bruma.
Purpurea vesta d’un ceruleo lembo
sparso di rose i belli homeri vela:
novo habito, et bellezza unica et sola.
Fama ne l’odorato et ricco grembo
d’arabi monti lei ripone et cela,
che per lo nostro ciel sí altera vola.
This phoenix with golden plumage
round her lovely neck, noble and white,
seems to have formed a dear necklace
by which all hearts are softened, mine consumed,
in the form of a natural diadem that lights
the air all round: and the silent furnace of Love
draws a subtle liquid fire from there
that warms me in the most ungentle weather.
A purple covering with a sky-blue hem
scattered with roses covers the lovely creature:
a novel dress, a rare and singular beauty.
Report places her, and hides her, in the rich
and scented vales of Arabian hills,
who flies in truth so nobly through our skies.
April 5, 2026
Amor, Natura, et la bella alma humile,
ov’ogn’altra vertute alberga et regna,
contra men son giurati: Amor s’ingegna
ch’i’ mora a fatto, e ‘n ciò segue suo stile;
Natura tèn costei d’un sí gentile
laccio, che nullo sforzo è che sostegna;
ella è sí schiva, ch’abitar non degna
piú ne la vita faticosa et vile.
Cosí lo spirto d’or in or vèn meno
a quelle belle care membra honeste
che specchio eran di vera leggiadria;
et s’a Morte Pietà non stringe ‘l freno,
lasso, ben veggio in che stato son queste
vane speranze, ond’io viver solia.
Love, Nature, and the lovely humble soul,
where every virtue lives and reigns,
are my sworn enemies now: Love conspires
to bring about my death as his custom:
Nature holds her by such a slender thread,
there is barely enough strength to sustain her:
she is so diffident, that she no longer deigns
to live on in this vile and wearisome world.
So that the life from hour to hour grows less
in those dear lovely chaste limbs
that are the mirrors of true gracefulness:
and if Mercy does not tighten Death’s rein,
alas, I see only too well what state vain hope
will come to, by which I used to live.
April 5, 2026
Se ‘l dolce sguardo di costei m’ancide,
et le soavi parolette accorte,
et s’Amor sopra me la fa sí forte
sol quando parla, over quando sorride,
lasso, che fia, se forse ella divide,
o per mia colpa o per malvagia sorte,
gli occhi suoi da Mercé, sí che di morte,
là dove or m’assicura, allor mi sfide?
Però s’i’ tremo, et vo col cor gelato,
qualor veggio cangiata sua figura,
questo temer d’antiche prove è nato.
Femina è cosa mobil per natura:
ond’io so ben ch’un amoroso stato
in cor di donna picciol tempo dura.
If that sweet look of hers can kill me,
and the sweet subtlety of her words,
and if Love has such power over me
when she merely speaks, or when she smiles,
then what would happen, alas, if her eyes
were free of Mercy, either through my fault
or evil fate, and if I feared death itself
there where I now feel secure?
So if I tremble, and go with icy heart,
when I see her expression change,
it is a fear born of long experience.
Woman by nature is a changeable thing:
so that I know a loving mood
lasts only a little time in a lady’s heart.
April 5, 2026
Amor, che ‘ncende il cor d’ardente zelo,
di gelata paura il tèn constretto,
et qual sia piú, fa dubbio a l’intellectto,
la speranza o ‘l temor, la fiamma o ‘l gielo.
Trem’al piú caldo, ard’al piú freddo cielo,
sempre pien di desire et di sospetto,
pur come donna in un vestire schietto
celi un huom vivo, o sotto un picciol velo.
Di queste pene è mia propia la prima,
arder dí et notte; et quanto è ‘l dolce male
né ‘n penser cape, nonche ‘n versi o ‘n rima;
l’altra non già: ché ‘l mio bel foco è tale
ch’ogni uom pareggia; et del suo lume in cima
chi volar pensa, indarno spiega l’ale.
Love that lights burning eagerness in the heart,
constrains it also with an icy fear,
and leaves the mind unsure which is greater,
the hope or the fear, the flame or the ice.
Shivering with heat, burning with cold weather,
always filled with desires and sighs,
as though a woman in a simple gown
or under a little veil, hid a living man.
The first of these ills is properly mine,
to burn day and night: how sweet the labour
to catch the thought, let alone in verse or rhyme:
the other is not: since my lovely fire is such
she treats all equally: and he who thinks to fly
to that far light unfurls his wings in vain.
April 5, 2026
Amor fra l’erbe una leggiadra rete
d’oro et di perle tese sott’un ramo
dell’arbor sempre verde ch’i’ tant’amo,
benche n’abbia ombre piú triste che liete.
L’ésca fu ‘l seme ch’egli sparge et miete,
dolce et acerbo, ch’i’ pavento et bramo;
le note non fur mai, dal dí ch’Adamo
aperse gli occhi, sí soavi et quete.
E ‘l chiaro lume che sparir fa ‘l sole
folgorava d’intorno: e ‘l fune avolto
era la man ch’avorio et neve avanza.
Cosí caddi a la rete, et qui m’àn colto
gli atti vaghi et l’angeliche parole,
e ‘l piacer e ‘l desire et la speranza.
Love spread his graceful net of gold and pearls
over the grass, underneath the branches
of an evergreen tree that I love so much,
though its shadow gives more sadness than delight.
His lure was the crop he reaps as well as sows,
sweet and bitter, so I’m in fear and longing:
the birdsong was never so soft and quiet,
since the day that Adam first opened his eyes.
And the clear light that shone all around
quenched the sun: and the cord was wrapped
round a hand that revealed ivory and snow.
So I fell into the net, and what trapped me
was her graceful ways, and angelic words,
and pleasure, and desire, and hope.
April 5, 2026
Po, ben puo’ tu portartene la scorza
di me con tue possenti et rapide onde,
ma lo spirto ch’iv’entro si nasconde
non cura né di tua né d’altrui forza;
lo qual senz’alternar poggia con orza
dritto perl’aure suo desir seconde,
battendo l’ali verso l’aurea fronde,
l’acqua e ‘l vento e la vela e i remi sforza.
Re degli altri, superbo altero fiume,
che ‘ncontri ‘l sol quando e’ne mena ‘l giorno,
e ‘n ponente abandoni un piú bel lume,
tu te ne vai col mio mortal sul corno;
l’altro coverto d’amorose piume
torna volando al suo dolce soggiorno.
River Po, you are quick to carry my body
along with your powerful, swift stream,
but my spirit that is hidden here within
cares neither for your force, nor any other:
without the need to tack from side to side
its desire heads straight towards the breeze,
beating its wings towards her golden hair,
despite the waves, the wind, and sail, and oars.
King of the rivers, proud and noble flood,
meeting the sun when he leads on the dawn,
leaving behind you a much lovelier light,
you bear only my mortal part on your crest:
the other, clothed in lover’s plumage,
goes flying on towards its sweet home.
April 5, 2026
Geri, quando talor meco s’adira
la mia dolce nemica, ch’è sí altèra,
un conforto m’è dato ch’i’ non pèra,
solo per cui vertú l’alma respira.
Ovunque ella sdegnando li occhi gira
(che di luce privar mia vita spera?)
le mostro i miei pien’ d’umiltà sí vera,
ch’a forza ogni suo sdegno indietro tira.
E cciò non fusse, andrei non altramente
a veder lei, che ‘l volto di Medusa,
che facea marmo diventar la gente.
Cosí dunque fa’ tu: ch’i’ veggio exclusa
ogni altra aita, e ‘l fuggir val nïente
dinanzi a l’ali che ‘l signor nostro usa.
Geri, one comfort’s granted me sometimes,
when my sweet enemy who is so proud
is angry with me, so I don’t wholly perish:
solely by means of which the soul can breathe.
Wherever she turns her disdainful eyes
(hoping by light to rob me of life?)
I show myself so full of humility, truly,
that all the force of her anger fails inside.
If it were not so, the sight of her would be
no different than the sight of Medusa’s face,
that made all the people there turn to marble.
So, do the same yourself: I see no other aid,
and our fleeing is no use to us at all,
given the wings that our lord deploys.
April 5, 2026
Amor mi sprona in un tempo et affrena,
assecura et spaventa, arde et agghiaccia,
gradisce et sdegna, a sé mi chiama et scaccia,
or mi tene in speranza et or in pena,
or alto or basso il meo cor lasso mena:
onde ‘l vago desir perde la traccia
e ‘l suo sommo piacer per che li spiaccia,
d’error sí novo la mia mente è piena.
Un amico penser le mostra il vado,
non d’acqua che per gli occhi si resolva,
da gir tosto ove spera esser contenta;
poi, quasi maggior forza indi la svolva,
conven ch’altra via segua, et mal suo grado
a la sua lunga, et mia, morte consenta.
Love spurs me on and reins me back as one,
calms and frightens me, burns and freezes,
receives, disdains, calls to me, and spurns me,
keeping me now in hope and now in pain,
leading my weary heart high and low:
so that wandering desire loses its way
displeased by its own greatest pleasure,
since the mind is full of such strange error.
A friendly thought points out the ford,
not through water poured out by the eyes,
but soon to be crossed, where hopes are realised:
then a stronger force opposes it,
I’m forced to take another way, and steeper,
consenting to its lingering path, and mine.
April 5, 2026
Mille piagge in un giorno et mille rivi
mostrato m’à per la famosa Ardenna
Amor, ch’a’ suoi le piante e i cori impenna
per fargli al terzo ciel volando ir vivi.
Dolce m’è sol senz’arme esser stato ivi,
dove armato fier Marte, et non acenna,
quasi senza governo et senza antenna
legni in mar, pien di penser’ gravi et schivi.
Pur giunto al fin de la giornata oscura,
rimembrando ond’io vegno, et con quai piume,
sento di troppo ardir nascer paura.
Ma ‘l bel paese e ‘l difectoso fiume
con serena accoglienza rassecura
il cor già vòlto ov’abita il suo lume.
Love has shown me a thousand hills and streams
in the famed Ardennes, in a single day:
he who sends winged feet and hearts
flying, still living, up to the third heaven.
It was sweet to me to be alone and unarmed there
where bold Mars takes up arms without warning,
a ship at sea with barely a mast and rudder,
filled with serious and diffident thought.
Reaching the end of this dark day, remembering
where I have been, and on what wings,
I feel fear born of too great a daring.
But the lovely land and the delightful river,
with their calm welcome, reassure
my heart, turning again to where it’s light lives.
April 5, 2026
Per mezz’i boschi inhospiti et selvaggi,
onde vanno a gran rischio uomini et arme,
vo securo io, ché non pò spaventarme
altri che ‘l sol ch’à d’amor vivo i raggi;
et vo cantando (o penser’ miei non saggi!)
lei che ‘l ciel non poria lontana farme,
ch’i’ l’ò negli occhi, et veder seco parme
donne et donzelle, et son abeti et faggi.
Parme d’udirla, udendo i rami et l’òre
et le frondi, et gli augei lagnarsi, et l’acque
mormorando fuggir per l’erba verde.
Raro un silentio, un solitario horrore
d’ombrosa selva mai tanto mi piacque:
se non che dal mio sol troppo si perde.
Through the midst of inhospitable, wild woods,
where men at arms go at great risk,
I go safely, since nothing can frighten me
except that sun whose rays are alive with love:
and I go singing (oh, my unwise thoughts!)
of her whom heaven cannot set distant from me,
whom I have in my vision, and seem to see
women and girls with her, and they are beech and fir.
I seem to hear her, hearing the branches and breeze,
and the leaves, and the birds lamenting, and the water
murmuring, running through the green grass.
Rarely did silence, and solitary awesomeness
of shadowy woodland ever please me so:
if only too much of my sunlight were not lost.
April 5, 2026
Quando mi vène inanzi il tempo e ‘l loco
ov’i’ perdei me stesso, e ‘l caro nodo
ond’Amor di sua man m’avinse in modo
che l’amar mi fe’ dolce, e ‘l pianger gioco,
solfo et ésca son tutto, e ‘l cor un foco
da quei soavi spirti, i quai sempre odo,
acceso dentro sí, ch’ardendo godo,
et di ciò vivo, et d’altro mi cal poco.
Quel sol, che solo agli occhi miei resplende,
co i vaghi raggi anchor indi mi scalda
a vespro tal qual era oggi per tempo;
et cosí di lontan m’alluma e ‘ncende,
che la memoria ad ognor fresca et salda
pur quel nodo mi mostra e ‘l loco e ‘l tempo.
When that time and place come to my thoughts
where I was lost, and that dear knot,
with which Love tied me in such a way
that bitter was sweet, and weeping joy,
I’m all sulphur and tinder, the heart ablaze
with those gentle words of hers I always hear,
so hot within, so glad to be on fire,
living there, and for all else caring little.
That sun, that shines alone to my sight,
still heats me with its wandering rays,
at evening just as in my early days:
and even from far away my light is kindled,
since that memory always fresh and strong
shows me that knot, and the place, and the time.
April 5, 2026
Fera stella (se ‘l cielo à forza in noi
quant’alcun crede) fu sotto ch’io nacqui,
et fera cuna, dove nato giacqui,
et fera terra, ove’ pie’ mossi poi;
et fera donna, che con gli occhi suoi,
et con l’arco a cui sol per segno piacqui,
fe’ la piaga onde, Amor, teco non tacqui,
che con quell’arme risaldar la pôi.
Ma tu prendi a diletto i dolor’ miei:
ella non già, perché non son piú duri,
e ‘l colpo è di saetta, et non di spiedo.
Pur mi consola che languir per lei
meglio è, che gioir d’altra; et tu me ‘l giuri
per l’orato tuo strale, et io tel credo.
Cruel the star (if the heavens have power
in us, as some believe) under which I was born,
and cruel the cradle where I lay once born,
and cruel the earth, where my feet then walked:
and cruel the lady, who with her eyes,
and with her bow favouring me as target,
made a wound: Love, I’m not silent about these things,
since with those weapons you could heal my hurt.
But you take some delight from my sorrow:
she does not because it is not far worse,
being only an arrow-wound, and not a spear’s.
I console myself that to pine for her
is better than to joy in another: you swear it
by your golden arrow, and I believe you.
April 5, 2026
Mirando ‘l sol de’ begli occhi sereno,
ove è chi spesso i miei depinge et bagna,
dal cor l’anima stanca si scompagna
per gir nel paradiso suo terreno.
Poi trovandol di dolce et d’amar pieno,
quant’al mondo si tesse, opra d’aragna
vede: onde seco et con Amor si lagna,
ch’à sí caldi gli spron’, sí duro ‘l freno.
Per questi extremi duo contrari et misti,
or con voglie gelate, or con accese
stassi cosí fra misera et felice;
ma pochi lieti, et molti penser’ tristi,
e ‘l piú si pente de l’ardite imprese:
tal frutto nasce di cotal radice.
Gazing at the sunlight of those calm lovely eyes,
where he, who darkens and bathes mine, lives,
my weary soul is ready to leave my heart
to travel to its earthly paradise.
Then finding itself full of the bitter and the sweet,
its sees what the world weaves are spiders’ webs:
so that it complains to itself, and Love,
that he has such keen spurs, so harsh a rein.
Between these two opposing, mixed extremes,
now with icy, now with hot desire,
it stands between misery and happiness.
not often joyful, and so often sad,
it regrets its eager ventures more deeply:
when such is the fruit born of such a root.
April 5, 2026
O Invidia nimica di vertute,
ch’a’ bei principii volentier contrasti,
per qual sentier cosí tacita intrasti
in quel bel petto, et con qual’ arti il mute?
Da radice n’ài svelta mia salute:
troppo felice amante mi mostrasti
a quella che’ miei preghi humili et casti
gradí alcun tempo, or par ch’odi et refute.
Né però che con atti acerbi et rei
del mio ben pianga, et del mio pianger rida,
poria cangiar sol un de’ pensier’ mei;
non, perché mille volte il dí m’ancida,
fia ch’io non l’ami, et ch’i’ non speri in lei:
che s’ella mi spaventa, Amor m’affida.
O Envy enemy to virtue, that willingly
opposes all our best intentions,
by what path have you entered silently
into that lovely breast, by what art the mute?
You have shattered my health at its root:
shown me as too happy a lover, whose humble
and chaste prayers she once valued,
and now seems to deny and hate.
But though with bitter and harsh actions
she weeps at my good fortune, laughs at my tears,
she cannot change a single thought of mine:
nor, though she murder me a thousand times,
make me not love her, or not hope for her:
though she make me afraid, Love gives me hope.
April 5, 2026
Giunto m’à Amor fra belle et crude braccia,
che m’ancidono a torto; et s’io mi doglio,
doppia ‘l martir; onde pur, com’io soglio,
il meglio è ch’io mi mora amando, et taccia:
ché poria questa il Ren qualor piú agghiaccia
arder con gli occhi, et rompre ogni aspro scoglio;
et à sí egual a le bellezze orgoglio,
che di piacer altrui par che le spiaccia.
Nulla posso levar io per mi’ ‘ngegno
del bel diamante, ond’ell’à il cor sí duro;
l’altro è d’un marmo che si mova et spiri:
ned ella a me per tutto ‘l suo disdegno
torrà già mai, né per sembiante oscuro,
le mie speranze, e i miei dolci sospiri.
Love’s caught me in a lovely harsh embrace,
that kills unjustly: and if I complain
he doubles my hurt: then it’s better to be
as I used to be, dying of love, and silent.
she’d burn the Rhine however deeply frozen
with her eyes, and shatter all its sharp rocks:
and she has pride equal to her beauty,
so that she regrets pleasing others.
I cannot soften that lovely diamond
with my wit, or that heart so hard:
the rest is marble that moves and breathes:
nor with all her disdain, nor her dark looks,
can she ever take my hope away from me,
nor ever take away my sweet sighs.
April 5, 2026
Piú volte già dal bel sembiante humano
ò preso ardir co le mie fide scorte
d’assalir con parole honeste accorte
la mia nemica in atto humile et piano.
Fanno poi gli occhi suoi mio penser vano
perch’ogni mia fortuna, ogni mia sorte,
mio ben, mio male, et mia vita, et mia morte,
quei che solo il pò far, l’à posto in mano.
Ond’io non poté’ mai formar parola
ch’altro che da me stesso fosse intesa:
cosí m’ha fatto Amor tremante et fioco.
E veggi’ or ben che caritate accesa
lega la lingua altrui, gli spirti invola:
chi pò dir com’egli arde, è ‘n picciol foco.
Many times now, with my true thought,
I’ve dared to assail my enemy, quiet and humble
in her actions, her beauty seeming kind,
with my honest well-considered speech.
Then her eyes rendered my thought vain
since all my fortune, all my destiny,
my good, my bad, my death and life, had been
placed in her hands, by him who alone can do so.
So I could not even form true words
that anyone but me could understand:
Love had made me blaze and tremble so.
And I see clearly now that glowing charity
ties a man’s tongue, and daunts his spirit:
who utters while he burns is in slight fire.
April 5, 2026
Pien d’un vago penser che me desvia
da tutti gli altri, et fammi al mondo ir solo,
ad or ad ora a me stesso m’involo
pur lei cercando che fuggir devria;
et veggiola passar sí dolce et ria
che l’alma trema per levarsi a volo,
tal d’armati sospir’ conduce stuolo
questa bella d’Amor nemica, et mia.
Ben s’i’ non erro di pietate un raggio
scorgo fra ‘l nubiloso, altero ciglio,
che ‘n parte rasserena il cor doglioso:
allor raccolgo l’alma, et poi ch’i’ aggio
di scovrirle il mio mal preso consiglio,
tanto gli ò a dir, che ‘ncominciar non oso.
Full of a wandering thought that separates me
from all other men, and makes me go lonely through the world,
hour after hour I am tempted from myself
searching for her, whom I should fly from:
and I see her go by so sweet and deadly
that my soul trembles to rise in flight,
she leads such a troop of armed sighs with her,
this beautiful enemy of Love, and of me.
Truly if I am not wrong I see a ray of pity
shine from that high clouded brow,
that partly brightens my grieving heart:
then I recall my soul, and when I start
to reveal my ill-conceived thoughts to her,
I have so much to say to her, I dare not begin.
April 5, 2026
Amor mi manda quel dolce pensero
che secretario anticho è fra noi due,
et mi conforta, et dice che non fue
mai come or presto a quel ch’io bramo et spero.
Io, che talor menzogna et talor vero
ò ritrovato le parole sue,
non so s’i’ ‘l creda, et vivomi intra due,
né sí né no nel cor mi sona intero.
In questa passa ‘l tempo, et ne lo specchio
mi veggio andar ver’ la stagion contraria
a sua impromessa, et a la mia speranza.
Or sia che pò: già sol io non invecchio;
già per etate il mio desir non varia;
ben temo il viver breve che n’avanza.
Love sends me a sweet thought,
an ancient messenger between us two,
to comfort me, saying he was never
readier than now to grant what I hope and wish.
I, who have found his words sometimes true,
and sometimes false, still not certain
whether to believe him, live between the two,
neither yes nor no sounds wholly in my heart.
In this way time flies, and in the mirror
I see I near the season that opposes
his promise, and my hopes.
Now come what must: I’m not alone in growing old:
only my longing does not alter with the years:
truly I fear the brief life that cannot last.
April 5, 2026
Quando Amor i belli occhi a terra inchina
e i vaghi spirti in un sospiro accoglie
co le sue mani, et poi in voce gli scioglie,
chiara, soave, angelica, divina,
sento far del mio cor dolce rapina,
et sí dentro cangiar penseri et voglie,
ch’i’ dico: Or fien di me l’ultime spoglie,
se ‘l ciel sí honesta morte mi destina.
Ma ‘l suon che di dolcezza i sensi lega
col gran desir d’udendo esser beata
l’anima al dipartir presta raffrena.
Cosí mi vivo, et cosí avolge et spiega
lo stame de la vita che m’è data,
questa sola fra noi del ciel sirena.
When Love inclines her lovely eyes to earth
and with his hand gathers her wandering breath
in a sigh, then looses it in a voice,
clear, gentle, angelic and divine,
I feel my heart sweetly stolen away,
and my thoughts and wishes changed within,
so that I say: ‘These are the last spoils of me
if heaven intends me for so happy a death.’
But that sound that binds the senses with its sweetness
restrains the spirit from swiftly departing,
through a great desire to hear it, and be blessed.
So I live, and so she winds, unwinds
the thread of life that was granted me,
that sole Siren from heaven who’s among us.
April 5, 2026
S’i’ fussi stato fermo a la spelunca
là dove Apollo diventò profeta,
Fiorenza avria forse oggi il suo poeta,
non pur Verona et Mantoa et Arunca;
ma perché ‘l mio terren piú non s’ingiunca
de l’humor di quel sasso, altro pianeta
conven ch’i’ segua, et del mio campo mieta
lappole et stecchi co la falce adunca.
L’oliva è secca, et è rivolta altrove
l’acqua che di Parnaso si deriva,
per cui in alcun tempo ella fioriva.
Cosí sventura over colpa mi priva
d’ogni buon fructo, se l’etterno Giove
de la sua gratia sopra me non piove.
If I had stayed firmly in the cave
where Apollo became a prophet,
Florence perhaps might have her poet today
not just Mantua, and Verona:
But since my ground no longer yields reeds,
with the moisture from that rock, I must follow
another star, and, from my native fields, reap
thorns and thistles with my curved sickle.
The olive-tree is dry, and the water
that springs from Parnassus, through which
at one time it flowered, flows elsewhere.
So fault or misfortune will deprive me
of all the finest fruits, unless eternal Jove
pours his grace on me from above.
Note: Petrarch would be Florence’s poet.
Mantua was Virgil’s birthplace, and Verona
Catullus’s. Petrarch, though born in Arezzo,
identified himself with Florence.
April 5, 2026
Come ‘l candido pie’ per l’erba fresca
i dolci passi honestamente move,
vertú che ‘ntorno i fiori apra et rinove,
de le tenere piante sue par ch’esca.
Amor che solo i cor’ leggiadri invesca
né degna di provar sua forza altrove,
da’ begli occhi un piacer sí caldo piove
ch’i’ non curo altro ben né bramo altr’ésca.
Et co l’andar et col soave sguardo
s’accordan le dolcissime parole,
et l’atto mansüeto, humile et tardo.
Di tai quattro faville, et non già sole,
nasce ‘l gran foco, di ch’io vivo et ardo,
che son fatto un augel notturno al sole.
When her white foot through the fresh grass
takes its sweet way, virtuously,
from her tender steps there seems to issue
a power that opens and renews the flowers.
Love who only hinders the gracious heart
not deigning to try his strength in other ways,
rains such keen pleasure from her lovely eyes
I care for no other good, long for no other bait.
And those sweetest words of hers accord
with her walk and her quiet gaze,
as do her gentle, calm and humble acts.
From those four sparks, but not merely those,
is born the great fire in which I live and burn,
like a bird of night dazzled by the sun.
April 5, 2026
Or che ‘l ciel et la terra e ‘l vento tace
et le fere e gli augelli il sonno affrena,
Notte il carro stellato in giro mena
et nel suo letto il mar senz’onda giace,
veggio, penso, ardo, piango; et chi mi sface
sempre m’è inanzi per mia dolce pena:
guerra è ‘l mio stato, d’ira et di duol piena,
et sol di lei pensando ò qualche pace.
Cosí sol d’una chiara fonte viva
move ‘l dolce et l’amaro ond’io mi pasco;
una man sola mi risana et punge;
e perché ‘l mio martir non giunga a riva,
mille volte il dí moro et mille nasco,
tanto da la salute mia son lunge.
Now that the sky and the earth and the wind are silent
and the wild creatures and the birds are reined in sleep,
Night leads its starry chariot in its round,
and the sea without a wave lies in its bed,
I look, think, burn, weep: and she who destroys me
is always before my eyes to my sweet distress:
war is my state, filled with grief and anger,
and only in thinking of her do I find peace.
So from one pure living fountain
flow the sweet and bitter which I drink:
one hand alone heals me and pierces me:
and so that my ordeal may not reach haven,
I am born and die a thousand times a day,
I am so far from my salvation.
April 5, 2026
Amor, che vedi ogni pensero aperto
e i duri passi onde tu sol mi scorgi,
nel fondo del mio cor gli occhi tuoi porgi,
a te palese, a tutt’altri coverto.
Sai quel che per seguirte ò già sofferto:
et tu pur via di poggio in poggio sorgi,
di giorno in giorno, et di me non t’accorgi
che son sí stanco, e ‘l sentier m’è troppo erto.
Ben veggio io di lontano il dolce lume
ove aspre vie mi sproni et giri,
ma non ò come tu da volar piume.
Assai contenti lasci i miei desiri,
pur che ben desïando i’ mi consume,
né le dispiaccia che per lei sospiri.
Love, who sees all my thoughts revealed,
my sole companion on these harsh roads,
send your gaze to the depths of my heart,
what’s hidden from all others is clear to you.
Know what I’ve suffered following you:
and you still climb by paths from hill to hill,
from day to day, and take no notice of me:
that I’m so weary, and the path’s too steep.
True I see the sweet light in the distance
towards which you spur and whip me harshly,
but unlike you I have no wings to fly.
You leave my longing almost satisfied,
if it is loving well that consumes me,
and if she’s not displeased that for her I sigh.
April 5, 2026
Lieti fiori et felici, et ben nate herbe
che madonna pensando premer sòle;
piaggia ch’ascolti sue dolci parole,
et del bel piede alcun vestigio serbe;
schietti arboscelli et verdi frondi acerbe,
amorosette et pallide vïole;
ombrose selve, ove percote il sole
che vi fa co’ suoi raggi alte et superbe;
o soave contrada, o puro fiume,
che bagni il suo bel viso et gli occhi chiari
et prendi qualità dal vivo lume;
quanto v’invidio gli atti honesti et cari!
Non fia in voi scoglio omai che per costume
d’arder co la mia fiamma non impari.
Happy, fortunate flowers, herbs born in grace,
where my lady, thinking, often walks:
meadows that listen to her sweet words,
where her lovely feet leave their traces:
slender trees and fresh green foliage,
little loving pallid violets:
shadowed woods, where the sun pierces,
who makes you proud and noble with her rays:
O gentle countryside, O pure stream,
that bathes her lovely face and her clear eyes,
you take your nature from her living light:
how I envy you those true and graceful acts!
There cannot be a stone among you now,
unused to burning as my flame burns.
April 5, 2026
O passi sparsi, o pensier’ vaghi et pronti,
o tenace memoria, o fero ardore,
o possente desire, o debil core,
oi occhi miei, occhi non già, ma fonti!
O fronde, honor de le famose fronti,
o sola insegna al gemino valore!
O faticosa vita, o dolce errore,
che mi fate ir cercando piagge et monti!
O bel viso ove Amor inseme pose
gli sproni e ‘l fren ond’el mi punge et volve,
come a lui piace, et calcitrar non vale!
O anime gentili et amorose,
s’alcuna à ‘l mondo, et voi nude ombre et polve,
deh ristate a veder quale è ‘l mio male.
O wandering steps, O swift and errant thoughts,
O fixed memory, O wild ardour,
O powerful desire, O weakened heart,
O eyes of mine, not eyes now, but fountains!
O leaves, that honour famous brows,
O one sole emblem of double worth!
O weary life, O sweet error,
that makes me go searching plains and hills!
O lovely face where Love has set together
the reins and spurs that make me twist and turn,
at pleasure: and no use to kick against them!
O gentle loving spirits, if there are
any in this world, and you, naked dust and shadows,
pause and see the nature of my ills.
April 5, 2026
Amor et io sí pien’ di meraviglia
come chi mai cosa incredibil vide,
miriam costei quand’ella parla o ride
che sol se stessa, et nulla altra, simiglia.
Dal bel seren de le tranquille ciglia
sfavillan sí le mie due stelle fide,
ch’altro lume non è ch’infiammi et guide
chi d’amar altamente si consiglia.
Qual miracolo è quel, quando tra l’erba
quasi un fior siede, over quand’ella preme
col suo candido seno un verde cespo!
Qual dolcezza è ne la stagione acerba
vederla ir sola co i pensier’ suoi inseme,
tessendo un cerchio a l’oro terso et crespo!
Love and I, as full of amazement
as ever anyone who saw a marvellous thing,
gaze at her when she speaks or smiles
who is like herself alone, and no one else.
Under the lovely peace of her tranquil brows
those two faithful stars of mine so sparkle,
that no other light can inflame and guide
him who consigns himself to love nobly.
What a miracle she is, when she sits among
the grasses like a flower, or when she
brushes against a green bush with her breast!
What sweetness in the newborn season
to see her walk alone, her thoughts for company,
weaving a garland for her clear curling gold!
April 5, 2026
In qual parte del ciel, in quale idea
era l’exempio, onde Natura tolse
quel bel viso leggiadro, in ch’ella volse
mostrar qua giú quanto lassú potea?
Qual nimpha in fonti, in selve mai qual dea,
chiome d’oro sí fino a l’aura sciolse?
quando un cor tante in sé vertuti accolse?
benché la somma è di mia morte rea.
Per divina bellezza indarno mira
chi gli occhi de costei già mai non vide
come soavemente ella gli gira;
non sa come Amor sana, et come ancide,
chi non sa come dolce ella sospira,
et come dolce parla, et dolce ride.
From what part of the heavens, from what idea
came the example, from which Nature took
that beautiful joyful face, in which she chose
to show down here what power she has above?
What nymph of the fountain, what goddess of the wood
loosed hair of such fine gold on the breeze?
How did a heart gather so much virtue to itself,
though the sum of it is guilty of my death?
He looks in vain for divine beauty
who has never yet seen how tenderly
she moves those eyes of hers around:
he does not know how Love heals, and how he kills,
who does not know how sweet her sighs are,
and how sweet her speech, and sweet her smile.
April 5, 2026
Ove ch’i’ posi gli occhi lassi o giri
per quetar la vaghezza che gli spinge,
trovo chi bella donna ivi depinge
per far sempre mai verdi i miei desiri.
Con leggiadro dolor par ch’ella spiri
alta pietà che gentil core stringe:
oltra la vista, agli orecchi orna e ‘nfinge
sue voci vive et suoi sancti sospiri.
Amor e ‘l ver fur meco a dir che quelle
ch’i’ vidi, eran bellezze al mondo sole,
mai non vedute piú sotto le stelle.
Né sí pietose et sí dolci parole
s’udiron mai, né lagrime sí belle
di sí belli occhi uscir vide mai ‘l sole.
Where ever I turn my weary eyes or rest them,
to quiet the longing that excites them,
I find that someone depicts that lovely lady
so my desire might be always fresh.
She seems to breathe with graceful sadness
a noble pity that stirs the gentle heart:
beyond sight, hearing is adorned, enchanted
by her living voice and sacred sighs.
Love and truth with me declared I saw
beauty that was unique on earth,
never seen again beneath the stars.
Such sweet and piteous words were never
heard before, nor were such lovely tears seen
to fall from such lovely eyes beneath the sun.
April 5, 2026
Quel sempre acerbo et honorato giorno
mandò sí al cor l’imagine sua viva
che ‘ngegno o stil non fia mai che ‘l descriva,
ma spesso a lui co la memoria torno.
L’atto d’ogni gentil pietate adorno,
e ‘l dolce amaro lamentar ch’i’ udiva,
facean dubbiar, se mortal donna o diva
fosse che ‘l ciel rasserenava intorno.
La testa òr fino, et calda neve il volto,
hebeno i cigli, et gli occhi eran due stelle,
onde Amor l’arco non tendeva in fallo;
perle et rose vermiglie, ove l’accolto
dolor formava ardenti voci et belle;
fiamma i sospir’, le lagrime cristallo.
That day, always bitter and always honoured
sent such a living image to my heart
that no skill or art could ever picture,
but often memory returns to it.
Her aspect adorned all with gentle pity,
and the sweet bitter grieving that I heard,
made me doubt if mortal lady or goddess
had made the sky grow clear all around.
Her hair pure gold, and hot snow her face,
her eyebrows ebony, her eyes twin stars,
from which Love never bent his bow in vain:
pearls and crimson roses, where grief received
the form of an ardent lovely voice:
flames her sighs, and her tears were crystal.
April 5, 2026
I’ vidi in terra angelici costumi
et celesti bellezze al mondo sole,
tal che di rimembrar mi giova et dole,
ché quant’io miro par sogni, ombre et fumi;
et vidi lagrimar que’ duo bei lumi,
ch’àn fatto mille volte invidia al sole;
et udí’ sospirando dir parole
che farian gire i monti et stare i fiumi.
Amor, Senno, Valor, Pietate, et Doglia
facean piangendo un piú dolce concento
d’ogni altro che nel mondo udir si soglia;
ed era il cielo a l’armonia sí intento
che non se vedea in ramo mover foglia,
tanta dolcezza avea pien l’aere e ‘l vento.
I saw angelic virtue on earth
and heavenly beauty on terrestrial soil,
so I am sad and joyful at the memory,
and what I see seems dream, shadows, smoke:
and I saw two lovely eyes that wept,
that made the sun a thousand times jealous:
and I heard words emerge among sighs
that made the mountains move, and halted rivers.
Love, Judgement, Pity, Worth and Grief,
made a sweeter chorus of weeping
than any other heard beneath the moon:
and heaven so intent upon the harmony
no leaf was seen to move on the boughs,
so filled with sweetness were the wind and air.
April 5, 2026
Non fur ma’ Giove et Cesare sí mossi,
a folminar collui, questo a ferire,
che Pietà non avesse spente l’ire,
e lor de l’usate arme ambeduo scossi.
Piangea madonna, e ‘l mio signor ch’i’ fossi
volse a vederla, et i suoi lamenti a udire,
per colmarmi di doglia et di desire,
et ricercarmi le medolle et gli ossi.
Quel dolce pianto mi depinse Amore,
anzi scolpío, et que’ detti soavi
mi scrisse entro un diamante in mezzo ‘l core;
ove con salde ed ingegnose chiavi
ancor torna sovente a trarne fore
lagrime rare et sospir’ lunghi et gravi.
Jupiter and Caesar were never so moved,
the one to thunder, the other to war,
that Pity would not have quenched their anger,
and made them both lay down their weapons.
My lady wept: my lord wished me to go
and look on her, and hear her lament,
filling me with sadness and desire,
searching my very bones to the marrow.
Love painted that sweet weeping for me,
or sculpted it rather, engraved her gentle words
on a diamond at the centre of my heart:
where with his strong and ingenious keys
he often returns still to unlock
rare tears, and long and heavy sighs.
April 5, 2026
Le stelle, il cielo et gli elementi a prova
tutte lor arti et ogni extrema cura
poser nel vivo lume, in cui Natura
si specchia, e ‘l Sol ch’altrove par non trova.
L’opra è sí altera, sí leggiadra et nova
che mortal guardo in lei non s’assecura:
tanta negli occhi bei for di misura
par ch’Amore et dolcezza et gratia piova.
L’aere percosso da’ lor dolci rai
s’infiamma d’onestate, et tal diventa,
che ‘l dir nostro e ‘l penser vince d’assai.
Basso desir non è ch’ivi si senta,
ma d’onor, di vertute: or quando mai
fu per somma beltà vil voglia spenta?
The stars, the sky, the elements employed
all their art, and all their deepest care,
to set in place this living light, where Nature
is mirrored, and a Sun without compare.
The work, so noble, graceful and rare
is such that mortal gaze cannot grasp it:
such is the measure of beauty in her eyes
that Love rains down in grace and sweetness.
The air struck by those sweet rays
is inflamed with virtue, and becomes
such as to conquer all our speech and thought.
There no unworthy desire can be felt,
but honour and virtue: now where
was ill will ever so quenched by noble beauty?
April 5, 2026
Ite, caldi sospiri, al freddo core,
rompete il ghiaccio che Pietà contende,
et se prego mortale al ciel s’intende,
morte o mercé sia fine al mio dolore.
Ite, dolci penser’, parlando fore
di quello ove ‘l bel guardo non s’estende:
se pur sua asprezza o mia stella n’offende,
sarem fuor di speranza et fuor d’errore.
Dir se pò ben per voi, non forse a pieno,
che ‘l nostro stato è inquïeto et fosco,
sí come ‘l suo pacifico et sereno.
Gite securi omai, ch’Amor vèn vosco;
et ria fortuna pò ben venir meno,
s’ai segni del mio sol l’aere conosco.
Go, warm sighs, to her frozen heart,
shatter the ice that chokes her pity,
and if mortal prayers rise to heaven,
let death or mercy end my sorrow.
Go, sweet thoughts, and speak to her
of what her lovely gaze does not include:
so if her harshness or my stars still hurt me,
I shall be free of hope and free of error.
Through you it can be said, perhaps not fully,
how troubled and gloomy is my state,
as hers is both peaceful and serene.
Go safely now that Love goes with you:
and you may lead fortune smiling here,
if I can read the weather by my sun.
April 5, 2026
Questa humil fera, un cor di tigre o d’orsa,
che ‘n vista humana e ‘n forma d’angel vène,
in riso e ‘n pianto, fra paura et spene
mi rota sí ch’ogni mio stato inforsa.
Se ‘n breve non m’accoglie o non mi smorsa,
ma pur come suol far tra due mi tene,
per quel ch’io sento al cor gir fra le vene
dolce veneno, Amor, mia vita è corsa.
Non pò piú la vertú fragile et stanca
tante varïetati omai soffrire,
che ‘n un punto arde, agghiaccia, arrossa e ‘nbianca.
Fuggendo spera i suoi dolor’ finire,
come colei che d’ora in hora manca:
ché ben pò nulla chi non pò morire.
This humble creature, with bear’s or tiger’s heart,
that comes with human face and angel’s form,
moves me to smiles and tears, in hope and fear,
so that my whole state is changeable.
If she does not receive or free me soon,
but keeps me like a man between two worlds,
by what I feel in my heart pass through my veins
sweet poison, Love, my life will be ended.
My fragile courage and my weariness
cannot withstand such shifting suffering now,
that I burn, freeze, blush and pale in a moment.
I hope to end my misery by fleeing,
like one who bit by bit vanishes:
for truly there’s no one who cannot die.
April 5, 2026
Non d’atra et tempestosa onda marina
fuggío in porto già mai stanco nocchiero,
com’io dal fosco et torbido pensero
fuggo ove ‘l gran desio mi sprona e ‘nchina.
Né mortal vista mai luce divina
vinse, come la mia quel raggio altero
del bel dolce soave bianco et nero,
in che i suoi strali Amor dora et affina.
Cieco non già, ma pharetrato il veggo;
nudo, se non quanto vergogna il vela;
garzon con ali: non pinto, ma vivo.
Indi mi mostra quel ch’a molti cela,
ch’a parte a parte entro a’ begli occhi leggo
quant’io parlo d’Amore, et quant’io scrivo.
No weary helmsman ever fled for harbour
from the dark and tempestuous ocean waves,
as I do from gloomy and turbid thought,
fleeing where my great passion spurs me on.
Never has divine light overcome mortal vision
as did that sublime beam mine, that
of the beautiful, sweet, gentle, black and white
eyes in which Love gilds and sharpens his arrows.
He is not blind yet, but I see him with his quiver:
naked, except in so much as shame is veiled:
a boy with wings: not painted, but alive.
From this he shows me what he hides from others,
what I read, little by little, in her beautiful eyes,
all that I speak of Love, and all that I write.
April 5, 2026
– Che fai alma? che pensi? avrem mai pace?
avrem mai tregua? od avrem guerra eterna? –
– Che fia di noi, non so; ma, in quel ch’io scerna,
a’ suoi begli occhi il mal nostro non piace. –
– Che pro, se con quelli occhi ella ne face
di state un ghiaccio, un foco quando inverna? –
– Ella non, ma colui che gli governa. –
– Questo ch’è a noi, s’ella s’el vede, et tace? –
– Talor tace la lingua, e ‘l cor si lagna
ad alta voce, e ‘n vista asciutta et lieta,
piange dove mirando altri non ‘l vede. –
– Per tutto ciò la mente non s’acqueta,
rompendo il duol che ‘n lei s’accoglie et stagna,
ch’a gran speranza huom misero non crede.
‘What do you think, my soul? Will I ever have peace?
Will I ever know truce? Or will I have endless war?’
‘I don’t know what will arise for us: but I think
that seeing our ills will not please her eyes.’
‘What help is that, when with those eyes
she makes us ice in summer, fire in winter?’
‘It is not her, but the one who rules her.’
‘What matter, if she sees, and yet is silent?’
‘Sometimes her tongue is silent, and her heart
complains aloud, and with face dry-eyed and happy,
she weeps within where no gaze can see.’
‘For all that my mind is not at peace,
aching with grief that gathers there and stays,
an unhappy man’s no faith in wild hopes.
April 5, 2026
Di tempo in tempo mi si fa men dura
l’angelica figura e ‘l dolce riso,
et l’aria del bel viso
e degli occhi leggiadri meno oscura.
Che fanno meco omai questi sospiri
che nascean di dolore
et mostravan di fore
la mia angosciosa et desperata vita?
S’aven che ‘l volto in quella parte giri
per acquetare il core,
parmi vedere Amore
mantener mia ragion, et darmi aita:
né però trovo anchor guerra finita,
né tranquillo ogni stato del cor mio,
ché piú m’arde ‘l desio,
quanto piú la speranza m’assicura.
From time to time they are less harsh to me
the angelic figure and the sweet smile,
and the expression on her face
and the charming eyes are less dark.
What have these sighs now to do with me
which were born of grief
and served to show
my anguish and my desperate life?
If I turn my look that way
to quiet my heart,
I see Love with me
arguing my case, and giving aid:
yet I still see no end to my war,
nor any tranquil state in my heart,
since my desire blazes out the more,
the more hope should reassure me.
April 5, 2026
Non Tesin, Po, Varo, Adige et Tebro,
Eufrate, Tigre, Nilo, Hermo, Indo et Gange,
Tana, Histro, Alpheo, Garona, e ‘l mar che frange,
Rodano, Hibero, Ren, Sena, Albia, Era, Hebro;
non edra, abete, pin, faggio, o genebro,
poria ‘l foco allentar che ‘l cor tristo ange,
quant’un bel rio ch’ad ognor meco piange,
co l’arboscel che ‘n rime orno et celebro.
Questo un soccorso trovo tra gli assalti
d’Amore, ove conven ch’armato viva
la vita che trapassa a sí gran salti.
Cosí cresca il bel lauro in fresca riva,
et chi ‘l piantò pensier’ leggiadri et alti
ne la dolce ombra al suon de l’acque scriva.
Not Ticino, Po, Varo, Arno, Adige or Tiber
Euphrates, Tigris, Nile, Erno, Indus, or Ganges,
Don, Danube, Alpheus, Garonne, or the breaking sea,
Rhône, Iber, Rhine, Seine, Elbe, Loire, Ebro:
Not ivy, fir, pine, beech, or juniper
could lessen the fire that vexes my sad heart,
as much as the lovely river that always weeps with me,
and the little tree I adorn and praise in verse.
I find they help against the assaults
of Love, while I must live, well-armed,
the life which passes by in such swift leaps.
Let the beautiful laurel grow so, on the green bank,
and let him who planted it, in the sweet shade,
write lofty and joyful thoughts, to the sound of water.
April 5, 2026
Quando ‘l voler che con duo sproni ardenti,
et con un duro fren, mi mena et regge
trapassa ad or ad or l’usata legge
per far in parte i miei spirti contenti,
trova chi le paure et gli ardimenti
del cor profondo ne la fronte legge,
et vede Amor che sue imprese corregge
folgorar ne’ turbati occhi pungenti.
Onde, come collui che ‘l colpo teme
di Giove irato, si ritragge indietro:
ché di gran temenza gran desire affrena.
Ma freddo foco et paventosa speme
de l’alma che traluce come un vetro
talor sua dolce vista rasserena.
When my passion, that leads and rules me,
with two fierce spurs and a harsh rein,
escapes its usual curbs from time to time
and raises my spirits to some degree,
it finds her who reads the fear and daring
of the heart’s depths in the face,
and sees Love, who corrects false actions,
flashing from her pained and troubled eyes.
Then, like one afraid of a blow
from angry Jove, it retreats once more:
since great fear restrains a great desire.
But cold fire and fearful hope
in my soul, transparent as glass,
sometimes clear her sweet face again.
April 5, 2026
O d’ardente vertute ornata et calda
alma gentil chui tante carte vergo;
o sol già d’onestate intero albergo,
torre in alto valor fondata et salda;
o fiamma, o rose sparse in dolce falda
di viva neve, in ch’io mi specchio e tergo;
o piacer onde l’ali al bel viso ergo,
che luce sovra quanti il sol ne scalda:
del vostro nome, se mie rime intese
fossin sí lunge, avrei pien Tyle et Battro,
la Tana e ‘l Nilo, Athlante, Olimpo et Calpe.
Poi che portar nol posso in tutte et quattro
parti del mondo, udrallo il bel paese
ch’Appennin parte, e ‘l mar circonda et l’Alpe.
O noble soul decked out with burning virtue,
for whom I fill out so many pages:
O lone house still whole in its chastity,
strong tower founded on the highest worth:
O flame, O rose scattered on sweet layers
of living snow, in which I am reflected:
O delight whose wing lifts to a lovely face,
whose light shines brighter than the sun:
if my verse were understood so far away,
I’d fill farthest Thule, Bactria, Don and Nile,
Mount Atlas, and Gibraltar, with your name.
Since it can’t carry there to the four corners
of the world, let that lovely country hear it
the Apennines divide, and Alps and sea surround.
April 5, 2026
Pommi ove ‘l sole occide i fiori et l’erba,
o dove vince lui il ghiaccio et la neve;
ponmi ov’è ‘l carro suo temprato et leve,
et ov’è chi ce ‘l rende, o chi ce ‘l serba;
ponmi in humil fortuna, od in superba,
al dolce aere sereno, al fosco et greve;
ponmi a la notte, al dí lungo ed al breve,
a la matura etate od a l’acerba;
ponmi in cielo, od in terra, od in abisso,
in alto poggio, in valle ima et palustre,
libero spirto, od a’ suoi membri affisso;
ponmi con fama oscura, o con illustre:
sarò qual fui, vivrò com’io son visso,
continüando il mio sospir trilustre.
Set me where the sun burns flowers and grass,
or where he’s conquered by the ice and snow:
set me beneath his temperate chariot,
where it rises or where it descends:
set me among the humble, or the proud,
in sweet calm air, or in the dark and sombre:
set me in night, in days long or short,
unripe in age, or of maturer years.
set me in heaven, on earth, or in the depths,
on a high hill, or deep in a marshy vale,
a spirit freed, or imprisoned in its limbs:
set me far from fame, or let me be known:
I’ll be what I have been, live as I’ve lived,
continuing my fifteen years of sighs.
April 5, 2026
Né così bello il sol già mai levarsi
quando ‘l ciel fosse piú de nebbia scarco,
né dopo pioggia vidi ‘l celeste arco
per l’aere in color’ tanti varïarsi,
in quanti fiammeggiando trasformarsi,
nel dí ch’io presi l’amoroso incarco,
quel viso al quale, et son nel mio dir parco,
nulla cosa mortal pote aguagliarsi.
I’ vidi Amor che ‘ begli occhi volgea
soave sí, ch’ogni altra vista oscura
da indi in qua m’incominciò apparere.
Segnuccio, i’ ‘l vidi, et l’arco che tendea,
tal che mia vita poi non fu secura,
et è sí vaga ancor del rivedere.
I’ve never seen so beautiful a sunrise
when the sky was wholly free of cloud,
nor seen the heavenly bow after rain
so variously coloured in the air,
as I saw that face, and my words fall short,
with which no mortal thing can be compared,
transformed by so many shades of flame,
on the day that I took up this loving burden.
I saw Love directing her lovely eyes
so sweetly, that, from then, all other sights
began to seem like darkness to me.
Sennuccio, I saw him, and the bow he bends,
so that my life became no longer safe,
and yet I long to see it still, again.
April 5, 2026
Quand’io v’odo parlar sí dolcemente
com’Amor proprio a’ suoi seguaci instilla,
l’acceso mio desir tutto sfavilla,
tal che ‘nfiammar devria l’anime spente.
Trovo la bella donna allor presente,
ovunque mi fu mai dolce o tranquilla
ne l’habito ch’al suon non d’altra squilla
ma di sospir’ mi fa destar sovente.
Le chiome a l’aura sparse, et lei conversa
indietro veggio; et cosí bella riede
nel cor, come colei che tien la chiave.
Ma ‘l soverchio piacer, che s’atraversa
a la mia lingua, qual dentro ella siede
di mostrarla in palese ardir non ave.
When I hear you speak so sweetly,
as Love instils in all his followers,
my desire burns, all sparkling,
so even dead souls would be inflamed.
Then I find my lovely lady before me,
those times when she was sweet and peaceable,
which wakes me, not like a chiming bell
but often with the sounds of my own sighs.
I see her hair scattered by the breeze,
and she turning: so she returns so lovely
to my heart, like one who holds the key.
But the overwhelming pleasure, that ties
my tongue, has not the boldness to show
more clearly what it is she means inside me.
April 5, 2026
A la dolce ombra de le belle frondi
corsi fuggendo un dispietato lume
che’nfin qua giú m’ardea dal terzo cielo;
et disgombrava già di neve i poggi
l’aura amorosa che rinova il tempo,
et fiorian per le piagge l’erbe e i rami.
Non vide il mondo sí leggiadri rami,
né mosse il vento mai sí verdi frondi
come a me si mostrâr quel primo tempo:
tal che, temendo de l’ardente lume,
non volsi al mio refugio ombra di poggi,
ma de la pianta piú gradita in cielo.
Un lauro mi difese allor dal cielo,
onde piú volte vago de’ bei rami
da po’ son gito per selve et per poggi;
né già mai ritrovai tronco né frondi
tanto honorate dal supremo lume
che non mutasser qualitate a tempo.
Però piú fermo ognor di tempo in tempo,
seguendo ove chiamar m’udia dal cielo
e scorto d’un soave et chiaro lume,
tornai sempre devoto ai primi rami
et quando a terra son sparte le frondi
et quando il sol fa verdeggiar i poggi.
Selve, sassi, campagne, fiumi et poggi,
quanto è creato, vince et cangia il tempo:
ond’io cheggio perdono a queste frondi,
se rivolgendo poi molt’anni il cielo
fuggir disposi gl’ invescati rami
tosto ch’incominciai di veder lume.
Tanto mi piacque prima il dolce lume
ch’i’ passai con diletto assai gran poggi
per poter appressar gli amati rami:
ora la vita breve e ‘l loco e ‘l tempo
mostranmi altro sentier di gire al cielo
et di far frutto, non pur fior’ et frondi.
Altr’amor, altre frondi et altro lume,
altro salir al ciel per altri poggi
cerco, ché n’é ben tempo, et altri rami.
Into the sweet shade of the lovely leaves
I ran fleeing from the pitiless light,
burning down on me from the third heaven:
and snow was already clearing from the hills
in the loving breeze that brought the new season,
and flowers to the fields, grass, and branches.
The world has never seen such graceful branches,
the wind has never stirred such emerald leaves
as were shown to me in that first season:
such that, trembling with the fierce light,
I did not turn for refuge to shadowed hills,
but to the tree that’s noblest in heaven.
A laurel protected me from that heaven,
so that I’ve often, longing for lovely branches,
made my way through the woods and hills:
but never found a tree or leaves
so honoured by the supreme light,
that they do not alter with the season.
So, more constant, season after season,
I follow where I heard the call from heaven
and guided by a clear and gentle light,
I turn, devoted, to those first branches
when the earth is scattered with leaves
and when the sun brings green to the hills.
Woods, stones, fields, rivers and hills:
whatever is, is altered by the season:
so that I ask a pardon of these leaves,
if in the many circling years of heaven
I thought I could flee the clinging branches
as soon as I began to see the light.
I was so pleased at first by the light
that I passed with delight among vast hills,
so I might be near the beloved branches:
now the brief life, the place, and the season
show me another path to climb to heaven
and bear fruit not only flowers and leaves.
I seek another love, and leaves and light,
another path to heaven from other hills,
since it is the season, and other branches.
April 5, 2026
Come talora al caldo tempo sòle
semplicetta farfalla al lume avezza
volar negli occhi altrui per sua vaghezza,
onde aven ch’ella more, altri si dole:
cosí sempre io corro al fatal mio sole
degli occhi onde mi vèn tanta dolcezza
che ‘l fren de la ragion Amor non prezza,
e chi discerne è vinto da chi vòle.
E veggio ben quant’elli a schivo m’ànno,
e so ch’i’ ne morrò veracemente,
ché mia vertú non pò contra l’affanno;
ma sí m’abbaglia Amor soavemente,
ch’i’ piango l’altrui noia, et no ‘l mio danno;
et cieca al suo morir l’alma consente.
As at times in hot sunny weather
a guileless butterfly accustomed to the light,
flies in its wanderings into someone’s face,
causing it to die, and the other to weep:
so I am always running towards the sunlight of her eyes,
fatal to me, from which so much sweetness comes
that Love takes no heed of the reins of reason:
and he who discerns them is conquered by his desire.
And truly I see how much disdain they have for me,
and I know I am certain to die of them,
since my strength cannot counter the pain:
but Love dazzles me so sweetly,
that I weep for the other’s annoyance, not my hurt:
and my soul consents blindly to its death.
April 5, 2026
Amor, che nel penser mio vive et regna
e ‘l suo seggio maggior nel mio cor tene,
talor armato ne la fronte vène,
ivi si loca, et ivi pon sua insegna.
Quella ch’amare et sofferir ne ‘nsegna
e vòl che ‘l gran desio, l’accesa spene,
ragion, vergogna et reverenza affrene,
di nostro ardir fra se stessa si sdegna.
Onde Amor paventoso fugge al core,
lasciando ogni sua impresa, et piange, et trema;
ivi s’asconde, et non appar piú fore.
Che poss’io far, temendo il mio signore,
se non star seco infin a l’ora extrema?
Ché bel fin fa chi ben amando more.
Love that lives and reigns in my thought
and holds the central place in my heart,
sometimes comes to my brow fully armed,
takes his stand there, and sets up his banner.
She who teaches love and suffering,
and wishes great desire and burning hope
to be restrained by reason, reverence, shame,
is angered in herself by our ardour.
Then Love retreats in fear to the heart,
relinquishing his aim, trembles, weeps:
hides himself there, and no more appears.
What can I do, now my lord’s afraid,
but stay with him until the final hour?
For he ends well, who dies loving well.
April 5, 2026
Quanto piú disïose l’ali spando
verso di voi, o dolce schiera amica,
tanto Fortuna con piú visco intrica
il mio volare, et gir mi face errando.
Il cor che mal suo grado a torno mando,
è con voi sempre in quella valle aprica,
ove ‘l mar nostro piú la terra implica;
l’altrier da lui partimmi lagrimando.
I’ da man manca, e’ tenne il camin dritto;
i’ tratto a forza, et e’ d’Amore scorto;
egli in Ierusalem, et io in Egipto.
Ma sofferenza è nel dolor conforto;
ché per lungo uso, già fra noi prescripto,
il nostro esser insieme è raro et corto.
O sweet crowd of friends, the more
I spread wings of desire towards you,
the more fate hampers my flight
with bird-lime, or makes me go astray.
The heart that claimed it wrong to return,
is with you always in that broad valley
where the land most hems in our sea:
I wept at parting from my heart that day.
I took the left hand road, my heart the straight:
I was forced to go, my heart was guided by love:
my heart to Jerusalem, I into Egypt.
But patience is a solace to our grief:
by long usage, it’s well-known to us both,
that being together is a rare and brief thing.
April 5, 2026
Fontana di dolore, albergo d’ira,
scola d’errori, et templo d’eresia,
già Roma, or Babilonia falsa et ria,
per cui tanto si piange et si sospira;
o fucina d’inganni, o pregion dira,
ove ‘l ben more, e ‘l mal si nutre et cria,
di vivi inferno, un gran miracol fia
se Cristo teco alfine non s’adira.
Fondata in casta et humil povertate,
contra’ tuoi fondatori alzi le corna,
putta sfacciata: et dove ài posto spene?
Ne gli adúlteri tuoi? ne le mal nate
richezze tante? Or Constantin non torna;
ma tolga il mondo tristo che ‘l sostene.
Fountain of sorrows, house of anger,
school of errors, and temple of heresy,
once Rome, now a Babylon of deceit,
from which come so many tears and sighs:
O smithy of deceptions, O prison,
where good dies, and evil is nourished,
a living hell, a miracle indeed if Christ
is not wrathful against you in the end.
Founded in chaste and humble poverty,
impudent whore, you raise your horns
against your founders: where is your hope?
In your adulterers? Or in the evil born
from such riches? Constantine will not return:
but take them to the sad world that creates them.
April 5, 2026
L’avara Babilonia à colmo il sacco
d’ira di Dio, e di vitii empii et rei,
tanto che scoppia, ed à fatti suoi dèi
non Giove et Palla, ma Venere et Bacco.
Aspectando ragion mi struggo et fiacco;
ma pur novo soldan veggio per lei,
lo qual farà, non già quand’io vorrei,
sol una sede, et quella fia in Baldacco.
Gl’idoli suoi sarranno in terra sparsi,
et le torre superbe, al ciel nemiche,
e i suoi torrer’ di for come dentro arsi.
Anime belle et di virtute amiche
terranno il mondo; et poi vedrem lui farsi
aurëo tutto, et pien de l’opre antiche.
Greedy Babylon has crammed the bag
with God’s anger, wicked fare, and deeds,
almost to bursting, and has made its deities
not Jupiter and Pallas, but Venus and Bacchus.
Waiting for justice wearies and consumes me:
but I foresee a new sultan among them,
who will establish one seat, not soon enough
for me, and that will be in Baghdad.
Babylon’s idols will be scattered on the ground,
and her proud towers, threatening heaven,
and her guards burned as they burn within.
Beautiful souls and friends of virtue
will rule the world: and we’ll see it turned
all to gold, and filled with ancient works.
April 5, 2026
Fiamma dal ciel su le tue treccie piova,
malvagia, che dal fiume et da le ghiande
per l’altrui impoverir se’ ricca et grande,
poi che di mal oprar tanto ti giova;
nido di tradimenti, in cui si cova
quanto mal per lo mondo oggi si spande,
de vin serva, di lecti et di vivande,
in cui Luxuria fa l’ultima prova.
Per le camere tue fanciulle et vecchi
vanno trescando, et Belzebub in mezzo
co’ mantici et col foco et co li specchi.
Già non fustú nudrita in piume al rezzo,
ma nuda al vento, et scalza fra gli stecchi:
or vivi sí ch’a Dio ne venga il lezzo.
Wicked one, may heaven’s fire rain down
on your head, you who grow rich and great
by bringing others down to bread and water,
taking so much joy in evil actions:
nest of treachery, where all the evil,
spread through all the world, hatches,
slave to wine, delicacies and good living,
where Luxury performs her worst.
Through your rooms young girls and old men,
pursue their affairs, Beelzebub among them
with fire and bellows and with mirrors.
You were not born to grace a feather bed,
but go naked in the wind, barefoot on thorns:
now you live so that the stench rises to God.
April 5, 2026
Qual piú diversa et nova
cosa fu mai in qual che stranio clima,
quella, se ben s’estima,
piú mi rasembra: a tal son giunto, Amore.
Là onde il dí vèn fore,
vola un augel che sol senza consorte
di volontaria morte
rinasce, et tutto a viver si rinova.
Cosí sol si ritrova
lo mio voler, et cosí in su la cima
de’ suoi alti pensieri al sol si volve,
et cosí si risolve,
et cosí torna al suo stato di prima:
arde, et more, et riprende i nervi suoi,
et vive poi con la fenice a prova.
Una petra è sí ardita
là per l’indico mar, che da natura
tragge a sé il ferro e ‘l fura
dal legno, in guisa che ‘ navigi affonde.
Questo prov’io fra l’onde
d’amaro pianto, ché quel bello scoglio
à col suo duro argoglio
condutta ove affondar conven mia vita:
cosí l’alm’à sfornita
(furando ‘l cor che fu già cosa dura,
et me tenne un, ch’or son diviso et sparso)
un sasso a trar piú scarso
carne che ferro. O cruda mia ventura,
che ‘n carne essendo, veggio trarmi a riva
ad una viva dolce calamita!
Né l’extremo occidente
una fera è soave et queta tanto
che nulla piú, ma pianto
et doglia et morte dentro agli occhi porta:
molto convene accorta
esser qual vista mai ver’ lei si giri;
pur che gli occhi non miri,
l’altro puossi veder securamente.
Ma io incauto, dolente,
corro sempre al mio male, et so ben quanto
n’ò sofferto, et n’aspetto; ma l’engordo
voler ch’è cieco et sordo
sí mi trasporta, che ‘l bel viso santo
et gli occhi vaghi fien cagion ch’io pèra,
di questa fera angelica innocente.
Surge nel mezzo giorno
una fontana, e tien nome dal sole,
che per natura sòle
bollir le notti, e ‘n sul giorno esser fredda;
e tanto si raffredda
quanto ‘l sol monta, et quanto è piú da presso.
Cosí aven a me stesso,
che son fonte di lagrime et soggiorno:
quando ‘l bel lume adorno
ch’è ‘l mio sol s’allontana, et triste et sole
son le mie luci, et notte oscura è loro,
ardo allor; ma se l’oro
e i rai veggio apparir del vivo sole,
tutto dentro et di for sento cangiarme,
et ghiaccio farme, cosí freddo torno.
Un’altra fonte à Epiro,
di cui si scrive ch’essendo fredda ella,
ogni spenta facella
accende, et spegne qual trovasse accesa.
L’anima mia, ch’offesa
anchor non era d’amoroso foco,
appressandosi un poco
a quella fredda, ch’io sempre sospiro,
arse tutta: et martiro
simil già mai né sol vide, né stella,
ch’un cor di marmo a pietà mosso avrebbe;
poi che ‘nfiammata l’ebbe,
rispensela vertú gelata et bella.
Cosí piú volte à ‘l cor racceso et spento:
i’ ‘l so che ‘l sento, et spesso me ‘nadiro.
Fuor tutti nostri lidi,
ne l’isole famose di Fortuna,
due fonti à: chi de l’una
bee, mor ridendo; et chi de l’altra, scampa.
Simil fortuna stampa
mia vita, che morir poria ridendo,
del gran piacer ch’io prendo,
se nol temprassen dolorosi stridi.
Amor, ch’anchor mi guidi
pur a l’ombra di fama occulta et bruna,
tacerem questa fonte, ch’ognor piena,
ma con piú larga vena
veggiam, quando col Tauro il sol s’aduna:
cosí gli occhi miei piangon d’ogni tempo,
ma piú nel tempo che madonna vidi.
Chi spïasse, canzone
quel ch’i’ fo, tu pôi dir: Sotto un gran sasso
in una chiusa valle, ond’esce Sorga,
si sta; né chi lo scorga
v’è, se no Amor, che mai nol lascia un passo,
et l’immagine d’una che lo strugge,
ché per sé fugge tutt’altre persone.
Whatever varied and strange thing
may exist in whatever foreign land,
I truly think it most
resembles me: to such I’m come, Love.
There where the day is born,
flies a bird, alone without a mate,
that rises from self-willed
death, and is reborn to life.
So is my desire
found alone, and so it turns to the heights
of noble thought, towards the sun,
and so it is destroyed,
and so returns to its first state:
it burns, and dies, and regains its strength,
able to live again as the phoenix does.
There is a stone so ardent
there in the Indian Ocean, that by nature
it draws iron to itself, steals nails
from wood, so that vessels sink.
I demonstrate this, among waves
of bitter tears, because the lovely reef
with its harsh pride,
has led me where my life must founder:
so my soul is stripped
(stealing the heart that once was whole,
and making me now scattered and divided)
a stone to draw flesh
more than iron. O my cruel fate
that being flesh I see myself dragged to shore
towards a sweet living danger!
In the far west
there is a creature gentler
and sweeter than any other, yet she
bears tears and grief and death in her eyes:
and he must take care
who ever turns his sight towards her:
only if he does not gaze into her eyes,
can he safely look at her.
But I, incautious, grieving,
always run towards my hurt, and I know
how much I suffered and expect to:
but my blind deaf desire
so transports me, that the lovely face
and veiled eyes will be a reason why I perish
of this innocent angelic creature.
In the mid-south a fountain
rises, taking its name from the sun,
that by nature
burns at night, and in the day is cold:
and so it cools
as the sun climbs, and it is nearer.
So it is with me,
who am the fount and place of tears:
when the bright lovely light
that is my sun departs, and my eyes
are sad and lonely, and night obscures them,
I burn: but if I see the gold
and rays of my living sun appear,
I feel myself alter inside and out,
and I freeze, as if turned to ice.
Another fountain is in Epirus,
of which it’s written that being cold
it ignites spent torches,
and quenches those that are lit.
My spirit, that had not yet
been attacked by loving fire,
drawing near
to that cold I always sigh for,
blazed up: and suffering
like it was never seen by sun or star:
it might have moved a marble heart to pity:
once it was inflamed,
her beautiful cold power re-quenched it.
So my heart has been many times lit and spent:
I know how I felt, and often it angers me.
Beyond our every shore,
in the famed Fortunate Isles,
there are two founts: he who drinks
of the one dies smiling: if of the other he’s saved.
A like fate shapes
my life, since I could die smiling,
with the great delight I derive,
if it were not tempered by sad cries.
Love, who still guides me,
into the shadows, dark and hidden from fame,
let us be silent about that fountain,
always full, but seen
with greater flow when the sun’s in Taurus:
so my eyes weep all the time,
but more at the time I first saw my lady.
Song, if they ask
how I am, you can say: ‘He lives
under a great rock in a closed valley,
where the Sorgue rises, where no one
sees him, except Love, who never leaves his side,
and that image with him, of one who destroys him,
for whom he flees all other people.
April 5, 2026
Pace non trovo, et non ò da far guerra;
e temo, et spero; et ardo, et son un ghiaccio;
et volo sopra ‘l cielo, et giaccio in terra;
et nulla stringo, et tutto ‘l mondo abbraccio.
Tal m’à in pregion, che non m’apre né serra,
né per suo mi riten né scioglie il laccio;
et non m’ancide Amore, et non mi sferra,
né mi vuol vivo, né mi trae d’impaccio.
Veggio senza occhi, et non ò lingua et grido;
et bramo di perir, et cheggio aita;
et ò in odio me stesso, et amo altrui.
Pascomi di dolor, piangendo rido;
egualmente mi spiace morte et vita:
in questo stato son, donna, per voi.
I find no peace, and yet I make no war:
and fear, and hope: and burn, and I am ice:
and fly above the sky, and fall to earth,
and clutch at nothing, and embrace the world.
One imprisons me, who neither frees nor jails me,
nor keeps me to herself nor slips the noose:
and Love does not destroy me, and does not loose me,
wishes me not to live, but does not remove my bar.
I see without eyes, and have no tongue, but cry:
and long to perish, yet I beg for aid:
and hold myself in hate, and love another.
I feed on sadness, laughing weep:
death and life displease me equally:
and I am in this state, lady, because of you.
April 5, 2026
Amor m’à posto come segno a strale,
come al sol neve, come cera al foco,
et come nebbia al vento; et son già roco,
donna, mercé chiamando, et voi non cale.
Da gli occhi vostri uscío ‘l colpo mortale,
contra cui non mi val tempo né loco;
da voi sola procede, et parvi un gioco,
il sole e ‘l foco e ‘l vento ond’io son tale.
I pensier’ son saette, e ‘l viso un sole,
e ‘l desir foco; e ‘nseme con quest’arme
mi punge Amor, m’abbaglia et mi distrugge;
et l’angelico canto et le parole,
col dolce spirto ond’io non posso aitarme,
son l’aura inanzi a cui mia vita fugge.
Love placed me as a target for his arrow,
like snow in sunlight, or wax in the fire,
like a cloud in the wind: and I am hoarse already,
Lady, calling for your mercy: and you indifferent.
The mortal blow issued from your eyes,
against which no time or place helps me:
from you alone proceed, and it seems to you
a game, the sun and wind and fire that make me so.
Your thoughts are arrows, and your face the sun,
and desire is fire: with which joint weapons
Love pierces me, dazzles me and melts me:
and your angelic singing and your speech,
with your sweet spirit from which I’ve no defence,
are the breeze (l’aura) before which my life flies.
April 5, 2026
S’amor non è, che dunque è quel ch’io sento?
Ma s’egli è amor, perdio, che cosa et quale?
Se bona, onde l’effecto aspro mortale?
Se ria, onde sí dolce ogni tormento?
S’a mia voglia ardo, onde ‘l pianto e lamento?
S’a mal mio grado, il lamentar che vale?
O viva morte, o dilectoso male,
come puoi tanto in me, s’io no ‘l consento?
Et s’io ‘l consento, a gran torto mi doglio.
Fra sí contrari vènti in frale barca
mi trovo in alto mar senza governo,
sí lieve di saver, d’error sí carca
ch’i’ medesmo non so quel ch’io mi voglio,
et tremo a mezza state, ardendo il verno.
What do I feel if this is not love?
But if it is love, God, what thing is this?
If good, why this effect: bitter, mortal?
If bad, then why is every suffering sweet?
If I desire to burn, why tears and grief?
If my state’s evil, what’s the use of grieving?
O living death, O delightful evil,
how can you be in me so, if I do not consent?
And if I consent, I am greatly wrong in sorrowing.
Among conflicting winds in a frail boat
I find myself on the deep sea without a helm,
so light in knowledge, so laden with error,
that I do not know what I wish myself,
and tremble in midsummer, burn in winter.
April 5, 2026
Io canterei d’amor sí novamente
ch’al duro fiancho il dí mille sospiri
trarrei per forza, et mille alti desiri
raccenderei ne la gelata mente;
e ‘l bel viso vedrei cangiar sovente,
et bagnar gli occhi, et piú pietosi giri
far, come suol chi de gli altrui martiri
et del suo error quando non val si pente;
et le rose vermiglie in fra le neve
mover da l’òra, et discovrir l’avorio
che fa di marmo chi da presso ‘l guarda;
e tutto quel per che nel viver breve
non rincresco a me stesso, anzi mi glorio
d’esser servato a la stagion piú tarda.
I would sing of love in so new a way
I would draw a thousand sighs
from that hard heart, and light a thousand
noble desires in that chill mind:
and I would see her often change expression,
and wet her eyes, and turn more pityingly,
like one who, when it’s no use, repents
of other’s suffering and her own error:
and the scarlet roses in among the snow
move at her breath, revealing ivory,
changing to marble those who gaze closely:
and all that holds no regret for me
in this brief life, but only glory
at having been born in this late age.
April 5, 2026
Poi che ‘l camin m’è chiuso di Mercede,
per desperata via son dilungato
da gli occhi ov’era, i’ non so per qual fato,
riposto il guidardon d’ogni mia fede.
Pasco ‘l cor di sospir’, ch’altro non chiede,
e di lagrime vivo a pianger nato:
né di ciò duolmi, perché in tale stato
è dolce il pianto piú ch’altri non crede.
Et sol ad una imagine m’attegno,
che fe’ non Zeusi, o Prasitele, o Fidia,
ma miglior mastro, et di piú alto ingegno.
Qual Scithia m’assicura, o qual Numidia,
s’anchor non satia del mio exsilio indegno,
cosí nascosto mi ritrova Invidia?
Since the path to Mercy’s closed to me,
I travel on the road of despair, far
from those eyes where, by what fate who knows,
the reward for all my faith is set.
I feed the heart on sighs, it asks no more,
and, born to weep, I live on tears:
nor lament it, since in such a state
weeping’s sweeter than others might believe.
And I adhere to one image alone,
that no Zeuxis, Praxiteles, or Phidias made,
but a greater master, with a nobler art.
What Scythia or Numidia would be safe for me,
since, still dissatisfied with my shameful exile,
Envy finds me again, buried here?
April 5, 2026
Di pensier in pensier, di monte in monte
mi guida Amor, ch’ogni segnato calle
provo contrario a la tranquilla vita.
Se ‘n solitaria piaggia, o rivo, o fonte,
se ‘nfra duo poggi siede ombrosa valle,
ivi s’acqueta l’alma sbigottita;
et come Amor l’envita,
or ride, or piange, or teme, or s’assecura;
e ‘l volto che lei segue ov’ella il mena
si turba et rasserena,
et in un esser picciol tempo dura;
onde a la vista huom di tal vita experto
diria: Questo arde, et di suo stato è incerto.
Per alti monti et per selve aspre trovo
qualche riposo: ogni habitato loco
è nemico mortal degli occhi miei.
A ciascun passo nasce un penser novo
de la mia donna, che sovente in gioco
gira ‘l tormento ch’i’ porto per lei;
et a pena vorrei
cangiar questo mio viver dolce amaro,
ch’i’ dico: Forse anchor ti serva Amore
ad un tempo migliore;
forse, a te stesso vile, altrui se’ caro.
Et in questa trapasso sospirando:
Or porrebbe esser vero? or come? or quando?
Ove porge ombra un pino alto od un colle
talor m’arresto, et pur nel primo sasso
disegno co la mente il suo bel viso.
Poi ch’a me torno, trovo il petto molle
de la pietate; et alor dico: Ahi, lasso,
dove se’ giunto! et onde se’ diviso!
Ma mentre tener fiso
posso al primo pensier la mente vaga,
et mirar lei, et oblïar me stesso,
sento Amor sí da presso,
che del suo proprio error l’alma s’appaga:
in tante parti et sí bella la veggio,
che se l’error durasse, altro non cheggio.
I’ l’ò piú volte (or chi fia che mi ‘l creda?)
ne l’acqua chiara et sopra l’erba verde
veduto viva, et nel tronchon d’un faggio
e ‘n bianca nube, sí fatta che Leda
avria ben detto che sua figlia perde,
come stella che ‘l sol copre col raggio;
et quanto in piú selvaggio
loco mi trovo e ‘n piú deserto lido,
tanto piú bella il mio pensier l’adombra.
Poi quando il vero sgombra
quel dolce error, pur lí medesmo assido
me freddo, pietra morta in pietra viva,
in guisa d’uom che pensi et pianga et scriva.
Ove d’altra montagna ombra non tocchi,
verso ‘l maggiore e ‘l piú expedito giogo
tirar mi suol un desiderio intenso;
indi i miei danni a misurar con gli occhi
comincio, e ‘ntanto lagrimando sfogo
di dolorosa nebbia il cor condenso,
alor ch’i’ miro et penso,
quanta aria dal bel viso mi diparte
che sempre m’è sí presso et sí lontano.
Poscia fra me pian piano:
Che sai tu, lasso! forse in quella parte
or di tua lontananza si sospira.
Et in questo penser l’alma respira.
Canzone, oltra quell’alpe
là dove il ciel è piú sereno et lieto
mi rivedrai sovr’un ruscel corrente,
ove l’aura si sente
d’un fresco et odorifero laureto.
Ivi è ‘l mio cor, et quella che ‘l m’invola;
qui veder pôi l’imagine mia sola.
Love leads me on, from thought to thought,
from mountain to mountain, since every path blazed
proves opposed to the tranquil life.
If there is a stream or a fountain on a solitary slope,
if a shadowed valley lies between two hills,
the distressed soul calms itself there:
and, as Love invites it to,
now smiles, or weeps, or fears, or feels secure:
and my face that follows the soul where she leads
is turbid and then clear,
and remains only a short time in one mode:
so that a man expert in such a life would say
at the sight of me: ‘He is on fire, and uncertain of his state.’
I find some repose in high mountains
and in savage woods: each inhabited place
is the mortal enemy of my eyes.
At every step a new thought of my lady
is born, which often turns the suffering
I bear to joy, because of her:
and, as often as I wish
to alter my bitter and sweet life,
I say: ‘Perhaps Love is saving you
for a better time:
perhaps you are dear to another, hateful to yourself.’
And with this, sighing, I continue:
‘Now can this be true? And how? And when?’
Sometimes I stop where a high pine tree or a hill
provides shade, and on the first stone
I trace in my mind her lovely face.
When I come to myself, I find my chest
wet with pity: and then I say: ‘Ah, alas,
what are you come to, and what are you parted from!’
But as long as I can keep
my wandering mind fixed on that first thought,
and gaze at her, and forget myself,
I feel Love so close to me
that my soul is satisfied with its own error:
I see her in many places and so lovely,
that I ask no more than that my error last.
Many times I have seen here vividly
(now, who will believe me?) in clear water
and on green grass, and in a beech trunk,
and in a white cloud, so made that Leda
would surely have said her daughter was eclipsed,
like a star the sun obscures with its rays:
and the wilder the place I find
and the more deserted the shore,
the more beautifully my thoughts depict her.
Then when the truth dispels
that sweet error, I still sit there chilled,
the same, a dead stone on living stone,
in the shape of a man who thinks and weeps and writes.
I feel a sole intense desire draw me
where the shadow of no other mountain falls,
towards the highest and most helpful peak:
from there I begin to measure out my suffering
with my eyes, and, weeping, to release
the sorrowful cloud that condenses in my heart,
when I think and see,
what distance parts me from her lovely face,
which is always so near to me, and so far.
Then softly I weep to myself:
‘Alas, what do you know! Perhaps somewhere
now she is sighing for your absence.’
And the soul takes breath at this thought.
Song, beyond the mountain,
there where the sky is more serene and joyful,
you will see me once more by a running stream,
where the breeze is fragrant
with fresh and perfumed laurel.
There is my heart, and she who steals it from me:
here you can only see my ghost.
April 5, 2026
Italia mia, benché ‘l parlar sia indarno
a le piaghe mortali
che nel bel corpo tuo sí spesse veggio,
piacemi almen che ‘ miei sospir’ sian quali
spera ‘l Tevero et l’Arno,
e ‘l Po, dove doglioso et grave or seggio.
Rettor del cielo, io cheggio
che la pietà che Ti condusse in terra
Ti volga al Tuo dilecto almo paese.
Vedi, Segnor cortese,
di che lievi cagion’ che crudel guerra;
e i cor’, che ‘ndura et serra
Marte superbo et fero,
apri Tu, Padre, e ‘ntenerisci et snoda;
ivi fa che ‘l Tuo vero,
qual io mi sia, per la mia lingua s’oda.
Voi cui Fortuna à posto in mano il freno
de le belle contrade,
di che nulla pietà par che vi stringa,
che fan qui tante pellegrine spade?
perché ‘l verde terreno
del barbarico sangue si depinga?
Vano error vi lusinga:
poco vedete, et parvi veder molto,
ché ‘n cor venale amor cercate o fede.
Qual piú gente possede,
colui è piú da’ suoi nemici avolto.
O diluvio raccolto
di che deserti strani
per inondar i nostri dolci campi!
Se da le proprie mani
questo n’avene, or chi fia che ne scampi?
Ben provide Natura al nostro stato,
quando de l’Alpi schermo
pose fra noi et la tedesca rabbia;
ma ‘l desir cieco, e ‘ncontr’al suo ben fermo,
s’è poi tanto ingegnato,
ch’al corpo sano à procurato scabbia.
Or dentro ad una gabbia
fiere selvagge et mansüete gregge
s’annidan sí che sempre il miglior geme:
et è questo del seme,
per piú dolor, del popol senza legge,
al qual, come si legge,
Mario aperse sí ‘l fianco,
che memoria de l’opra ancho non langue,
quando assetato et stanco
non piú bevve del fiume acqua che sangue.
Cesare taccio che per ogni piaggia
fece l’erbe sanguigne
di lor vene, ove ‘l nostro ferro mise.
Or par, non so per che stelle maligne,
che ‘l cielo in odio n’aggia:
vostra mercé, cui tanto si commise.
Vostre voglie divise
guastan del mondo la piú bella parte.
Qual colpa, qual giudicio o qual destino
fastidire il vicino
povero, et le fortune afflicte et sparte
perseguire, e ‘n disparte
cercar gente et gradire,
che sparga ‘l sangue et venda l’alma a prezzo?
Io parlo per ver dire,
non per odio d’altrui, né per disprezzo.
Né v’accorgete anchor per tante prove
del bavarico inganno
ch’alzando il dito colla morte scherza?
Peggio è lo strazio, al mio parer, che ‘l danno;
ma ‘l vostro sangue piove
piú largamente, ch’altr’ira vi sferza.
Da la matina a terza
di voi pensate, et vederete come
tien caro altrui che tien sé cosí vile.
Latin sangue gentile,
sgombra da te queste dannose some;
non far idolo un nome
vano senza soggetto:
ché ‘l furor de lassú, gente ritrosa,
vincerne d’intellecto,
peccato è nostro, et non natural cosa.
Non è questo ‘l terren ch’i’ toccai pria?
Non è questo il mio nido
ove nudrito fui sí dolcemente?
Non è questa la patria in ch’io mi fido,
madre benigna et pia,
che copre l’un et l’altro mio parente?
Perdio, questo la mente
talor vi mova, et con pietà guardate
le lagrime del popol doloroso,
che sol da voi riposo
dopo Dio spera; et pur che voi mostriate
segno alcun di pietate,
vertú contra furore
prenderà l’arme, et fia ‘l combatter corto:
ché l’antiquo valore
ne gli italici cor’ non è anchor morto.
Signor’, mirate come ‘l tempo vola,
et sí come la vita
fugge, et la morte n’è sovra le spalle.
Voi siete or qui; pensate a la partita:
ché l’alma ignuda et sola
conven ch’arrive a quel dubbioso calle.
Al passar questa valle
piacciavi porre giú l’odio et lo sdegno,
vènti contrari a la vita serena;
et quel che ‘n altrui pena
tempo si spende, in qualche acto piú degno
o di mano o d’ingegno,
in qualche bella lode,
in qualche honesto studio si converta:
cosí qua giú si gode,
et la strada del ciel si trova aperta.
Canzone, io t’ammonisco
che tua ragion cortesemente dica,
perché fra gente altera ir ti convene,
et le voglie son piene
già de l’usanza pessima et antica,
del ver sempre nemica.
Proverai tua ventura
fra’ magnanimi pochi a chi ‘l ben piace.
Di’ lor: – Chi m’assicura?
I’ vo gridando: Pace, pace, pace. –
My Italy, though words cannot heal
the mortal wounds
so dense, I see on your lovely flesh,
at least I pray that my sighs might bring
some hope to the Tiber and the Arno,
and the Po, that sees me now sad and grave.
Ruler of Heaven, I hope
that the pity that brought You to earth,
will turn you towards your soul-delighting land.
Lord of courtesy, see
such cruel wars for such slight causes:
and hearts, hardened and closed
by proud, fierce Mars,
and open them, Father, soften them, set them free:
and, whatever I may be, let your Truth
be heard in my speech.
You lords to whose hands Fortune entrusts the reins
of the beautiful region
for which you seem to show no pity,
what is the purpose of these foreign swords?
Why is our green land
so stained with barbarous blood?
Vain error flatters you:
you see little, and think you see much,
if you look for love or loyalty in venal hearts.
He who has more troops
has more enemies under his command.
O waters gathered
from desert lands
to inundate our sweet fields!
If our own hands
have done it, who can rescue us now?
Nature provided well for our defence,
setting the Alps as a shield
between us and the German madness:
but blind desire, contrary to its own good,
is so ingenious,
that it brings plague to a healthy body.
Now wild beasts
and gentle flocks sleep in one pen
so the gentler always groan:
and this, to add to our grief,
from that race, that lawless people,
of whom, as we read,
Marius so pierced their flank,
that the memory of the deed can never fade,
how thirsty and weary
he no longer drank river water but blood!
I’ll say nothing of Caesar
who painted the grass crimson
with their blood, where he raised the sword.
Now it seems, no one knows by what evil star,
heaven hates us:
mercy, oh you who so beset us.
Your warring wills
waste the better part of the world.
For what fault, by what justice, through what fate,
do you trouble your poor
neighbours, and persecute those afflicted
by fortune, and scattered, and search
out foreign people and accept them,
they who spill blood and sell their souls for money?
I speak to tell the truth,
not in hatred of anyone, nor scorn.
Are you still ignorant of German deceit,
with so many clear examples,
they who lift their fingers in mock surrender?
Their scorn is worse, it seem to me, than their harm:
while your blood flows
more freely, as other’s anger flails you.
From matins to tierce
think to yourself, consider how
any can care for others who behave so vilely.
People of Latin blood,
free yourself from this harmful burden:
don’t make an idol of a name
empty, and without substance:
that the berserkers from there, that backward race,
defeat our intelligence
is our sin, and not nature’s.
Is this not the earth that I first touched?
Is this not my nest
where I was so sweetly nourished?
Is this not the land I trust,
benign and gentle mother,
that covers both my parents?
By God, let this move you
a little, and gaze with pity
at the tears of your sad people,
who place their hopes in you
next to God: if only you show
signs at least of pity,
virtue will take up arms
against madness, and cut short the warring:
if ancient courage
is not yet dead in Italian hearts.
Lords, see how time flies,
and how life
flies too, and death is at our shoulder.
You are here now: but think of the parting:
how the naked lonely soul
must arrive at the dangerous pass.
As you go through this valley
of tears, lay aside hatred and anger,
running counter to a peaceful life:
and all the time you spend
causing others pain, is more worthy
of actions or thought
in which there is sweet praise,
in which honest study is involved:
so there is joy down here,
and the way to heaven will be open.
Song, I advise you
to speak with courteous words,
since you must go among proud people,
whose will is already
formed by ancient, adverse custom,
always inimical to truth.
Seek your fortune
among those favourable to true peace.
Say to them: ‘Who will defend me?
I go calling out: Peace, peace, peace.’
April 5, 2026
In quella parte dove Amor mi sprona
conven ch’io volga le dogliose rime,
che son seguaci de la mente afflicta.
Quai fien ultime, lasso, et qua’ fien prime?
Collui che del mio mal meco ragiona
mi lascia in dubbio, sí confuso ditta.
Ma pur quanto l’istoria trovo scripta
in mezzo ‘l cor (che sí spesso rincorro)
co la sua propria man de’ miei martiri,
dirò, perché i sospiri
parlando àn triegua, et al dolor soccorro.
Dico che, perch’io miri
mille cose diverse attento et fiso,
sol una donna veggio, e ‘l suo bel viso.
Poi che la dispietata mia ventura
m’à dilungato dal maggior mio bene,
noiosa, inexorabile et superba,
Amor col rimembrar sol mi mantene:
onde s’io veggio in giovenil figura
incominciarsi il mondo a vestir d’erba,
parmi vedere in quella etate acerba
la bella giovenetta, ch’ora è donna;
poi che sormonta riscaldando il sole,
parmi qual esser sòle,
fiamma d’amor che ‘n cor alto s’endonna;
ma quando il dí si dole
di lui che passo passo a dietro torni,
veggio lei giunta a’ suoi perfecti giorni.
In ramo fronde, over vïole in terra,
mirando a la stagion che ‘l freddo perde,
et le stelle miglior’ acquistan forza,
ne gli occhi ò pur le vïolette e ‘l verde
di ch’era nel principio de mia guerra
Amor armato, sí ch’anchor mi sforza,
et quella dolce leggiadretta scorza
che ricopria le pargolette membra
dove oggi alberga l’anima gentile
ch’ogni altro piacer vile
sembiar mi fa: sí forte mi rimembra
del portamento humile
ch’allor fioriva, et poi crebbe anzi agli anni,
cagion sola et riposo de’ miei affanni.
Qualor tenera neve per li colli
dal sol percossa veggio di lontano,
come ‘l sol neve, mi governa Amore,
pensando nel bel viso piú che humano
che pò da lunge gli occhi miei far molli,
ma da presso gli abbaglia, et vince il core:
ove fra ‘l biancho et l’aurëo colore,
sempre si mostra quel che mai non vide
occhio mortal, ch’io creda, altro che ‘l mio;
et del caldo desio,
che, quando sospirando ella sorride,
m’infiamma sí che oblio
nïente aprezza, ma diventa eterno,
né state il cangia, né lo spegne il verno.
Non vidi mai dopo nocturna pioggia
gir per l’aere sereno stelle erranti,
et fiammeggiar fra la rugiada e ‘l gielo,
ch’i’ non avesse i begli occhi davanti
ove la stancha mia vita s’appoggia,
quali io gli vidi a l’ombra di un bel velo;
et sí come di lor bellezze il cielo
splendea quel dí, così bagnati anchora
li veggio sfavillare, ond’io sempre ardo.
Se ‘l sol levarsi sguardo,
sento il lume apparir che m’innamora;
se tramontarsi al tardo,
parmel veder quando si volge altrove
lassando tenebroso onde si move.
Se mai candide rose con vermiglie
in vasel d’oro vider gli occhi miei
allor allor da vergine man colte,
veder pensaro il viso di colei
ch’avanza tutte l’altre meraviglie
con tre belle excellentie in lui raccolte:
le bionde treccie sopra ‘l collo sciolte,
ov’ogni lacte perderia sua prova,
e le guancie ch’adorna un dolce foco.
Ma pur che l’òra un poco
fior’ bianchi et gialli per le piaggie mova,
torna a la mente il loco
e ‘l primo dí ch’i’ vidi a l’aura sparsi
i capei d’oro, ond’io sí súbito arsi,
Ad una ad una annoverar le stelle,
e ‘n picciol vetro chiuder tutte l’acque,
forse credea, quando in sí poca carta
novo penser di ricontar mi nacque
in quante parti il fior de l’altre belle,
stando in se stessa, à la sua luce sparta
a ciò che mai da lei non mi diparta:
né farò io; et se pur talor fuggo,
in cielo e’n terra m’ha rachiuso i passi,
perch’agli occhi miei lassi
sempre è presente, ond’io tutto mi struggo.
Et cosí meco stassi,
ch’altra non veggio mai, né veder bramo,
né ‘l nome d’altra né sospir’ miei chiamo.
Ben sai, canzon, che quant’io parlo è nulla
al celato amoroso mio pensero,
che dí et nocte ne la mente porto,
solo per cui conforto
in cosí lunga guerra ancho non pèro:
ché ben m’avria già morto
la lontananza del mio cor piangendo,
ma quinci da la morte indugio prendo.
I must turn these sorrowful verses,
the followers of my tormented mind,
towards the place where Love drives me.
Which shall be last, alas, and which first?
He who talks to me of my ills
leaves me in doubt, he speaks so confusedly.
But I will speak as much of the history written
in my heart’s core, in his own hand,
about my suffering (which I so often recall)
since by speaking I seek
a truce to sighs and help for sadness.
I say that, though I gaze
at a thousand diverse things attentively and fixedly,
I only see one lady, and one lovely face.
Since my pitiless fate separated me
from my greater good,
fate proud, inexorable and harmful,
Love aids me with the memory alone:
and when I see the earth in youthful guise
begin to clothe itself with grass,
I seem to see in that bitter season
the lovely young girl who is now a woman:
so that when the sun rises warming me,
it seems to me he is solely
that flame of love that claims noble hearts:
but when the day grieves
for him, who descends little by little,
I see her in her days of maturity.
Seeing leaves on the branches, or violets on the ground,
in the season when the cold lessens,
and gentler stars acquire power,
brings the violets and greenness to mind
with which Love, who still rules me,
armed himself at the start of our battle,
and that sweet graceful outer bark
that covered her childish limbs
that a gentle spirit inhabits today
seemed to me to make
all other pleasures base: so deeply I recall
her humble bearing
that flowered then, and increased beyond her years,
sole reason and solace for my torment.
Sometimes I see fresh snow
on distant hills struck by the sun:
as sun does snow, Love rules over me,
thinking of that more than mortal face
that makes my eyes moisten from afar,
but, close to, dazzles, and defeats the heart:
where between the white and the gold,
what has never been seen by human eye
except I think my own, reveals itself:
and that warm passion
which, when she smiles in sighing,
inflames me so that it makes me
forget nothing, but becomes eternal,
nor changes state, nor quenches spring.
I never see the wandering stars
move through the calm air after night rain,
flaming more brightly among the dew and frost,
without seeing her eyes before me,
where the weariness of my life is soothed,
as I’ve seen them in the shadow of a lovely veil:
and as I saw the sky ablaze that day
with their beauty, so I see them still
sparkling through tears, so that I burn forever.
If I see the sun rising,
I feel the light appear that enamoured me:
if slowly setting,
I seem to see it turning elsewhere
leaving darkness behind as it goes.
If my eyes ever saw pure white
and vermilion roses in a gold vase
freshly picked by a virgin hand,
I thought I saw her face
that exceeded all other marvels
through the three virtues caught up in her:
the blonde hair, loose on a neck
where any milk would lose its power,
and her cheeks that a sweet fire adorns.
But truly when a little breeze
stirs white and yellow flowers in the fields,
my mind turns to that place
and the first time I saw her golden hair
blown by the wind, so that I suddenly burned.
Perhaps it would be more believable if I
counted the stars one by one, or enclosed
the waves in a little glass, as for fresh thought
to be born in me, of telling in so small a space
all places that this flower of noble beauty
remaining still herself, has scattered her light
so that I can never depart from her:
nor will I: and if I flee at times,
she has closed the passes in heaven and earth,
so that to my weary eyes
she is always present, and I am all consumed.
And she stays with me,
so that I see nothing else, nor wish to see,
nor speak another’s name in my sighing.
Song, you well know that what I say is nothing
compared to the hidden thought of love,
that I have in my mind night and day,
comforted only by that,
so that I’m still not dead of the long war:
and I should already have died,
weeping for my heart’s absence,
but by this I gain my death’s delay.
April 5, 2026
Chiare, fresche et dolci acque,
ove le belle membra
pose colei che sola a me par donna;
gentil ramo ove piacque
(con sospir’ mi rimembra)
a lei di fare al bel fiancho colonna;
herba et fior’ che la gonna
leggiadra ricoverse
co l’angelico seno;
aere sacro, sereno,
ove Amor co’ begli occhi il cor m’aperse:
date udïenza insieme
a le dolenti mie parole extreme.
S’egli è pur mio destino
e ‘l cielo in ciò s’adopra,
ch’Amor quest’occhi lagrimando chiuda,
qualche gratia il meschino
corpo fra voi ricopra,
et torni l’alma al proprio albergo ignuda.
La morte fia men cruda
se questa spene porto
a quel dubbioso passo:
ché lo spirito lasso
non poria mai in piú riposato porto
né in piú tranquilla fossa
fuggir la carne travagliata et l’ossa.
Tempo verrà anchor forse
ch’a l’usato soggiorno
torni la fera bella et mansüeta,
et là ‘v’ella mi scorse
nel benedetto giorno,
volga la vista disïosa et lieta,
cercandomi; et, o pietà!,
già terra in fra le pietre
vedendo, Amor l’inspiri
in guisa che sospiri
sí dolcemente che mercé m’impetre,
et faccia forza al cielo,
asciugandosi gli occhi col bel velo.
Da’ be’ rami scendea
(dolce ne la memoria)
una pioggia di fior’ sovra ‘l suo grembo;
et ella si sedea
humile in tanta gloria,
coverta già de l’amoroso nembo.
Qual fior cadea sul lembo,
qual su le treccie bionde,
ch’oro forbito et perle
eran quel dí a vederle;
qual si posava in terra, et qual su l’onde;
qual con un vago errore
girando parea dir: – Qui regna Amore. –
Quante volte diss’io
allor pien di spavento:
Costei per fermo nacque in paradiso.
Cosí carco d’oblio
il divin portamento
e ‘l volto e le parole e ‘l dolce riso
m’aveano, et sí diviso
da l’imagine vera,
ch’i’ dicea sospirando:
Qui come venn’io, o quando?;
credendo d’esser in ciel, non là dov’era.
Da indi in qua mi piace
questa herba sí, ch’altrove non ò pace.
Se tu avessi ornamenti quant’ài voglia,
poresti arditamente
uscir del boscho, et gir in fra la gente.
Clear, sweet fresh water
where she, the only one who seemed
woman to me, rested her beautiful limbs:
gentle branch where it pleased her
(with sighs, I remember it)
to make a pillar for her lovely flank:
grass and flowers which her dress
lightly covered,
as it did the angelic breast:
serene, and sacred air,
where Love pierced my heart with eyes of beauty:
listen together
to my last sad words.
If it is my destiny
and heaven works towards this,
that Love should close these weeping eyes,
let some grace bury
my poor body amongst you,
and the soul return naked to its place.
Death would be less cruel
if I could bear this hope
to the uncertain crossing:
since the weary spirit
could never in a more gentle harbour,
or in a quieter grave,
leave behind its troubled flesh and bone.
Perhaps another time will come,
when the beautiful, wild, and gentle one
will return to this accustomed place,
and here where she glanced at me
on that blessed day
may turn her face yearning and joyful,
to find me: and, oh pity!,
seeing me already earth
among the stones, Love will inspire her
in a manner such that she will sigh
so sweetly she will obtain mercy for me,
and have power in heaven,
drying her eyes with her lovely veil.
A rain of flowers descended
(sweet in the memory)
from the beautiful branches into her lap,
and she sat there
humble amongst such glory,
covered now by the loving shower.
A flower fell on her hem,
one in her braided blonde hair,
that was seen on that day to be
like chased gold and pearl:
one rested on the ground, and one in the water,
and one, in wandering vagary,
twirling, seemed to say: ‘Here Love rules’.
Then, full of apprehension,
how often I said:
‘For certain she was born in Paradise.’
Her divine bearing
and her face, her speech, her sweet smile
captured me, and so separated me,
from true thought
that I would say, sighing:
‘How did I come here, and when?’
believing I was in heaven, not there where I was.
Since then this grass
has so pleased me, nowhere else do I find peace.
Song, if you had as much beauty as you wished,
you could boldly
leave this wood, and go among people.
April 5, 2026
Se ‘l pensier che mi strugge,
com’è pungente et saldo,
cosí vestisse d’un color conforme,
forse tal m’arde et fugge,
ch’avria parte del caldo,
et desteriasi Amor là dov’or dorme;
men solitarie l’orme
fôran de’ miei pie’ lassi
per campagne et per colli,
men gli occhi ad ognor molli,
ardendo lei che come un ghiaccio stassi,
et non lascia in me dramma
che non sia foco et fiamma.
Però ch’Amor mi sforza
et di saver mi spoglia,
parlo in rime aspre, et di dolcezza ignude:
ma non sempre a la scorza
ramo, né in fior, né ‘n foglia
mostra di for sua natural vertude.
Miri ciò che ‘l cor chiude
Amor et que’ begli occhi,
ove si siede a l’ombra.
Se ‘l dolor che si sgombra
aven che ‘n pianto o in lamentar trabocchi,
l’un a me nòce et l’altro
altrui, ch’io non lo scaltro.
Dolci rime leggiadre
che nel primiero assalto
d’Amor usai, quand’io non ebbi altr’arme,
chi verrà mai che squadre
questo mio cor di smalto
ch’almen com’io solea possa sfogarme?
Ch’aver dentro a lui parme
un che madonna sempre
depinge et de lei parla:
a voler poi ritrarla
per me non basto, et par ch’io me ne stempre.
Lasso, cosí m’è scorso
lo mio dolce soccorso.
Come fanciul ch’a pena
volge la lingua et snoda,
che dir non sa, ma ‘l piú tacer gli è noia,
così ‘l desir mi mena
a dire, et vo’ che m’oda
la dolce mia nemica anzi ch’io moia.
Se forse ogni sua gioia
nel suo bel viso è solo,
et di tutt’altro è schiva,
odil tu, verde riva,
e presta a’ miei sospir’ sí largo volo,
che sempre si ridica
come tu m’eri amica.
Ben sai che sí bel piede
non tocchò terra unquancho
come quel dí che già segnata fosti;
onde ‘l cor lasso riede
col tormentoso fiancho
a partir teco i lor pensier’ nascosti.
Cosí avestú riposti
de’ be’ vestigi sparsi
anchor tra’ fiori et l’erba,
che la mia vita acerba,
lagrimando, trovasse ove acquetarsi!
Ma come pò s’appaga
l’alma dubbiosa et vaga.
Ovunque gli occhi volgo
trovo un dolce sereno
pensando: Qui percosse il vago lume.
Qualunque herba o fior colgo
credo che nel terreno
aggia radice, ov’ella ebbe in costume
gir fra le piagge e ‘l fiume,
et talor farsi un seggio
fresco, fiorito et verde.
Cosí nulla se ‘n perde,
et piú certezza averne fôra il peggio.
Spirto beato, quale
se’, quando altrui fai tale?
O poverella mia, come se’ rozza!
Credo che tel conoschi:
rimanti in questi boschi.
If the thought that torments me,
so sharp and fierce,
could be dressed in a fitting colour,
perhaps the one who burns me and flees,
would share the heat,
and Love would wake where he sleeps:
the footprints left by my feet
on the hills and fields,
would perhaps be less lonely
my eyes would be less moist,
if she burned who remains like ice,
and leaves not an ounce in me
that it not fire and flame.
Because love weakens me
and robs me of my skill,
I speak in harsh rhymes, devoid of sweetness:
and yet the branches
do not always show their natural worth
in bark, or flower, or leaf.
Let Love, where he sits in the shade
and those lovely eyes
see what the heart conceals.
If the grief that’s freed
should overflow in tears and laments,
the one hurts me the other
her, in that I have no art.
Sweet graceful verses,
I used in Love’s
first assault, when I had no other weapons,
which of you will come and square
my heart of stone
so I can at least give tongue as before?
For I seem to have him within
who always depicts my lady
and speaks about her:
wishing to portray her,
is not enough for me, and it seems I only waste away.
Alas, what help there was
for my sweetness has fled.
Like a child who has trouble
moving and shaping his tongue,
who cannot speak, but who’s pained by any longer
being silent, so desire leads me
to speak, and I hope before I die
my sweet enemy will hear me.
If her only joy perhaps
is in her lovely face,
and she scorns all else,
green river-bank, you can hear,
and make my sighs echo so widely
that how your were my friend
will always be repeated.
I know so lovely a foot
never touched the earth
as the one that has imprinted you:
so that the weary heart returns
with tormented body
to share its hidden thoughts with you.
If you had only kept
some of those lovely traces
among your turf and flowers,
so that my bitter life
in weeping, might find what calms it!
The doubtful wandering soul
must find what peace it can.
Wherever I turn my eyes
I find sweet peace,
thinking: ‘Here the wandering light fell.’
Whatever herb or flower I cull
I think that it has its roots
in this earth, where she used to walk
among the fields and streams
and so find a cool seat
flowery and green.
So nothing is lost,
and greater certainty would be worse.
Blessed spirit, what are you
who do this to another?
O my poor verse, how rough you are!
I think you know it:
so stay here in this wood.
April 5, 2026
Amor, Fortuna et la mia mente, schiva
di quel che vede e nel passato volta,
m’affligon sí, ch’io porto alcuna volta
invidia a quei che son su l’altra riva.
Amor mi strugge ‘l cor, Fortuna il priva
d’ogni conforto, onde la mente stolta
s’adira et piange: et cosí in pena molta
sempre conven che combattendo viva.
Né spero i dolci dí tornino indietro,
ma pur di male in peggio quel ch’avanza;
et di mio corso ò già passato ‘l mezzo.
Lasso, non di diamante, ma d’un vetro
veggio di man cadermi ogni speranza,
et tutti miei pensier’ romper nel mezzo.
Love, Fortune and my mind, shy of what
it sees, turned to what is past, afflict me so,
that I am envious now and then
of those who have reached the other shore.
Love torments my heart: Fortune removes
all solace: so that my foolish mind
annoys itself and weeps: and so in deep pain
I often have to struggle with my life.
Nor do I hope to return to sweeter days,
but only to progress from bad to worse,
and already half my life is done.
I have seen all my hopes, not diamond,
alas, but glass, fall from my hand,
and all my thoughts shattered in two.
April 5, 2026
Dicesette anni à già rivolto il cielo
poi che ‘mprima arsi, et già mai non mi spensi;
ma quando aven ch’al mio stato ripensi,
sento nel mezzo de le fiamme un gielo.
Vero è ‘l proverbio, ch’altri cangia il pelo
anzi che ‘l vezzo, et per lentar i sensi
gli umani affecti non son meno intensi:
ciò ne fa l’ombra ria del grave velo.
Oïme lasso, e quando fia quel giorno
che, mirando il fuggir degli anni miei,
esca del foco, et di sí lunghe pene?
Vedrò mai il dí che pur quant’io vorrei
quel’aria dolce del bel viso adorno
piaccia a quest’occhi, et quanto si convene?
The heavens have revolved for seventeen years
since I first burned, and I am never quenched:
but when I think again about my state,
I feel a chill in the midst of flame.
The proverb is true, that our hair changes
before our vices, and though the senses slow
the human passions have no less intensity:
making a dark shadow to our heavy veil.
Alas, ah me, when will that day be,
when, gazing at the flight of my years,
I issue from the fire, and such long suffering?
Will the day come, ever, that only as I wish
the sweet air that adorns her lovely face
might please these eyes, and only as is fitting?
April 5, 2026
Or vedi, Amor, che giovenetta donna
tuo regno sprezza, et del mio mal non cura,
et tra duo ta’ nemici è sí secura.
Tu se’ armato, et ella in treccie e ‘n gonna
si siede, et scalza, in mezzo i fiori et l’erba,
ver’ me spietata, e ‘n contra te superba.
I’ son pregion; ma se pietà anchor serba
l’arco tuo saldo, et qualchuna saetta,
fa di te et di me, signor, vendetta.
Now you see, Love, that this young lady
scorns your rule, and cares nothing for my hurt,
and feels safe between two of her enemies.
You are armed, and she in loose hair and gown
sits barefoot amongst the flowers and grass,
pitiless towards me, and proud towards you.
I’m imprisoned: but if there’s mercy still,
raise your bow, and with a few arrows
take vengeance, my lord, for me and you.
April 5, 2026
Quelle pietose rime in ch’io m’accorsi
di vostro ingegno et del cortese affecto,
ebben tanto vigor nel mio conspetto
che ratto a questa penna la man porsi
per far voi certo che gli extremi morsi
di quella ch’io con tutto ‘l mondo aspetto
mai non sentí’, ma pur senza sospetto
infin a l’uscio del suo albergo corsi;
poi tornai indietro, perch’io vidi scripto
di sopra ‘l limitar che ‘l tempo anchora
non era giunto al mio viver prescritto,
bench’io non vi legessi il dí né l’ora.
Dunque s’acqueti omai ‘l cor vostro afflitto,
et cerchi huom degno, quando sí l’onora.
These kind verses in which you show me
your wit and your courteous affection,
show such concern, to my mind,
that I am forced to reach for my pen
to make you certain that I haven’t felt
the last clutch of him whom I wait for,
as all men do: though without suspecting it
I reached the entrance of his house:
then turned back, since I saw written
above it, that I had not yet reached
the limit prescribed for my life,
though I could not tell you the day or hour.
So now calm your troubled heart,
and find a worthier man to honour so.
April 5, 2026
Una donna piú bella assai che ‘l sole,
et piú lucente, et d’altrettanta etade,
con famosa beltade,
acerbo anchor mi trasse a la sua schiera.
Questa in penseri, in opre et in parole
(però ch’è de le cose al mondo rade),
questa per mille strade
sempre inanzi mi fu leggiadra altera.
Solo per lei tornai da quel ch’i’ era,
poi ch’i’ soffersi gli occhi suoi da presso;
per suo amor m’er’io messo
a faticosa impresa assai per tempo:
tal che, s’i’arrivo al disïato porto,
spero per lei gran tempo
viver, quand’altri mi terrà per morto.
Questa mia donna mi menò molt’anni
pien di vaghezza giovenile ardendo,
sí come ora io comprendo,
sol per aver di me piú certa prova,
mostrandomi pur l’ombra o ‘l velo o’ panni
talor di sé, ma ‘l viso nascondendo;
et io, lasso, credendo
vederne assai, tutta l’età mia nova
passai contento, e ‘l rimembrar mi giova,
poi ch’alquanto di lei veggi’or piú inanzi.
I’dico che pur dianzi
qual io non l’avea vista infin allora,
mi si scoverse: onde mi nacque un ghiaccio
nel core, et èvvi anchora,
et sarà sempre fin ch’i’ le sia in braccio.
Ma non me ‘l tolse la paura o ‘l gielo
che pur tanta baldanza al mio cor diedi
ch’i’ le mi strinsi a’ piedi
per piú dolcezza trar de gli occhi suoi;
et ella, che remosso avea già il velo
dinanzi a’ miei, mi disse: – Amico, or vedi
com’io son bella, et chiedi
quanto par si convenga agli anni tuoi. –
– Madonna – dissi – già gran tempo in voi
posi ‘l mio amor, ch’i’ sento or sí infiammato,
ond’a me in questo stato
altro voler o disvoler m’è tolto. –
Con voce allor di sí mirabil’ tempre
rispose, et con un volto
che temer et sperar mi farà sempre:
– Rado fu al mondo fra cosí gran turba
ch’udendo ragionar del mio valore
non si sentisse al core
per breve tempo almen qualche favilla;
ma l’adversaria mia che ‘l ben perturba
tosto la spegne, ond’ogni vertú more
et regna altro signore
che promette una vita piú tranquilla.
De la tua mente Amor, che prima aprilla,
mi dice cose veramente ond’io
veggio che ‘l gran desio
pur d’onorato fin ti farà degno;
et come già se’ de’ miei rari amici,
donna vedrai per segno
che farà gli occhi tuoi via piú felici. –
I’ volea dir: – Quest’è impossibil cosa -;
quand’ella: – Or mira – et leva’ gli occhi un poco
in piú riposto loco –
donna ch’a pochi si mostrò già mai. –
Ratto inchinai la fronte vergognosa,
sentendo novo dentro maggior foco;
et ella il prese in gioco,
dicendo: – I’ veggio ben dove tu stai.
Sí come ‘l sol con suoi possenti rai
fa súbito sparire ogni altra stella,
cosí par or men bella
la vista mia cui maggiore luce preme.
Ma io però da’ miei non ti diparto,
ché questa et me d’un seme,
lei davanti et me poi, produsse un parto. –
Ruppesi intanto di vergogna il nodo
ch’a la mia lingua era distretto intorno
su nel primiero scorno,
allor quand’io del suo accorger m’accorsi;
e ‘ncominciai: – S’egli è ver quel ch’i’ odo,
beato il padre, et benedetto il giorno
ch’à di voi il mondo adorno,
et tutto ‘l tempo ch’a vedervi io corsi;
et se mai da la via dritta mi torsi,
duolmene forte, assai piú ch’i’ non mostro;
ma se de l’esser vostro
fossi degno udir piú, del desir ardo. –
Pensosa mi rispose, et cosí fiso
tenne il suo dolce sguardo
ch’al cor mandò co le parole il viso:
– Sí come piacque al nostro eterno padre,
ciascuna di noi due nacque immortale.
Miseri, a voi che vale?
Me’ v’era che da noi fosse il defecto.
Amate, belle, gioveni et leggiadre
fummo alcun tempo: et or siam giunte a tale
che costei batte l’ale
per tornar a l’anticho suo ricetto;
i’ per me sono un’ombra. Et or t’ò detto
quanto per te sí breve intender puossi. –
Poi che i pie’ suoi fur mossi,
dicendo: – Non temer ch’i’ m’allontani -,
di verde lauro una ghirlanda colse,
la qual co le sue mani
intorno intorno a le mie tempie avolse.
Canzon, chi tua ragion chiamasse obscura,
di’: – Non ò cura, perché tosto spero
ch’altro messaggio il vero
farà in piú chiara voce manifesto.
I’ venni sol per isvegliare altrui,
se chi m’impose questo
non m’inganò, quand’io partí’ da lui. –
A lady lovelier than the sun,
and more radiant, and of the same age,
with her famous beauty
drew me, unripe, into her company.
Then in thought, in actions, in speech,
(since she is a rare thing in this world)
in a thousand ways,
she was noble and graceful, to my mind.
For her alone I changed from what I was,
once I had suffered her eyes to touch me:
and for love of her I set myself,
early enough, to weary labour:
such that if I reach the longed-for harbour,
I hope to live, through her,
for many years, when others think me dead.
This lady of mine led me for many years,
filled with the burning ardour of youth,
as I now understand,
only to have more certain proof of my worth,
showing me her shadow or her veil or dress
at times, but hiding her face:
and I, alas, believing
I saw enough, passed all my early life
contentedly, and I recall my joy,
now I have seen more of her within.
I say that recently
she revealed to me
what I had not seen until that time,
so that ice sprang up in my heart,
and is there even now,
and will always be till I am in her arms.
But fear and cold did not prevent me
from feeling so much confidence in my heart
that I threw myself at her feet
to gather more sweetness from her eyes:
and she, who had already removed her veil
before me, said to me: ‘Friend, now see
how beautiful I am, and ask
whatever is fitting for your years.’
‘My lady,’ I said, ‘my love has been yours
already for many years, and now I feel
so enamoured, that in this state the power
to wish or not wish has been taken from me.’
Then she replied in a voice
of such marvellous tones, and with that glance
that always makes me fear and hope:
‘Few among the great crowd in this world,
hearing tell of my worth
have not felt at least a spark
for a brief moment in their heart:
but my adversary, whom it truly disturbs,
soon quenches it, so that all virtue dies,
and another lord reigns
who promises a more tranquil life.
But Love who first opened your mind
has told me truly of it,
so that I see your great desire
will make you worthy to end in honour:
and since you are already one of my few friends,
I see signs of a lady
who will make a happier road for your eyes.’
I wished to say: ‘That is not possible’:
but she said: ‘Now see, and raise your eyes a little
to a more hidden place,
a lady who is only ever shown to a few.’
I had to lower my head in shame,
feeling a new and greater flame within:
and she took it in jest
saying: ‘I see how it is with you, indeed.
Just as the sun with his powerful rays
makes all the other stars suddenly vanish,
so now my lovely face
seems less that a greater light outshines.
Yet you do not leave me still,
since one birth produced
us both together, she first, and then me.’
Meanwhile the knot of shame was broken
that had tied my tongue so tightly
in that first moment of disgrace,
when she had noticed my new passion:
and I began: ‘If what I hear is true,
blessed be the Father, and blessed be the day
that the world was graced by you,
and all those hours I ran to find you:
and if I’ve ever turned from the true way,
I regret it deeply, more than I can show:
but if I might hear more so as to become
worthy of you, I burn with that desire.’
She replied thoughtfully, and so held
her sweet gaze fixed on me
that her look entered my heart with her words:
‘As it pleases our eternal Father,
each one of us was born immortal.
Wretch, what is that worth to you?
It would have been better for us if that were lacking.
We were once beloved, lovely,
young and graceful: and now are such
that she beats her wings
to return to her former home:
and I am only a shade. Now I have spoken
all you can understand in this short time.’
Then she moved her feet,
and saying: ‘Don’t fear that I’ll depart’
she culled a garland of green laurel,
which with her own hand
she wound round and round my temples.
Song, if someone calls your speech obscure,
say: ‘I don’t care, since I soon hope
another messenger
will reveal the truth in a clearer voice.
I only come to wake others,
if he who wrote this
did not deceive me when I left him.’
April 5, 2026
Rimansi a dietro il sestodecimo anno
de’ miei sospiri, et io trapasso inanzi
verso l’extremo; et parmi che pur dianzi
fosse ‘l principio di cotanto affanno.
L’amar m’è dolce, et util il mio danno,
e ‘l viver grave; et prego ch’egli avanzi
l’empia Fortuna, et temo no chiuda anzi
Morte i begli occhi che parlar mi fanno.
Or qui son, lasso, et voglio esser altrove;
et vorrei piú volere, et piú non voglio;
et per piú non poter fo quant’io posso;
e d’antichi desir’ lagrime nove
provan com’io son pur quel ch’i’ mi soglio,
né per mille rivolte anchor son mosso.
My sixteenth year of sighs is left behind,
and I travel on towards my end:
and yet it seems but yesterday
the beginning of such great distress.
Bitter is sweet to me, and pain is gain,
and life is burdensome: and I pray it overcomes
ill Fortune, and I fear lest Death should close,
before then, those lovely eyes that make me speak.
Alas, I am here now, and would be elsewhere:
and wish to wish for more, and wish no more:
and because I can’t do more, do what I can:
and fresh tears from old desire
show that I’m what I have always been,
no different yet despite a thousand changes.
April 5, 2026
Se ‘l sasso, ond’è piú chiusa questa valle,
di che ‘l suo proprio nome si deriva,
tenesse vòlto per natura schiva
a Roma il viso et a Babel le spalle,
i miei sospiri piú benigno calle
avrian per gire ove lor spene è viva:
or vanno sparsi, et pur ciascuno arriva
là dov’io il mando, che sol un non falle.
Et son di là sí dolcemente accolti,
com’io m’accorgo, che nessun mai torna:
con tal diletto in quelle parti stanno.
Degli occhi è ‘l duol, che, tosto che s’aggiorna,
per gran desio de’ be’ luoghi a lor tolti,
dànno a me pianto, et a’ pie’ lassi affanno.
If the rock by which this valley’s closed,
from which its proper name is derived,
had through natural aversion turned
its face to Rome and its back to Babel,
my sighs would have a gentler path
to follow to where their hope’s alive:
now they scatter, and yet each arrives
where I commanded, and not one fails.
And once there they are received so sweetly,
as I can tell, that none of them returns:
staying in those regions with delight.
The grief is in my eyes, so that at dawn,
they are taken by such desire for that lovely land,
they grant me tears, and weariness for my feet.
April 5, 2026
Pien di quella ineffabile dolcezza
che del bel viso trassen gli occhi miei
nel dí che volentier chiusi gli avrei
per non mirar già mai minor bellezza,
lassai quel ch’i ‘piú bramo; et ò sí avezza
la mente a contemplar sola costei,
ch’altro non vede, et ciò che non è lei
già per antica usanza odia et disprezza.
In una valle chiusa d’ogni ‘ntorno,
ch’è refrigerio de’ sospir’ miei lassi,
giunsi sol com Amor, pensoso et tardo.
Ivi non donne, ma fontane et sassi,
et l’imagine trovo di quel giorno
che ‘l pensier mio figura, ovunque io sguardo.
Full of that ineffable sweetness
that my eyes drew from her lovely face,
so I’d have closed them willingly
that day, never to see any lesser beauty,
I left what I loved more: and have so set
my mind on contemplating her alone,
that I see no one else, and what is not her
I hate and despise, through constant habit.
Thoughtful and late, I came with Love alone
into a valley that’s closed all round,
that leaves me refreshed with sighs.
No ladies there, but fountains and stones,
and I find the image of that day
my thoughts depict, wherever I gaze.
April 5, 2026
In mezzo di duo amanti honesta altera
vidi una donna, et quel signor co lei
che fra gli uomini regna et fra li dèi;
et da l’un lato il Sole, io da l’altro era.
Poi che s’accorse chiusa da la spera
de l’amico piú bello, agli occhi miei
tutta lieta si volse, et ben vorrei
che mai non fosse inver’ di me piú fera.
Súbito in alleggrezza si converse
la gelosia che ‘n su la prima vista
per sí alto adversario al cor mi nacque.
A lui la faccia lagrimosa et trista
un nuviletto intorno ricoverse:
cotanto l’esser vinto li dispiacque.
Between two noble lovers on either side,
I saw a true lady, and that lord with her
who reigns among men, and among gods:
the Sun was on one side, I on the other.
Since she found herself excluded from the sphere
of the more beautiful friend, filled with joy
she turned to my eyes, and I truly wish
she’d never be more severe to me than that.
Suddenly the jealousy that, at first sight
of such a noble adversary, had been born
in my heart, turned to happiness.
A little cloud came to wreathe itself
around his saddened and tearful face:
so much had his defeat displeased him.
April 5, 2026
De l’empia Babilonia, ond’è fuggita
ogni vergogna, ond’ogni bene è fori,
albergo di dolor, madre d’errori,
son fuggito io per allungar la vita.
Qui mi sto solo; et come Amor m’invita,
or rime et versi, or colgo herbette et fiori,
seco parlando, et a tempi migliori
sempre pensando: et questo sol m’aita.
Né del vulgo mi cal, né di Fortuna,
né di me molto, né di cosa vile,
né dentro sento né di fuor gran caldo.
Sol due persone cheggio; et vorrei l’una
col cor ver’ me pacificato humile,
l’altro col pie’, sí come mai fu, saldo.
From the impious Babylon, from which
all shame has fled, all good is banished,
the house of grief, the mother of error,
I’ve also fled, to prolong my life.
Here I’m alone: and as Love invites me,
culling now rhymes and verse, now herbs and flowers,
I muse to myself, and often reflect
on better times: and that alone delights me.
I don’t care about the crowd, or Fortune,
or myself any longer, or base things,
nor feel the heat within me or without.
I only miss two people: and wish that one
was humbly reconciled to me in heart,
and the other as firm of foot as ever.
April 5, 2026
Qui dove mezzo son, Sennuccio mio,
(cosí ci foss’io intero, et voi contento),
venni fuggendo la tempesta e ‘l vento
c’ànno súbito fatto il tempo rio.
Qui son securo: et vo’ vi dir perch’io
non come soglio il folgorar pavento,
et perché mitigato, nonché spento,
né-micha trovo il mio ardente desio.
Tosto che giunto a l’amorosa reggia
vidi onde nacque l’aura dolce et pura
ch’acqueta l’aere, et mette i tuoni in bando,
Amor ne l’alma, ov’ella signoreggia,
raccese ‘l foco, et spense la paura:
che farrei dunque gli occhi suoi guardando?
Here, where I’m half myself, my Sennuccio,
(if only I were here entire, and pleasing you),
I’ve come escaping the storms and winds
this cruel weather has suddenly sent us.
Here I’m safe: and want to tell you why
I’m not afraid of the lightning as before,
and why I find my burning passion
not lessened at all, much less quenched.
As soon as I came to the regions of love
and saw where the pure, sweet breeze was born
that clears the air, and banishes the thunder,
Love rekindled the fire in my soul,
where she is mistress, extinguishing the fear:
so what would it be to gaze in her eyes?
Note: Sennucchio is ‘half’ of Petrarch himself.
Petrarch is near Laura’s birthplace.
April 5, 2026
Sennuccio, i’ vo’ che sapi in qual manera
tractato sono, et qual vita è la mia:
ardomi et struggo anchor com’io solia;
l’aura mi volve, et son pur quel ch’i’m’era.
Qui tutta humile, et qui la vidi altera,
or aspra, or piana, or dispietata, or pia;
or vestirsi honestate, or leggiadria,
or mansüeta, or disdegnosa et fera.
Qui cantò dolcemente, et qui s’assise;
qui si rivolse, et qui rattenne il passo;
qui co’ begli occhi mi trafisse il core;
qui disse una parola, et qui sorrise;
qui cangiò ‘l viso. In questi pensier’, lasso,
nocte et dí tiemmi il signor nostro Amore.
Sennuccio, I want you to know in what manner
I am treated, and what my life is like:
I burn, and am consumed, as I used to be:
the breeze whirls me, and I am as I was.
Here I saw her all humility, and its opposite,
now harsh, now soft, now pitiless, now kind:
now clothed in nobility, now in grace,
now tame, now disdainful and wild.
Here she sang sweetly, and here she sat:
here she turned, and here took a step back:
here, with her lovely eyes, she pierced my heart:
here she spoke a word, and here she smiled:
here her face changed. Alas, both night and day,
our lord, Love, holds me, with such thoughts.
April 5, 2026
La donna che ‘l mio cor nel viso porta,
là dove sol fra bei pensier’ d’amore
sedea, m’apparve; et io per farle honore
mossi con fronte reverente et smorta.
Tosto che del mio stato fussi accorta,
a me si volse in sí novo colore
ch’avrebbe a Giove nel maggior furore
tolto l’arme di mano, et l’ira morta.
I’ mi riscossi; et ella oltra, parlando,
passò, che la parola i’ non soffersi,
né ‘l dolce sfavillar degli occhi suoi.
Or mi ritrovo pien di sí diversi
piaceri, in quel saluto ripensando,
che duol non sento, né sentí’ ma’ poi.
The lady whose looks are always in my mind,
appeared to me where I was sitting thinking
deeply of love: and I, to do her honour,
approached her with a pale and reverent face.
As soon as she was aware of my state,
she turned towards me with such fresh colour
as would have disarmed Jove
in all his fury, and quenched his anger.
I gathered myself together: and she walked on,
speaking, so that I could not endure her words,
nor the sweet sparks from her eyes.
Now I find myself full of such varied
pleasures, thinking of that greeting,
I feel no grief, nor have done since then.
April 5, 2026
Persequendomi Amor al luogo usato,
ristretto in guisa d’uom ch’aspetta guerra,
che si provede, e i passi intorno serra,
de’ miei antichi pensier’ mi stava armato.
Volsimi, et vidi un’ombra che da lato
stampava il sole, et riconobbi in terra
quella che, se ‘l giudicio mio non erra,
era piú degna d’immortale stato.
I’ dicea fra mio cor: Perché paventi?
Ma non fu prima dentro il penser giunto
che i raggi, ov’io mi struggo, eran presenti.
Come col balenar tona in un punto,
cosí fu’ io de’ begli occhi lucenti
et d’un dolce saluto inseme aggiunto.
Love pursuing me to my old haunts,
I armed myself with my former thoughts.
hemmed in like a man in a battle,
who protects himself, and shuts the passes,
I turned and saw a shadow sunlight made
at my side, and recognised, on earth,
her who, if my judgement does not err,
is more worthy of an immortal state.
I said in my heart: ‘Why be afraid?
But the thought was hardly formed inside
when the light appeared, by which I am destroyed.
Like thunder and lightning both together,
so I saw her lovely shining eyes
joined as one with her sweet greeting.
April 5, 2026
Lasso, quante fïate Amor m’assale,
che fra la notte e ‘l dí son piú di mille,
torno dov’arder vidi le faville
che ‘l foco del mio cor fanno immortale.
Ivi m’acqueto; et son condotto a tale,
ch’a nona, a vespro, a l’alba et a le squille
le trovo nel pensier tanto tranquille
che di null’altro mi rimembra o cale.
L’aura soave che dal chiaro viso
move col suon de le parole accorte
per far dolce sereno ovunque spira,
quasi un spirto gentil di paradiso
sempre in quell’aere par che mi conforte,
sí che ‘l cor lasso altrove non respira.
Alas, when Love makes his assaults on me,
more than a thousand times night and day,
I think of where I saw those sparks burning
that make the fire in my heart eternal.
Then I’m calm: and I’m brought to this,
that at the ringing of nones, vespers, dawn,
I find my thoughts of them so serene
that I recall and care for nothing else.
The gentle breeze from her bright face
moves with the sound of wise words
making a sweet harmony where it blows,
as if a gentle spirit from Paradise
seems always to comfort me, in that air,
so that my heart won’t let me breathe elsewhere.
April 5, 2026
Aventuroso piú d’altro terreno,
ov’Amor vidi già fermar le piante
ver’ me volgendo quelle luci sante
che fanno intorno a sé l’aere sereno,
prima poria per tempo venir meno
un’imagine salda di diamante
che l’atto dolce non mi stia davante
del qual ò la memoria e ‘l cor sí pieno:
né tante volte ti vedrò già mai
ch’i’ non m’inchini a ricercar de l’orme
che ‘l bel pie’ fece in quel cortese giro.
Ma se ‘n cor valoroso Amor non dorme,
prega, Sennuccio mio, quand ‘l vedrai,
di qualche lagrimetta, o d’un sospiro.
This soil is happier than any other,
on which I saw Love once set her feet,
turning those sacred eyes towards me,
that make the air round her at peace:
a statue made of steel would wear away
with time, before that sweet act of hers,
that fills both my memory and my heart,
could cease to stand before me:
however many times I might recall it
I’d still bow down to look for the print
her lovely foot made, in its courteous passage.
But if Love is not asleep in the worthy heart,
beg him, Sennuccio, when you see him,
for some little tears, or for her sigh.
April 5, 2026
Non veggio ove scampar mi possa omai:
sí lunga guerra i begli occhi mi fanno,
ch’i’ temo, lasso, no ‘l soverchio affanno
distruga ‘l cor che triegua non à mai.
Fuggir vorrei; ma gli amorosi rai,
che dí et notte ne la mente stanno,
risplendon sí, ch’al quintodecimo anno
m’abbaglian piú che ‘l primo giorno assai;
et l’imagine lor son sí cosparte
che volver non mi posso, ov’io non veggia
o quella o simil indi accesa luce.
Solo d’un lauro tal selva verdeggia
che ‘l mio adversario con mirabil arte
vago fra i rami ovunque vuol m’adduce.
I see no way now I can free myself:
those lovely eyes have warred with me so long,
that, alas, I fear this burden of care
will destroy my heart that knows no truce.
I want to flee: but those loving beams
that are in my mind day and night,
shine so that, in this fifteenth year,
they daze me more than on the first day:
and their image is so scattered round me
I cannot turn away so as not to see
their light, or one the same lit from it.
Such a forest grows from the one laurel
that my adversary leads me, with marvellous art,
wandering among the branches, as he wishes.
April 5, 2026
Nova angeletta sovra l’ale accorta
scese dal cielo in su la fresca riva,
là ‘nd’io passava sol per mio destino.
Poi che senza compagna et senza scorta
mi vide, un laccio che di seta ordiva
tese fra l’erba, ond’è verde il camino.
Allor fui preso; et non mi spiacque poi,
sí dolce lume uscia degli occhi suoi.
A new young angel carried by her wings
descended from the sky to the green bank,
there where I passed, alone, to my destiny,
When she saw I was without companion,
or guard, she stretched a noose, woven of silk,
in the grass, with which the way was turfed.
Then I was captured: and later it did not displease me,
so sweet a light issued from her eyes.
April 5, 2026
Mai non vo’ piú cantar com’io soleva,
ch’altri no m’intendeva, ond’ebbi scorno;
et puossi in bel soggiorno esser molesto.
Il sempre sospirar nulla releva;
già su per l’Alpi neva d’ogn’ ‘ntorno;
et è già presso al giorno: ond’io son desto.
Un acto dolce honesto è gentil cosa;
et in donna amorosa anchor m’aggrada,
che ‘n vista vada altera et disdegnosa,
non superba et ritrosa:
Amor regge suo imperio senza spada.
Chi smarrita à la strada, torni indietro;
chi non à albergo, posisi in sul verde;
chi non à l’auro, o ‘l perde,
spenga la sete sua con un bel vetro.
I’die’ in guarda a san Pietro; or non piú, no:
intendami chi pò, ch’i’ m’intend’io.
Grave soma è un mal fio a mantenerlo:
quando posso mi spetro, et sol mi sto.
Fetonte odo che ‘n Po cadde, et morío;
et già di là dal rio passato è ‘l merlo:
deh, venite a vederlo. Or i’ non voglio:
non è gioco uno scoglio in mezzo l’onde,
e ‘ntra le fronde il visco. Assai mi doglio
quando un soverchio orgoglio
molte vertuti in bella donna asconde.
Alcun è che risponde a chi nol chiama;
altri, chi ‘il prega, si delegua et fugge;
altri al ghiaccio si strugge;
altri dí et notte la sua morte brama.
Proverbio “ama chi t’ama” è fatto antico.
I’ so ben quel ch’io dico: or lass’andare,
ché conven ch’altri impare a le sue spese.
Un’ humil donna grama un dolce amico.
Mal si conosce il fico. A me pur pare
senno a non cominciar tropp’alte imprese;
et per ogni paese è bona stanza.
L’infinita speranza occide altrui;
et anch’io fui alcuna volta in danza.
Quel poco che m’avanza
fia chi nol schifi, s’i’ ‘l vo’ dare a lui.
I’ mi fido in Colui che ‘l mondo regge,
et che’ seguaci Suoi nel boscho alberga,
che con pietosa verga
mi meni a passo omai tra le Sue gregge.
Forse ch’ogni uom che legge non s’intende;
et la rete tal tende che non piglia;
et chi troppo assotiglia si scavezza.
Non fia zoppa la legge ov’altri attende.
Per bene star si scende molte miglia.
Tal par gran meraviglia, et poi si sprezza.
Una chiusa bellezza è piú soave.
Benedetta la chiave che s’avvolse
al cor, et sciolse l’alma, et scossa l’ave
di catena sí grave,
e ‘nfiniti sospir’ del mio sen tolse!
Là dove piú mi dolse, altri si dole,
et dolendo adolcisse il mio dolore:
ond’io ringratio Amore
che piú nol sento, et è non men che suole.
In silentio parole accorte et sagge,
e ‘l suon che mi sottragge ogni altra cura,
et la pregione oscura ov’è ‘l bel lume;
le nocturne vïole per le piagge,
et le le fere selvagge entr’a le mura,
et la dolce paura, e ‘l bel costume,
et di duo fonti un fiume in pace vòlto
dov’io bramo, et raccolto ove che sia:
Amor et Gelosia m’ànno il cor tolto,
e i segni del bel volto
che mi conducon per piú piana via
a la speranza mia, al fin degli affanni.
O riposto mio bene, et quel che segue,
or pace or guerra or triegue,
mai non m’abbandonate in questi panni.
De’ passati miei danni piango et rido,
perché molto mi fido in quel ch’i’ odo.
Del presente mi godo, et meglio aspetto,
et vo contando gli anni, et taccio et grido.
E ‘n bel ramo m’annido, et in tal modo
ch’i’ ne ringratio et lodo il gran disdetto
che l’indurato affecto alfine à vinto,
et ne l’alma depinto “I sare’ udito,
et mostratone a dito”, et ànne extinto
(tanto inanzi son pinto,
ch’i’ ‘l pur dirò) “Non fostú tant’ardito”:
chi m’à ‘l fianco ferito, et chi ‘l risalda,
per cui nel cor via piú che ‘n carta scrivo;
chi mi fa morto et vivo,
chi ‘n un punto m’agghiaccia et mi riscalda.
Now I don’t wish to sing as I used to do,
since no one understands, and I am mocked:
and one can be annoyed in a pleasant place.
Always sighing provides no relief:
snow’s already falling in the Alps all round:
and day is nearly here, so I’m awake.
A sweet honest action is a fine thing:
and it pleases me to see a loving woman
walking nobly and disdainfully,
not stubbornly and proudly:
Love rules his empire without a sword.
Let the man who’s lost his way turn back:
the man without a home, sleep on the grass:
the man without gold, or has lost it,
let him quench his thirst with glass.
I trusted in Saint Peter’s care: no more now:
let him understand who can, I understand.
An lasting evil is a burdensome thing:
when I can I free myself, and am alone.
Phaethon fell in the River Po, and died:
and the blackbird has already crossed the river:
ah, come and see it. Now I don’t wish to:
a rock amongst the waves is no joke,
or birdlime in the branches. It troubles me
when a sovereign pride
hides many virtues in a lovely lady.
There are some who answer when no one calls:
others vanish and flee those who beg them:
some there are who melt in the ice:
others who long for death day and night.
An ancient proverb: ‘Love those who love you’,
I know well what I’m saying: now let it go,
others must learn from their own hopes.
A humble lady makes a sweet friend suffer.
It’s hard to judge a fig. It seems to me
wise not to start too grand an undertaking:
and there are decent places in every land.
Infinite hope always kills:
and I have often been in trouble.
What little’s left to me
will not displease the one I give it to.
I put my trust in Him who rules the world,
and gives his followers shelter in the wood,
who with compassionate rod
will let me wander, least among his flock.
Perhaps not all who read this understand:
he often catches nothing who spreads his net:
and he who’s over-subtle breaks his neck.
Let not the law be slow for those who wait.
One goes down many miles to be at rest.
Things seem great wonders, and then are scorned.
A hidden loveliness is always sweeter.
Blessed be the key that turned in my heart,
and freed my soul, and cast away
such heavy chains,
and took infinities of sighs from me!
Another sorrows where I sorrowed more,
and makes my sorrow sweet by sorrowing,
so I thank Love
I feel what was no more, and it’s no less.
Shrewd and wise words in silence,
the sound that takes away all my cares,
a dark prison where there is much light:
violets at night along the shore,
wild beasts inside the walls,
sweet fear, and lovely custom,
a stream that flows in peace from two springs,
where I yearned, and gathered where I was:
Love and Jealousy have snatched my heart,
and the signs of that sweet face
that lead me on along a smoother path
towards my hope, and an end to trouble.
O my good returned, and all that follows,
now peace, now war, now truce,
but don’t abandon me in mortal dress.
I laugh and weep at all my torments past,
since I have so much faith in what I hear.
I like the present, and expect much better,
and go counting the years, and mute and crying.
I nest on a sweet branch, in such a way
that I can thank and praise the great refusal
that conquered the deep feeling at last,
and carved on my soul: ‘I would be heard,
and known for speaking’, and has erased
(the urge is so strong
I have to speak) ‘You weren’t bold enough’:
I write inside my heart more than on paper
for her who hurt my heart and then healed it:
for her who made me die and live,
who in a moment freezes me and warms me.
April 5, 2026
L’aspectata vertù, che ‘n voi fioriva
quando Amor cominciò darvi bataglia,
produce or frutto, che quel fiore aguaglia,
et che mia speme fa venire a riva.
Però mi dice il cor ch’io in carte scriva
cosa, onde ‘l vostro nome in pregio saglia,
ché ‘n nulla parte sí saldo s’intaglia
per far di marmo una persona viva.
Credete voi che Cesare o Marcello
o Paolo od Affrican fossin cotali
per incude già mai né per martello?
Pandolfo mio, quest’opere son frali
a ll lungo andar, ma ‘l nostro studio è quello
che fa per fama gli uomini immortali.
The visible courage, that flowered in you
when Love too started to war against you,
produces fruit now, equal to the flower,
so that my hopes come to shore.
And so my heart tells me to write something
that regard for your name might increase,
since no other method is so certain
to recreate a living person from the marble.
Do you think that Caesar or Marcellus
or Paulus or Africanus will ever live
by means of the anvil and the hammer?
My dear Pandolfo, in the end those works
are fragile, but my labour’s such
as can by fame make a man immortal.
April 5, 2026
Vinse Hanibàl, et non seppe usar poi
ben la vittorïosa sua ventura:
però, signor mio caro, aggiate cura,
che similmente non avegna a voi.
L’orsa, rabbiosa per gli orsacchi suoi,
che trovaron di maggio aspra pastura,
rode sé dentro, e i denti et l’unghie endura
per vendicar suoi danni sopra noi.
Mentre ‘l novo dolor dunque l’accora,
non riponete l’onorata spada,
anzi seguite là dove vi chiama
vostra fortuna dritto per la strada
che vi può dar, dopo la morte anchora
mille et mille anni, al mondo honor et fama.
Hannibal conquered, and yet did not know
how to make use of his victorious action:
so, my dear lord, I beg you to take care
the same thing doesn’t happen to you.
The she-bear raging for her cubs,
who found the fields bitter this May,
gnaws inwardly, and whets her teeth and claws
to revenge her hurt on us.
While she is attacked by this new grief,
don’t hang up your honoured sword,
but follow where your fortune calls,
straight by the road that can grant you
honour and fame in this world,
for thousands of years after your death.
April 5, 2026
Cesare, poi che ‘l traditor d’Egitto
li fece il don de l’onorata testa,
celando l’allegrezza manifesta,
pianse per gli occhi fuor sí come è scritto;
et Hanibàl, quando a l’imperio afflitto
vide farsi Fortuna sí molesta,
rise fra gente lagrimosa et mesta
per isfogare il suo acerbo despitto.
Et cosí aven che l’animo ciascuna
sua passïon sotto ‘l contrario manto
ricopre co la vista or chiara or bruna:
però, s’alcuna volta io rido o canto,
facciol, perch’i’ non ò se non quest’una
via da celare il mio angoscioso pianto.
When Ptolemy the Egyptian traitor
made him a gift of Pompey’s honoured head,
Caesar, hiding his obvious delight,
had tears in his eyes, so it is written:
and Hannibal, seeing harsh Fortune
so hostile to his troubled empire,
smiled among his sad and weeping people
to lessen the bitter injury.
And so it is that every mind
veils its passion with its opposite,
cloaked with a bright or a dark look:
therefore if you see me smile or sing,
I do it since that is the only way
to hide the anguish of my weeping.
April 5, 2026
Lasso, ben so che dolorose prede
di noi fa quella ch’a nullo huom perdona,
et che rapidamente n’abandona
il mondo, et picciol tempo ne tien fede;
veggio a molto languir poca mercede,
et già l’ultimo dí nel cor mi tuona:
per tutto questo Amor non mi spregiona,
che l’usato tributo agli occhi chiede.
So come i dí, come i momenti et l’ore,
ne portan gli anni; et non ricevo inganno,
ma forza assai maggior che d’arti maghe.
La voglia et la ragion combattuto ànno
sette et sette anni; et vincerà il migliore,
s’anime son qua giú del ben presaghe.
Alas, I well know that he who pardons
no one, will make us his sad prey,
and that the world abandons us readily,
and keeps faith with us only a little while:
I see small thanks for all my languishing,
already the last day thunders in my heart:
and through all this Love will not release me,
asking the usual tribute from my eyes.
I know how the days, the minutes and the hours,
carry off the years: and there’s no trickery,
only forces greater than any magic art.
My passion and my reason have fought
for fourteen years: and the better one will win,
if souls down here can foresee the good.
April 5, 2026
Quella fenestra ove l’un sol si vede,
quando a lui piace, et l’altro in su la nona;
et quella dove l’aere freddo suona
ne’ brevi giorni, quando borrea ‘l fiede;
e ‘l sasso, ove a’ gran dí pensosa siede
madonna, et sola seco si ragiona,
con quanti luoghi sua bella persona
coprí mai d’ombra, o disegnò col piede;
e ‘l fiero passo ove m’agiunse Amore;
e lla nova stagion che d’anno in anno
mi rinfresca in quel dí l’antiche piaghe;
e ‘l volto, et le parole che mi stanno
altamente confitte in mezzo ‘l core,
fanno le luci mie di pianger vaghe.
That window where one sun is seen
when she pleases, and the other sun at noon:
window that the cold wind rattles
when days are brief, when winds are northerly:
and the stone, where on long days my lady
sits thinking, and reasoning with herself,
when many places are covered by the shadow
of her lovely self, or trodden by her foot:
and the lovely pass where Love caught me:
and the fresh season that, from year to year,
renews my former wound, on that day:
and the face, and the words that remain
fixed deep in the centre of my heart,
make my eyes dim with tears.
April 5, 2026
Poi che voi et io piú volte abbiam provato
come ‘l nostro sperar torna fallace,
dietro a quel sommo ben che mai non spiace
levate il core a piú felice stato.
Questa vita terrena è quasi un prato,
che ‘l serpente tra’ fiori et l’erba giace;
et s’alcuna sua vista agli occhi piace,
è per lassar piú l’animo invescato.
Voi dunque, se cercate aver la mente
anzi l’extremo dí queta già mai,
seguite i pochi, et non la volgar gente.
Ben si può dire a me: Frate, tu vai
mostrando altrui la via, dove sovente
fosti smarrito, et or se’ piú che mai.
Since you and I have seen how our hope
has, so many times, turned to disappointment,
raise your heart to a happier state,
towards that great good that never cheats us.
This earthly life’s like a meadow, where
a snake hides among the grass and flowers:
and if anything is pleasing to the eye,
it leaves the spirit more entangled.
So you, who’ve always sought a mind
at peace, before the final day,
follow the few, and not the common crowd.
Though you could well say to me: ‘Brother
you show the way to others, from which
you’ve often strayed, and now more than ever.’
April 5, 2026
Orso, al vostro destrier si pò ben porre
un fren, che di suo corso indietro il volga;
ma ‘l cor chi legherà, che non si sciolga,
se brama honore, e ‘l suo contrario abhorre?
Non sospirate: a lui non si pò tôrre
suo pregio, perch’a voi l’andar si tolga;
ché, come fama publica divolga,
egli è già là, ché null’altro il precorre.
Basti che si ritrove in mezzo ‘l campo
al destinato dí, sotto quell’arme
che gli dà il tempo, amor, vertute e ‘l sangue,
gridando: D’un gentil desire avampo
col signor mio, che non pò seguitarme,
et del non esser qui si strugge et langue.
Orso, you can easily bridle your warhorse,
so that you can restrain his course again:
but who can tie your heart, so it can’t break free,
if you love honour and loathe its contrary?
Don’t sigh: no one can take your worth
from you, even if you’re prevented from going:
since as public knowledge is aware,
your heart’s there, and no other’s before it.
Enough that it will be found in the field
on the appointed day, beneath the armour
that time, love, virtue and blood have given,
calling out: ‘I’m filled with noble desire
as is my lord, who could not follow me,
and is sick and languishes, not being here.’
April 5, 2026
Ahi bella libertà, come tu m’ài,
partendoti da me, mostrato quale
era ‘l mio stato, quando il primo strale
fece la piagha ond’io non guerrò mai!
Gli occhi invaghiro allor sí de’ lor guai,
che ‘l fren de la ragione ivi non vale,
perch’ànno a schifo ogni opera mortale:
lasso, cosí da prima gli avezzai!
Né mi lece ascoltar chi non ragiona
de la mia morte; et solo del suo nome
vo empiendo l’aere, che sí dolce sona.
Amor in altra parte non mi sprona,
né i pie’ sanno altra via, né le man’ come
lodar si possa in carte altra persona.
Ah precious freedom, how you’ve shown me
in parting from me, the state I was in
before that first arrow made the wound
the one from which I never can be healed!
My eyes were so enamoured of their sorrow,
that reason’s rein was of no worth,
since I held all things mortal in disdain:
alas, I so accustomed them, from the start!
I don’t allow myself to listen except to those
who speak of her, my death: and only go filling
the air with her name, that sounds so sweet.
Love spurs me on to no other place,
my feet know no other road, nor can the hand
praise anyone but her in my writing.
April 5, 2026
Io son de l’aspectar omai sí vinto,
et de la lunga guerra de’ sospiri,
ch’i’ aggio in odio la speme e i desiri,
ed ogni laccio ond’è ‘l mio core avinto.
Ma ‘l bel viso leggiadro che depinto
porto nel petto, et veggio ove ch’io miri,
mi sforza; onde ne’ primi empii martiri
pur son contra mia voglia risospinto.
Allor errai quando l’antica strada
di libertà mi fu precisa et tolta,
ché mal si segue ciò ch’agli occhi agrada;
allor corse al suo mal libera et sciolta:
ora a posta d’altrui conven che vada
l’anima che peccò sol una volta.
I’m so defeated now, in appearance,
and with the sighs of this long war,
that I’ve come to hate hope and desire,
and all the other nets that snare my heart.
But that sweet joyful face whose image I carry
engraved in my breast, and see wherever I gaze,
constrains me: I’m forced back against my will
into those torments that I first knew.
I erred then when the ancient path
of liberty was closed to me, removed:
what ill he follows who’s led by the eye,
then free and freely runs towards his ill:
the spirit that sinned a single time
must march now to another’s orders.
April 5, 2026
Cosí potess’io ben chiuder in versi
i miei pensier’, come nel cor gli chiudo,
ch’animo al mondo non fu mai sí crudo
ch’i’ non facessi per pietà dolersi.
Ma voi, occhi beati, ond’io soffersi
quel colpo, ove non valse elmo né scudo,
di for et dentro mi vedete ignudo,
benché ‘n lamenti il duol non si riversi.
Poi che vostro vedere in me risplende,
come raggio di sol traluce in vetro,
basti dunque il desio senza ch’io dica.
Lasso, non a Maria, non nocque a Pietro
la fede, ch’a me sol tanto è nemica;
et so ch’altri che voi nessun m’intende.
If I could imprison in my verses
the thoughts imprisoned in my heart,
there’s no spirit in this world so cruel
it would not be saddened out of pity.
But you, eyes of beauty, from which I felt
the blow, not wearing a helmet or a shield,
you see me naked, inside and out,
though my grief is not poured out in tears.
Since your vision shines in me,
like a ray of sunlight through glass,
my desire is enough, without my speaking.
Alas, faith never harmed Mary or Peter,
faith, that’s an enemy to me alone:
as I know none but you could understand.
April 5, 2026
Quando giugne per gli occhi al cor profondo
l’imagin donna, ogni altra indi si parte,
et le vertú che l’anima comparte
lascian le menbra, quasi immobil pondo.
Et del primo miracolo il secondo
nasce talor, che la scacciata parte
da se stessa fuggendo arriva in parte
che fa vendetta e ‘l suo exilio giocondo.
Quinci in duo volti un color morto appare,
perché ‘l vigor che vivi gli mostrava
da nessun lato è piú là dove stava.
Et di questo in quel dí mi ricordava,
ch’i’ vidi duo amanti trasformare,
et far qual io mi soglio in vista fare.
When through my eyes the image of my lady
enters my heart’s depths, she banishes all others,
and the power my spirit radiates
leaves my limbs, leaves them inert weights.
And often a second miracle is born
from the first: what was driven away,
fleeing from itself, arrives in a place
where it takes vengeance and delights in exile.
So a deathly pallor appears in two faces,
since the vigour that showed them as living,
is no longer where it used to be in either.
And I recalled this on the day I saw
two lovers undergo that transformation,
and look as pale as I used to look.
April 5, 2026
Più volte Amor m’avea già detto: Scrivi,
scrivi quel che vedesti in lettre d’oro,
sí come i miei seguaci discoloro,
e ‘n un momento gli fo morti et vivi.
Un tempo fu che ‘n te stesso ‘l sentivi,
volgare exemplo a l’amoroso choro;
poi di man mi ti tolse altro lavoro;
ma già ti raggiuns’io mentre fuggivi.
E se ‘begli occhi, ond’io me ti mostrai
et là dov’era il mio dolce ridutto
quando ti ruppi al cor tanta durezza,
mi rendon l’arco ch’ogni cosa spezza,
forse non avrai sempre il viso asciutto:
ch’i’ mi pasco di lagrime, et tu ‘l sai.
How often Love’s already said to me: ‘Write,
write what you’ve seen in letters of gold,
of how I can make my followers turn pale,
and, in the same moment, be alive and dead.
There was a time you felt it yourself,
and were an example to the choir of love:
then other labours snatched you from my hand:
though I still touched you as you fled.
And if the lovely eyes, where I showed myself
to you, and where my sweetness stayed
after I had broken your hard heart,
remake my bow that shatters everything,
perhaps your face won’t always be dry:
for I feed myself on tears, as you know.’
April 5, 2026
Quel vago impallidir che ‘l dolce riso
d’un’amorosa nebbia ricoperse,
con tanta maiestade al cor s’offerse
che li si fece incontr’a mezzo ‘l viso.
Conobbi allor sí come in paradiso
vede l’un l’altro, in tal guisa s’aperse
quel pietoso penser ch’altri non scerse:
ma vidil’ io, ch’altrove non m’affiso.
Ogni angelica vista, ogni atto humile
che già mai in donna ov’amor fosse apparve,
fôra uno sdegno a lato a quel ch’i’ dico.
Chinava a terra il bel guardo gentile,
et tacendo dicea, come a me parve:
Chi m’allontana il mio fedele amico?
That wandering paleness which conceals
the sweet smile in a loving mist,
offered itself to my heart with such majesty
that it revealed the heart in the face.
Then I knew how one sees another
in paradise, her compassionate thought
showed in such a manner others did not know it:
but I saw it, since I see nothing else.
Every angelic vision, every humble act
of every lady, in whom love had appeared
would be disdained beside her I speak of.
She bent her beautiful gentle gaze to earth,
and said in silence, as it seemed to me:
‘Who distances my faithful friend from me?’
April 5, 2026
Piangete, donne, et con voi pianga Amore;
piangete, amanti, per ciascun paese,
poi ch’è morto collui che tutto intese
in farvi, mentre visse, al mondo honore.
Io per me prego il mio acerbo dolore,
non sian da lui le lagrime contese,
et mi sia di sospir’ tanto cortese,
quanto bisogna a disfogare il core.
Piangan le rime anchor, piangano i versi,
perché ‘l nostro amoroso messer Cino
novellamente s’è da noi partito.
Pianga Pistoia, e i citadin perversi
che perduto ànno sí dolce vicino;
et rallegresi il cielo, ov’ello è gito.
Weep, ladies, and let Love weep with you:
Weep, lovers, throughout the world,
for he is dead, who while he lived on earth,
had one intent, that of honouring you.
I only pray, for myself, that bitter grief
should not be such as stifles my tears,
and that it should allow as many sighs
as I may need, to ease my heart.
Weep, poetry, again: weep, my verses,
because our beloved master, Cino,
has just now departed from us.
Weep Pistoia, and her perverse citizens
who have lost so sweet a neighbour:
and Heaven, where he has gone, rejoice.
April 5, 2026
La bella donna che cotanto amavi
subitamente s’è da noi partita,
et per quel ch’io ne speri al ciel salita,
sí furon gli atti suoi dolci soavi.
Tempo è da ricovrare ambo le chiavi
del tuo cor, ch’ella possedeva in vita,
et seguir lei per via dritta expedita:
peso terren non sia piú che t’aggravi.
Poi che se’ sgombro de la maggior salma,
l’altre puoi giuso agevolmente porre,
sallendo quasi un pellegrino scarco.
Ben vedi omai sí come a morte corre
ogni cosa creata, et quanto all’alma
bisogna ir lieve al periglioso varco.
The lovely lady who you loved so dearly
has suddenly departed from us,
and has climbed to Heaven, I trust,
since every act of hers was sweet and gentle.
It is time to recover both the keys
of your heart, that in life she possessed,
and follow her on the swift true road:
no earthly charge should prevent you.
Now you are free from the greater burden,
the others may be easily laid down,
while you climb like a free pilgrim.
You know truly now how all creatures
run towards death, and how the soul
must be lightened for the perilous gate.
April 5, 2026
Erano i capei d’oro a l’aura sparsi
che ‘n mille dolci nodi gli avolgea,
e l’vago lume oltra misura ardea
di quei begli occhi, ch’or ne son sí scarsi;
e ‘l viso di pietosi color’ farsi,
non so se vero o falso, mi parea:
i’ che l’ésca amorosa al petto avea,
qual meraviglia se di súbito arsi?
Non era l’andar suo cosa mortale,
ma d’angelica forma; et le parole
sonavan altro, che pur voce humana.
Uno spirito celeste, un vivo sole
fu quel ch’i’vidi: et se non fosse or tale,
piagha per allentar d’arco non sana.
She let her gold hair scatter in the breeze
that twined it in a thousand sweet knots,
and wavering light, beyond measure, would burn
in those beautiful eyes, which are now so dim:
and it seemed to me her face wore the colour
of pity, I do not know whether false or true:
I who had the lure of love in my breast,
what wonder if I suddenly caught fire?
Her way of moving was no mortal thing,
but of angelic form: and her speech
rang higher than a mere human voice.
A celestial spirit, a living sun
was what I saw: and if she is not such now,
the wound’s not healed, although the bow is slack.
April 5, 2026
Fuggendo la pregione ove Amor m’ebbe
molt’anni a far di me quel ch’a lui parve,
donne mie, lungo fôra a ricontarve
quanto la nova libertà m’increbbe.
Diceami il cor che per sé non saprebbe
viver un giorno; et poi tra via m’apparve
quel traditore in sí mentite larve
che piú saggio di me inganato avrebbe.
Onde piú volte sospirando indietro
dissi: Ohimè, il giogo et le catene e i ceppi
eran piú dolci che l’andare sciolto.
Misero me, che tardo il mio mal seppi;
et con quanta faticha oggi mi spetro
de l’errore, ov’io stesso m’era involto!
Fleeing the prison where Love for many years
had done with me whatever it was he wished,
it would be a long story to recount
how my newfound freedom troubled me.
My heart told me it did not know how
to live alone a day: and then that traitor Love
appeared in my path, so well disguised
he’d have deceived a wiser man than me.
So that many times, sighing within,
I said: ‘Ah me, the yoke, the log, the chains,
were much sweeter than this walking free.
Alas for me, I saw my ills too late:
and how hard it is for me today to turn
away from error, where I entwined myself!
April 5, 2026
Poi che mia speme è lunga a venir troppo,
et de la vita il trappassar sí corto,
vorreimi a miglior tempo esser accorto,
per fuggir dietro piú che di galoppo;
et fuggo anchor cosí debile et zoppo
da l’un de’ lati, ove ‘l desio m’à storto:
securo omai, ma pur nel viso porto
segni ch’i’ò presi a l’amoroso intoppo.
Ond’io consiglio: Voi che siete in via,
volgete i passi; et voi ch’Amore avampa,
non v’indugiate su l’extremo ardore;
ché perch’io viva de mille un no scampa;
era ben forte la nemica mia,
et lei vid’io ferita in mezzo ‘l core.
Because my hope takes too long to mature,
and what is left of life is so fleeting,
I wish I’d realised it in time
and fled away, faster than at a gallop:
and I do flee, though weak and wracked
from side to side, as desire twists me:
safe now, but bearing in my face
the marks received in love’s struggle.
So my advice is: ‘You who are on your way,
retrace your steps: and you Love sets alight
don’t wait there, among extremes of heat:
though I live, not one in a thousand escapes:
she was strong, that enemy of mine,
and yet I saw her wounded in the heart.’
April 5, 2026
Sí tosto come aven che l’arco scocchi,
buon sagittario di lontan discerne
qual colpo è da sprezzare, et qual d’averne
fede ch’al destinato segno tocchi:
similmente il colpo de’ vostr’occhi,
donna, sentiste a le mie parti interne
dritto passare, onde conven ch’eterne
lagrime per la piaga il cor trabocchi.
Et certo son che voi diceste allora:
Misero amante, a che vaghezza il mena?
Ecco lo strale onde Amor vòl che mora.
Ora veggendo come ‘l duol m’affrena,
quel che mi fanno i miei nemici anchora
non è per morte, ma per piú mia pena.
As soon as ever he has launched his arrows,
the expert archer can see from afar
which shots have gone astray, and those
he’s sure will hit the target he assigned:
so you knew the arrows from your eyes,
lady, had pierced straight to my deepest part,
and I’d be forced to weep eternally
because of the wound my heart received.
And I am certain of what you said then:
‘Wretched lover, where will crying lead him?
Behold the arrow by which Love hoped he’d die.’
Now, seeing how grief has bound me,
all that my enemies do with me now,
is not to kill me but increase my pain.
April 5, 2026
Io avrò sempre in odio la fenestra
onde Amor m’aventò già mille strali,
perch’alquanti di lor non fur mortali:
ch’è bel morir, mentre la vita è dextra.
Ma ‘l sovrastar ne la pregion terrestra
cagion m’è, lasso, d’infiniti mali;
et piú mi duol che fien meco immortali,
poi che l’alma dal cor non si scapestra.
Misera, che devrebbe esser accorta
per lunga experïentia omai che ‘l tempo
non è chi ‘ndietro volga, o chi l’affreni.
Piú volte l’ò con ta’ parole scorta:
Vattene, trista, ché non va per tempo
chi dopo lassa i suoi dí piú sereni.
I always hate that window from which Love
has already shot a thousand arrows at me,
though not a single one of them was mortal:
it’s good for death to come while life’s still happy.
And surviving in this earthly prison
causes me, infinite pain, alas:
and more because my grief will be immortal,
since the soul’s not separated from the heart.
Wretch, it should realise by now,
through long experience, that time
can never be turned back, or be restrained.
I often guide it with such words as these:
‘Go, sad one, he does not go before his time
who leaves the happiest of his days behind.
April 5, 2026
Io amai sempre, et amo forte anchora,
et son per amar piú di giorno in giorno
quel dolce loco, ove piangendo torno
spesse fïate, quando Amor m’accora.
Et son fermo d’amare il tempo et l’ora
ch’ogni vil cura mi levâr d’intorno;
et più colei, lo cui bel viso adorno
di ben far co’ suoi exempli m’innamora.
Ma chi pensò veder mai tutti insieme
per assalirmi il core, or quindi or quinci,
questi dolci nemici, ch’i’ tant’amo?
Amor, con quanto sforzo oggi mi vinci!
Et se non ch’al desio cresce la speme,
i’ cadrei morto, ove più viver bramo.
I’ve always loved, and I love deeply still,
and love that sweet place more, from day
to day, where I’m often forced to return
weeping, whenever Love deceives me.
And I’m deep in love with that day and hour
when all base cares were swept from round me:
and love her more, whom a lovely face adorns,
loving to do good following her example.
But who’d think to see those sweet enemies
I love so much, combined together to attack
my heart, on this side and on that?
Love, with what forces now you conquer me!
And had not my hope grown with my desire,
I’d drop down dead where I most wish to live.
April 5, 2026
– Occhi piangete: accompagnate il core
che di vostro fallir morte sostene.
– Cosí sempre facciamo; et ne convene
lamentar piú l’altrui, che ‘l nostro errore.
– Già prima ebbe per voi l’entrata Amore,
là onde anchor come in suo albergo vène.
– Noi gli aprimmo la via per quella spene
che mosse d ‘entro da colui che more.
– Non son, come a voi par, le ragion’ pari:
ché pur voi foste ne la prima vista
del vostro et del suo mal cotanto avari.
– Or questo è quel che piú ch’altro n’atrista,
che’ perfetti giudicii son sí rari,
et d’altrui colpa altrui biasmo s’acquista.
Weep, eyes: accompany the heart
that is about to die for your failings.
‘So we are, always weeping: we must mourn
for another’s fault rather than our own.’
Yet it was through you that Love first entered,
where he still lives as though it were his home.
‘We opened the way because of that hope
that came from within that heart that is to die.’
These claims are not, as they may seem, equal:
for it was you, so eager at first sight,
who did harm to yourself, and to that one.
‘Now that is what saddens us more than anything,
that perfect judgement is so rare,
and we are blamed for another’s fault.’
April 5, 2026
Se bianche non son prima ambe le tempie
ch’a poco a poco par che ‘l tempo mischi,
securo non sarò, bench’io m’arrischi
talor ov’Amor l’arco tira et empie.
Non temo già che piú mi strazi o scempie,
né mi ritenga perch’anchor m’invischi,
né m’apra il cor perché di fuor l’incischi
con sue saette velenose et empie.
Lagrime omai da gli occhi uscir non ponno,
ma di gire infin là sanno il vïaggio,
sí ch’a pena fia mai ch’i’ ‘l passo chiuda.
Ben mi pò riscaldare il fiero raggio,
non sí ch’i’ arda; et può turbarmi il sonno,
ma romper no, l’imagine aspra et cruda.
If both my temples time it seems is greying
little by little are still not quite white
I’ll not be safe: I’ll still adventure where
Love sometimes aims his bow and fires.
I no longer fear he’ll maim or kill me,
or capture me, even though he traps me,
nor open up my heart because it’s pierced
by his venomous and cruel arrows.
No tears can flow now from my eyes,
though they know by now which way to flow,
since sorrow’s never closed the way to them.
I can be heated easily by fierce rays
and yet not set ablaze: that sharp, cruel form
can trouble my sleep but cannot wake me.
April 5, 2026
Io non fu’ d’amar voi lassato unquancho,
madonna, né sarò mentre ch’io viva;
ma d’odiar me medesmo giunto a riva,
et del continuo lagrimar so’ stancho;
et voglio anzi un sepolcro bello et biancho,
che ‘l vostro nome a mio danno si scriva
in alcun marmo, ove di spirto priva
sia la mia carne, che pò star seco ancho.
Però, s’un cor pien d’amorosa fede
può contentarve senza farne stracio,
piacciavi omai di questo aver mercede.
Se ‘n altro modo cerca d’esser sacio,
vostro sdegno erra, et non fia quel che crede:
di che Amor et me stesso assai ringracio.
I have never tired of love for you,
my Lady, nor will I while I live:
but hatred of my self has reached its end,
and I am weary of continual weeping:
and I’d rather have a plain stone sepulchre,
than your name be written as author of my hurt,
on some marble: where my body’s laid
without my spirit, that might still remain with you.
So, if a heart full of loving loyalty
can satisfy you, without causing harm,
favour me now by granting mercy.
If your disdain wanders some other way
seeking to be sated, and finds nothing worthy:
then Love and I will receive sufficient thanks.
April 5, 2026
Io son sí stanco sotto ‘l fascio antico
de le mie colpe et de l’usanza ria
ch’i’ temo forte di mancar tra via,
et di cader in man del mio nemico.
Ben venne a dilivrarmi un grande amico
per somma et ineffabil cortesia;
poi volò fuor de la veduta mia,
sí ch’a mirarlo indarno m’affatico.
Ma la sua voce anchor qua giú rimbomba:
O voi che travagliate, ecco ‘l camino;
venite a me, se ‘l passo altri non serra.
Qual gratia, qual amore, o qual destino
mi darà penne in guisa di colomba,
ch’i’ mi riposi, et levimi da terra?
I’m so wearied by the ancient burden,
of these faults of mine, and my sinful ways,
that I’ve a deep fear of erring on the road,
and falling into my enemy’s hands.
A great friend came to rescue me,
with noble and ineffable courtesy:
then flew away, far from my sight,
so that I strive to see him, but in vain.
But his voice still echoes down here:
‘Come unto me: all you that labour
behold the path, if no one blocks the way.’
What grace, what love, O what destiny
will grant me the wings of a dove,
to lift from the earth, and be at rest?
April 5, 2026
Chi è fermato di menar sua vita
su per l’onde fallaci et per gli scogli
scevro da morte con un picciol legno,
non pò molto lontan esser dal fine:
però sarrebbe da ritrarsi in porto
mentre al governo anchor crede la vela.
L’aura soave a cui governo et vela
commisi entrando a l’amorosa vita
et sperando venire a miglior porto,
poi mi condusse in piú di mille scogli;
et le cagion’ del mio doglioso fine
non pur d’intorno avea, ma dentro al legno.
Chiuso gran tempo in questo cieco legno
errai, senza levar occhio a la vela
ch’anzi al mio dí mi trasportava al fine;
poi piacque a lui che mi produsse in vita
chiamarme tanto indietro da li scogli
ch’almen da lunge m’apparisse il porto.
Come lume di notte in alcun porto
vide mai d’alto mar nave né legno
se non gliel tolse o tempestate o scogli,
cosí di su da la gomfiata vela
vid’io le ‘nsegne di quell’altra vita,
et allor sospirai verso ‘l mio fine.
Non perch’io sia securo anchor del fine:
ché volendo col giorno esser a porto
è gran vïaggio in cosí poca vita;
poi temo, ché mi veggio in fraile legno,
et piú che non vorrei piena la vela
del vento che mi pinse in questi scogli.
S’io esca vivo de’ dubbiosi scogli,
et arrive il mio exilio ad un bel fine,
ch’i’ sarei vago di voltar la vela,
et l’anchore gittar in qualche porto!
Se non ch’i’ ardo come acceso legno,
sí m’è duro a lassar l’usata vita.
Signor de la mia fine et de la vita,
prima ch’i’ fiacchi il legno tra gli scogli
drizza a buon porto l’affannata vela.
He who is set on living out his life
on the treacherous sea and near the rocks,
saved from death by a little vessel,
cannot be far from his own end:
unless he knows how to return to port
while the tiller still directs the sails.
The gentle breeze to which my tiller and sails
were entrusted, entering beloved life
and hoping to reach a better port,
carried me then among a thousand rocks:
and the causes of my sorrowful end
were not just outside but inside the vessel.
Trapped for a long time in this blind vessel
I wandered, not lifting my eyes to the sails
carrying me, before my time, to my end:
then it pleased Him who brought me into life
to call me back, far enough from the rocks
that some way off I could see the port.
As a light at night, burning in port,
is seen on the high seas by any vessel
if it’s not hidden by a storm or rocks,
so, from above my swelling sails,
I saw the emblem of that other life,
and then I sighed towards my end.
Not that I am yet certain of my end:
who wishes while day remains, to reach port
make’s a long voyage in so short a life:
I’m afraid, sailing so frail a vessel,
mostly I wish the wind not to fill my sails
that wind that drove me on the rocks.
If I escape alive from dangerous rocks,
and my exile comes to a good end,
I’d be content to furl my sails,
and cast anchor in any port!
If only I don’t blaze, a burning vessel:
it’s so hard for me to leave the old life.
Lord of my end, and of my life,
before my vessel shatters on the rocks,
drive me to port, with storm-tossed sails.
April 5, 2026
S’al principio risponde il fine e ‘l mezzo
del quartodecimo anno ch’io sospiro,
piú non mi pò scampar l’aura né ‘l rezzo,
sí crescer sento ‘l mio ardente desiro.
Amor, con cui pensier mai non amezzo,
sotto ‘l cui giogo già mai non respiro,
tal mi governa, ch’i’ non son già mezzo,
per gli occhi ch’al mio mal sí spesso giro.
Cosí mancando vo di giorno in giorno,
sí chiusamente, ch’i’ sol me n’accorgo
et quella che guardando il cor mi strugge.
A pena infin a qui l’anima scorgo,
né so quanto fia meco il mio soggiorno,
ché la morte s’appressa, e ‘l viver fugge.
If the middle and the end of these fourteen years,
in which I’ve sighed, should echo the beginning,
I’ll still have no more help from breeze or shade,
though I felt my passion’s flame increase.
Love, with whose thoughts I am ever one,
under whose yoke I must ever breathe,
so governs me I am only half a man,
turning my eyes too often towards my harm.
So I go wasting from day to day,
so secretly that only I’m aware
that it’s her look that destroys my heart.
I don’t know how long this final sorrow
I’ve brought the spirit to can stay with me,
since death is near, and life is fleeting.
April 5, 2026
Quando giunse a Simon l’alto concetto
ch’a mio nome gli pose in man lo stile,
s’avesse dato a l’opera gentile
colla figura voce ed intellecto,
di sospir’ molti mi sgombrava il petto,
che ciò ch’altri à piú caro, a me fan vile:
però che ‘n vista ella si mostra humile
promettendomi pace ne l’aspetto.
Ma poi ch’i’ vengo a ragionar co llei,
benignamente assai par che m’ascolte,
se risponder savesse a’ detti miei.
Pigmalïon, quanto lodar ti dêi
de l’imagine tua, se mille volte
n’avesti quel ch’i’ sol una vorrei.
When Simone had matched the high concept
I had in mind with the design beneath his hand,
if he had given to this noble work
intelligence and voice with the form,
he would have eased my heart of many sighs,
that make what’s dearer to others vile to me:
since she’s revealed to the sight, so humble,
promising peace to me in her aspect.
But when I come to speak with her,
benignly though she seems to listen,
her response to me is still lacking.
Pygmalion, what delight you had
from your creation, since the joy I wish
but once, you possessed a thousand times.
April 5, 2026
Per mirar Policleto a prova fiso
con gli altri ch’ebber fama di quell’arte
mill’anni, non vedrian la minor parte
de la beltà che m’ave il cor conquiso.
Ma certo il mio Simon fu in paradiso
(onde questa gentil donna si parte),
ivi la vide, et la ritrasse in carte
per far fede qua giú del suo bel viso.
L’opra fu ben di quelle che nel cielo
si ponno imaginar, non qui tra noi,
ove le membra fanno a l’alma velo.
Cortesia fe’; né la potea far poi
che fu disceso a provar caldo et gielo,
et del mortal sentiron gli occhi suoi.
Polyclitus gazing fixedly a thousand years
with the others who were famous in his art,
would not have seen the least part
of the beauty that has vanquished my heart.
But Simone must have been in Paradise
(from where this gentle lady came)
saw her there, and portrayed her in paint,
to give us proof here of such loveliness.
This work is truly one of those that might
be conceived in heaven, not among us here,
where we have bodies that conceal the soul.
Grace made it: he could work on it no further
when he’d descended to our heat and cold,
where his eyes had only mortal seeing.
April 5, 2026
Amor con sue promesse lusingando
mi ricondusse a la prigione antica,
et die’ le chiavi a quella mia nemica
ch’anchor me di me stesso tene in bando.
Non me n’avidi, lasso, se non quando
fui in lor forza; et or con gran fatica
(chi ‘l crederà perché giurando i’ ‘l dica?)
in libertà ritorno sospirando.
Et come vero pregioniero afflicto
de le catene mie gran parte porto,
e ‘l cor ne gli occhi et ne la fronte ò scritto.
Quando sarai del mio colore accorto,
dirai: S’i’ guardo et giudico ben dritto,
questi avea poco andare ad esser morto.
Love, with his beguiling promises
led me back to my ancient prison,
and gave the keys to my enemy
who still keeps me in exile from myself.
I did not realise it, alas, until it truly
happened, and now with great toil
(who’d believe it though I speak on oath?)
I regain my liberty with sighs.
And like a truly close-kept prisoner
I carry the marks of chains on my limbs,
and eye and forehead spell what’s in my heart.
When you are aware of my pallor,
you’ll say: ‘If I see and judge correctly,
this man was not far away from death.’
April 5, 2026
I begli occhi ond’i’ fui percosso in guisa
ch’e’ medesmi porian saldar la piaga,
et non già vertú d’erbe, o d’arte maga,
o di pietra dal mar nostro divisa,
m’ànno la via sí d’altro amor precisa,
ch’un sol dolce penser l’anima appaga;
et se la lingua di seguirlo è vaga,
la scorta pò, non ella, esser derisa.
Questi son que’ begli occhi che l’imprese
del mio signor victorïose fanno
in ogni parte, et piú sovra ‘l mio fianco;
questi son que’ begli occhi che mi stanno
sempre nel cor colle faville accese,
per ch’io di lor parlando non mi stanco.
Those lovely eyes, that struck me in such guise
that only they themselves could heal the wound,
and not the power of herbs, nor magic art,
nor some lodestone from far beyond our seas,
have so closed the road to other love,
that one sweet thought alone fills my mind:
and if my tongue wishes to pursue it,
that guide, and not the tongue is to be blamed.
Those are the lovely eyes that make
my lord’s enterprise victorious
on every side, above all my heart’s:
those are the lovely eyes that always live
in my heart among the blazing sparks,
so that speaking of them never makes me tired.
April 5, 2026
Io son già stanco di pensar sí come
i miei pensier’ in voi stanchi non sono,
et come vita anchor non abbandono
per fuggir de’ sospir’ sí gravi some;
et come a dir del viso et de le chiome
et de’ begli occhi, ond’io sempre ragiono,
non è mancata omai la lingua e ‘l suono
dí et notte chiamando il vostro nome;
et che’ pie’ non son fiaccati et lassi
a seguir l’orme vostre in ogni parte
perdendo inutilmente tanti passi;
et onde vien l’enchiostro, onde le carte
ch’i’ vo empiendo di voi: se ‘n ciò fallassi,
colpa d’Amor, non già defecto d’arte.
I am already wearied with thinking
of how my thoughts are never weary of you,
and how I’ve not abandoned life itself yet,
to flee so heavy a weight of sighs:
and how my tongue is never lacking sound
to speak of your face and your hair,
and your lovely eyes I always talk of,
calling on your name day and night:
and how my feet are never tired and weary
of following your footsteps everywhere,
spending so many paces uselessly:
and how from it comes all the ink and paper
where I go writing of you: if that is wrong,
it is Love’s fault, not a defect of my art.
April 5, 2026
Poi che per mio destino
a dir mi sforza quell’accesa voglia
che m’à sforzato a sospirar mai sempre,
Amor, ch’a ciò m’invoglia,
sia la mia scorta, e ‘nsignimi ‘l camino,
et col desio le mie rime contempre:
ma non in guisa che lo cor si stempre
di soverchia dolcezza, com’io temo,
per quel ch’i’ sento ov’occhio altrui non giugne;
ché ‘l dir m’infiamma et pugne,
né per mi’ ‘ngegno, ond’io pavento et tremo,
sí come talor sòle,
trovo ‘l gran foco de la mente scemo,
anzi mi struggo al suon de le parole,
pur com’io fusse un huom di ghiaccio al sole.
Nel cominciar credia
trovar parlando al mio ardente desire
qualche breve riposo et qualche triegua.
Questa speranza ardire
mi porse a ragionar quel ch’i’sentia:
or m’abbandona al tempo, et si dilegua.
Ma pur conven che l’alta impresa segua
continüando l’amorose note,
sí possente è ‘l voler che mi trasporta;
et la ragione è morta,
che tenea ‘l freno, et contrastar nol pote.
Mostrimi almen ch’io dica
Amor in guisa che, se mai percote
gli orecchi de la dolce mia nemica,
non mia, ma di pietà la faccia amica.
Dico: se ‘n quella etate
ch’al vero honor fur gli animi sí accesi,
l’industria d’alquanti huomini s’avolse
per diversi paesi,
poggi et onde passando, et l’onorate
cose cercando, e ‘l più bel fior ne colse,
poi che Dio et Natura et Amor volse
locar compitamente ogni virtute
in quei be’ lumi, ond’io gioioso vivo,
questo et quell’altro rivo
non conven ch’i’ trapasse, et terra mute.
A llor sempre ricorro
come a fontana d’ogni mia salute,
et quando a morte disïando corro,
sol di lor vista al mio stato soccorro.
Come a forza di vènti
stanco nocchier di notte alza la testa
a’ duo lumi ch’a sempre il nostro polo,
cosí ne la tempesta
ch’i’ sostengo d’Amor, gli occhi lucenti
sono il mio segno e ‘l mio conforto solo.
Lasso, ma troppo è piú quel ch’io ne ‘nvolo
or quinci or quindi, come Amor m’informa,
che quel che vèn da gratïoso dono;
et quel poco ch’i’ sono
mi fa di lor una perpetua norma.
Poi ch’io li vidi in prima,
senza lor a ben far non mossi un’orma:
cosí gli ò di me posti in su la cima,
che ‘l mio valor per sé falso s’estima.
I’ non poria già mai
imaginar, nonché narrar gli effecti,
che nel mio cor gli occhi soavi fanno:
tutti gli altri diletti
di questa vita ò per minori assai,
et tutte altre bellezze indietro vanno.
Pace tranquilla senza alcuno affanno:
simile a quella ch’è nel ciel eterna,
move da lor inamorato riso.
Cosí vedess’io fiso
come Amor dolcemente gli governa,
sol un giorno da presso
senza volger già mai rota superna,
né pensasse d’altrui né di me stesso,
e ‘l batter gli occhi miei non fosse spesso.
Lasso, che disïando
vo quel ch’esser non puote in alcun modo,
et vivo del desir fuor di speranza:
solamente quel nodo
ch’Amor cerconda a la mia lingua quando
l’umana vista il troppo lume avanza,
fosse disciolto, i’ prenderei baldanza
di dir parole in quel punto sí nove
che farian lagrimar chi le ‘ntendesse;
ma le ferite impresse
volgon per forza il cor piagato altrove,
ond’io divento smorto,
e ‘l sangue si nasconde, i’ non so dove,
né rimango qual era; et sonmi accorto
che questo è ‘l colpo di che Amor m’à morto.
Canzone, i’ sento già stancar la penna
del lungo et del dolce ragionar co llei,
ma non di parlar meco i pensier’ mei.
Since through destiny
the burning passion that has forced me to sigh
for so long now forces me to speak,
Love, you who create my longing,
be my guide, and show me the road,
and let my verse match my desire:
but not so that the heart may be out of tune
through overwhelming sweetness, as I fear,
because of what I feel where none can see,
since speaking strikes and inflames me:
nor do I find this great fire in my mind lessen,
as it sometimes would,
by use of intellect, at which I tremble and fear,
rather I’m consumed by the sound of words,
as a snow man is in the sun.
At the start I thought
to find some brief repose and a truce
by speaking of my ardent desire.
This hope, setting me on fire
to talk of what I felt,
abandoned me in time, and vanished.
And yet I must follow the high theme
continuing the loving notes,
so powerful the wish that drives me on:
and reason is dead
that held the reins, so nothing can oppose this.
Show me, Love, how to speak
in such a way at least that if it reach
the ears of my sweet enemy,
it might make her the friend of pity, if not of myself.
I say that in those ages
when spirits were on fire with true honour,
some men’s efforts turned
to diverse countries,
crossing hills and waves, and searching
for things of honour, and culled its finest flower,
but now that God, and Love, and Nature
wish to set every gentle virtue
in those bright eyes, through which I live in joy,
I have no need to cross
this river or that, or change countries.
I always return to them
as to the fount of all my blessings,
and when in desire I rush towards death,
the sight of them alone brings me salvation.
As the weary steersman
at night, in a rising wind, lifts his eyes
to the stars of those two Bears near the Pole,
so, in the tempest
of Love I endure, your shining eyes
are my sign, and my only comfort.
Alas, what I glimpse of them from time to time,
as Love directs me, is still more
than what is given freely to me,
and I make what little I myself
am from their eternal rule.
I have not moved a step
without them, since I first saw them:
and I hold them as the crown of my being,
taking my own value to be worthless.
I could never imagine,
nor ever tell, the effect
that those sweet eyes have on my heart:
every other delight
of this life is so much less
and every other beauty falls far behind.
Tranquil peace, without any torment,
such as lies in the eternal Heavens
comes from their loving smile.
If I could see close to,
for only one day, how Love
governs them so sweetly,
while the spheres above ceased to move,
and think of nothing else nor of myself,
and not lose them by the blinking of an eye.
Alas, how I go desiring
what can never exist in any way,
and live in desire beyond all hope:
if only that knot
with which Love ties my tongue
whenever excess of light blinds mortal sight,
were untied, I would take courage
to speak words in so new a way
it would make those who heard them weep:
but that deep piercing
turns my wounded heart elsewhere,
so I grow pale,
and the blood vanishes who knows where,
and I am not what I was: and I see
that this is the blow with which love kills me.
Song, my pen is already weary
of this long sweet speech with you,
but not my thoughts of speaking to myself.
April 5, 2026
Gentil mia donna, i’ veggio
nel mover de’ vostr’occhi un dolce lume
che mi mostra la via ch’al ciel conduce;
et per lungo costume,
dentro là dove sol con Amor seggio,
quasi visibilmente il cor traluce.
Questa è la vista ch’a ben far m’induce,
et che mi scorge al glorïoso fine;
questa sola dal vulgo m’allontana:
né già mai lingua humana
contar poria quel che le due divine
luci sentir mi fanno,
e quando ‘l verno sparge le pruine,
et quando poi ringiovenisce l’anno
qual era al tempo del mio primo affanno.
Io penso: se là suso,
onde ‘l motor eterno de le stelle
degnò mostrar del suo lavoro in terra,
son l’altr’opre sí belle,
aprasi la pregione, ov’io son chiuso,
et che ‘l camino a tal vita mi serra.
Poi mi rivolgo a la mia usata guerra,
ringratiando Natura e ‘l dí ch’io nacqui
che reservato m’ànno a tanto bene,
et lei ch’a tanta spene
alzò il mio cor: ché ‘nsin allor io giacqui
a me noioso et grave,
da quel dí inanzi a me medesmo piacqui,
empiendo d’un pensier alto et soave
quel core ond’ànno i begli occhi la chiave.
Né mai stato gioioso
Amor o la volubile Fortuna
dieder a chi piú fur nel mondo amici,
ch’i’ nol cangiassi ad una
rivolta d’occhi, ond’ogni mio riposo
vien come ogni arbor vien da sue radici.
Vaghe faville, angeliche, beatrici
de la mia vita, ove ‘l piacer s’accende
che dolcemente mi consuma et strugge:
come sparisce et fugge
ogni altro lume dove’l vostro splende,
cosí de lo mio core,
quando tanta dolcezza in lui discende,
ogni altra cosa, ogni penser va fore,
et solo ivi con voi rimanse Amore.
Quanta dolcezza unquancho
fu in cor d’aventurosi amanti, accolta
tutta in un loco, a quel ch’i’ sento è nulla,
quando voi alcuna volta
soavemente tra ‘l bel nero e ‘l biancho
volgete il lume in cui Amor si trastulla;
et credo da le fasce et da la culla
al mio imperfecto, a la Fortuna adversa
questo rimedio provedesse il cielo.
Torto mi face il velo
et la man che sí spesso s’atraversa
fra ‘l mio sommo dilecto
et gli occhi, onde dí et notte si rinversa
il gran desio per isfogare il petto,
che forma tien dal varïato aspetto.
Perch’io veggio, et mi spiace,
che natural mia dote a me non vale
né mi fa degno d’un sí caro sguardo,
sforzomi d’esser tale
qual a l’alta speranza si conface,
et al foco gentil ond’io tutt’ardo.
S’al ben veloce, et al contrario tardo,
dispregiator di quanto ‘l mondo brama
per solicito studio posso farme,
porrebbe forse aitarme
nel benigno iudicio una tal fama:
Certo il fin de’ miei pianti,
che non altronde il cor doglioso chiama,
vèn da’ begli occhi alfin dolce tremanti,
ultima speme de’ cortesi amanti.
Canzon, l’una sorella è poco inanzi,
et l’altra sento in quel medesmo albergo
apparechiarsi; ond’io piú carta vergo.
My gentle lady, I see
a sweet light that streams from your eyes
that shows me the way that leads to Heaven:
and as it is accustomed to,
in there, where I sit alone with Love,
the heart is shining almost visibly.
This is the sight that leads me to do good,
and drives me towards a glorious end,
only by this distinguished from the crowd:
no human tongue could ever
say what those two divine lights
make me feel,
and when winter scatters frost around,
and when after it the year renews
that is the time of my first troubling.
I think: if there are other works
as fine above, where the eternal Mover
of the stars leaned down from to reveal
his labours to the earth,
open the prison where I am confined,
that shuts from me the road to such life.
Then I turn again to my habitual war,
grateful to Nature and the day I was born
for reserving so much good for me,
and she who exalted my heart
with such hopes: for till then I lay
there, a harmful burden to myself,
but from that day was pleasing to myself,
filling with sweet and noble thought
that heart to which lovely eyes hold the key.
There is no joyous state
that Love or fickle Fortune ever granted
to those they loved most in the world,
that I would not exchange
for those eyes’ glance, from which there comes
my peace, as a whole tree comes from its root.
Wandering sparks of my life,
angelic, blessed, from which delight takes fire,
that consume me and sweetly destroy me:
as every other light
must flee and vanish before your splendour,
so with my heart,
when such great sweetness descends within,
all other things, all thought must go,
and only Love remains there with you.
Whatever sweetness was ever found
in the hearts of venturesome lovers, gathered
all on one place, is nothing to what I feel,
whenever you turn
the black and white of those lovely eyes,
in which Love so delights, sweetly towards me:
and I believe that from my infant cradle
this was the remedy Heaven sent
for my imperfections, and adverse Fortune.
That veil does me wrong
and that hand which so often comes
between those eyes and my great delight,
so that day and night I pour out
my deep passion to ease my heart,
that takes the form of your varying aspect.
Because I see, and am sad,
that my natural gifts help me little
and make me unworthy of a kindly glance,
I make myself such
as befits my exalted hope,
and the noble fire in which I burn.
If, despising what the world desires,
I can make myself by careful study
swift to good and slow to its contrary,
perhaps benign judgement
will one day bring me fame.
Surely the end of my weeping,
my grieving heart does not hope for from elsewhere,
will come at last from that sweet tremor of lovely eyes
the final hope of courteous lovers.
Song, one sister went a little before you,
and I sense another appearing to me
where I live: so I’ll lay out more paper.
April 5, 2026
Perché la vita è breve,
et l’ingegno paventa a l’alta impresa,
né di lui né di lei molto mi fido;
ma spero che sia intesa
là dov’io bramo, et là dove esser deve,
la doglia mia la qual tacendo i’ grido.
Occhi leggiadri dove Amor fa nido,
a voi rivolgo il mio debile stile,
pigro da sé, ma ‘l gran piacer lo sprona;
et chi di voi ragiona
tien dal soggetto un habito gentile,
che con l’ale amorose
levando il parte d’ogni pensier vile.
Con queste alzato vengo a dir or cose
ch’ò portate nel cor gran tempo ascose.
Non perch’io non m’aveggia
quanto mia laude è ‘ngiurïosa a voi:
ma contrastar non posso al gran desio,
lo quale è ‘n me da poi
ch’i’ vidi quel che pensier non pareggia,
non che l’avagli altrui parlar o mio.
Principio del mio dolce stato rio,
altri che voi so ben che non m’intende.
Quando agli ardenti rai neve divegno,
vostro gentile sdegno
forse ch’allor mia indignitate offende.
Oh, se questa temenza
non temprasse l’arsura che m’incende,
beato venir men! ché ‘n lor presenza
m’è più caro il morir che ‘l viver senza.
Dunque ch’i’ non mi sfaccia,
sí frale obgetto a sí possente foco,
non è proprio valor che me ne scampi;
ma la paura un poco,
che ‘l sangue vago per le vene agghiaccia,
risalda ‘l cor, perché piú tempo avampi.
O poggi, o valli, o fiumi, o selve, o campi,
o testimon’ de la mia grave vita,
quante volte m’udiste chiamar morte!
Ahi dolorosa sorte
lo star mi strugge, e ‘l fuggir non m’aita.
Ma se maggior paura
non m’affrenasse, via corta et spedita
trarrebbe a fin questa apra pena et dura;
et la colpa è di tal che non à cura.
Dolor perché mi meni
fuor di camin a dir quel ch’i’ non voglio?
Sostien ch’io vada ove ‘l piacer mi spigne.
Già di voi non mi doglio,
occhi sopra ‘l mortal corso sereni,
né di lui ch’a tal nodo mi distrigne.
Vedete ben quanti color’ depigne
Amor sovente in mezzo del mio volto,
et potrete pensar qual dentro fammi,
là ‘ve dí et notte stammi
adosso, col poder ch’a in voi raccolto,
luci beate et liete
se non che ‘l veder voi stesse v’è tolto;
ma quante volte a me vi rivolgete,
conoscete in altrui quel che voi siete.
S’a voi fosse sí nota
la divina incredibile bellezza
di ch’io ragiono, come a chi la mira,
misurata allegrezza
non avria ‘l cor: però forse è remota
dal vigor natural che v’apre et gira.
Felice l’alma che per voi sospira,
lumi del ciel, per li quali io ringratio
la vita che per altro non m’è a grado!
Oimè, perché sí rado
mi date quel dond’io mai non son satio?
Perché non piú sovente
mirate qual Amor di me fa stracio?
E perché mi spogliate immantanente
del ben ch’ad ora ad or l’anima sente?
Dico ch’ad ora ad ora,
vostra mercede, i’ sento in mezzo l’alma
una dolcezza inusitata et nova,
la qual ogni altra salma
di noiosi pensier’ disgombra allora,
sí che di mille un sol vi si ritrova:
quel tanto a me, non piú, del viver giova.
Et se questo mio ben durasse alquanto,
nullo stato aguagliarse al mio porrebbe;
ma forse altrui farrebbe
invido, et me superbo l’onor tanto:
però, lasso, convensi
che l’extremo del riso assaglia il pianto,
e ‘nterrompendo quelli spirti accensi
a me ritorni, et di me stesso pensi.
L’amoroso pensero
ch’alberga dentro, in voi mi si discopre
tal che mi trâ del cor ogni altra gioia;
onde parole et opre
escon di me sí fatte allor ch’i’ spero
farmi immortal, perché la carne moia.
Fugge al vostro apparire angoscia et noia,
et nel vostro partir tornano insieme.
Ma perché la memoria innamorata
chiude lor poi l’entrata,
di là non vanno da le parti extreme;
onde s’alcun bel frutto
nasce di me, da voi vien prima il seme:
io per me son quasi un terreno asciutto,
cólto da voi, e ‘l pregio è vostro in tutto.
Canzon, tu non m’acqueti, anzi m’infiammi
a dir di quel ch’a me stesso m’invola:
però sia certa de non esser sola.
Because this life is short,
and thought trembles at the high enterprise,
I place little of my trust in either:
but hope that the sorrow
I cry silently might be accepted
where I long for, and where it ought to be.
Lovely eyes where Love has made his nest,
I direct my weak verse towards you,
of itself slow, but spurred by great delight:
and he who speaks of you
takes a noble subject as his theme,
which lifts him on loving wings
far from all base thought.
Now on these wings I fly to speak
of what I’ve long carried hidden in my heart.
Not that I’m blind
as to how my praise might harm you:
but my great passion cannot be opposed,
that which was born in me
when I saw that which is beyond all thought
beyond what others have spoken, or myself.
This cause of my sweet bitter state
none can understand as well as you.
When I melt like snow in the hot sun,
your gentle disdain
is perhaps because my unworthiness offends.
Oh, if that fear
did not quench the flame where I burn,
how blessed I’d be! For in your presence
it’s sweeter to die than live without you.
While I am not consumed
so frail an object in so fierce a fire,
it’s not true worth that prevents my ruin
but a little touch of fear,
that chills the errant blood in my veins,
restoring the heart so that it burns longer.
O hills, O Valleys, O rivers, O woods, O fields,
O witnesses to my hard life,
how many times have you heard me call for death!
Ah wretched fate
staying destroys me, and fleeing is no help.
But if a greater fear
did not restrain me, a short swift way
would bring this harsh bitter pain to an end:
and the blame would be hers who does not care.
Sadness why do you lead me
out of my path, to say what I do not wish.
Allow me to go where it pleases me to go.
I don’t complain of you
eyes, bright beyond what is mortal,
nor of him who tied me in this knot.
You see what colours Love often likes to paint
in the midst of my features,
and can imagine what he does inside,
where he stands over me night and day
with the power he gathered from you,
blessed and happy lights,
except that you cannot turn to see yourselves:
though as often as you turn again to me,
you see what you are in another.
If you could only see
the divine, unbelievable beauty
that I speak of, as those who gaze can,
immeasurable happiness
would fill your heart: perhaps its natural power
is kept remote from you to spare you.
Blessed is the soul that sighs for you
heavenly lights, so that I give thanks for life
that otherwise is worthless!
Alas, why do you so rarely
grant me what does not sate me?
Why do you not more often
consider how Love wastes me?
And why do you immediately rob me
of the good that now and then my spirit feels?
I say from time to time
through your pity, I feel
a strange new sweetness in my soul,
that clears my dead weight
of harmful thoughts, so that
of a thousand only one is left:
that is alone enough to live in joy.
And if this good could stay a while
no state would be equal to mine:
though such honour maybe
would make others envious, and me proud.
Alas, that must be why
sorrow attacks laughter in the end,
and why I interrupt that burning rapture
to return to myself, and think of myself again.
The loving thought
that lives within, is revealed to me in you,
such that it draws away all other joy:
then words and deeds
arise in me so that I hope I might
be made immortal, though the flesh dies.
Anguish and pain flee at your appearance,
and meet again in me when you depart.
But since my loving memory
prevents them entering
they do not sink beyond the surface:
so that if good fruit at times
is born of me, the seed’s first sown by you:
I’m an almost sterile soil in myself,
but tilled by you, so the praise is all yours.
Song, you do not release me, but stir me
to speak of what tempts me from myself:
therefore be certain not to exist alone.
April 5, 2026
Lasso me, ch’i’ non so in qual parte pieghi
la speme, ch’è tradita omai più volte:
che se non è chi con pietà m’ascolte,
perché sparger al ciel sí spessi preghi?
Ma s’egli aven ch’anchor non mi si nieghi
finir anzi ‘l mio fine
queste voci meschine,
non gravi al mio signor perch’io il ripreghi
di dir libero un dí tra l’erba e i fiori:
Drez et rayson es qu’ieu ciant e ‘m demori.
Ragione è ben ch’alcuna volta io canti,
però ch’ò sospirato sí gran tempo
che mai non incomincio assai per tempo
per adequar col riso i dolor’ tanti.
Et s’io potesse far ch’agli occhi santi
porgesse alcun dilecto
qualche dolce mio detto,
o me beato sopra gli altri amanti!
Ma piú quand’io dirò senza mentire:
Donna mi priegha, per ch’io voglio dire.
Vaghi pensier’ che cosí passo passo
scorto m’avete a ragionar tant’alto,
vedete che madonna à ‘l cor di smalto,
sí forte ch’io per me dentro nol passo.
Ella non degna di mirar sí basso
che di nostre parole
curi, ché ‘l ciel non vòle,
al qual pur contrastando i’ son già lasso:
onde, come nel cor m’induro e n’aspro,
così nel mio parlar voglio esser aspro.
Che parlo? o dove sono? e chi m’inganna,
altri ch’io stesso e ‘l desïar soverchio?
Già s’i’trascorro il ciel di cerchio in cerchio,
nessun pianeta a pianger mi condanna.
Se mortal velo il mio veder appanna,
che colpa è de le stelle,
o de le cose belle?
Meco si sta chi dí et notte m’affanna,
poi che del suo piacer mi fe’ gir grave
la dolce vista e ‘l bel guardo soave.
Tutte le cose, di che ‘l mondo è adorno
uscïr buone de man del mastro eterno;
ma me, che cosí adentro non discerno,
abbaglia il bel che mi si mostra intorno;
et s’al vero splendor già mai ritorno,
l’occhio non po’ star fermo,
cosí l’à fatto infermo
pur la sua propria colpa, et non quel giorno
ch’i’ volsi inver’ l’angelica beltade
nel dolce tempo de la prima etade.
Ah me, I don’t know where to seek for hope
that has been false so many times before:
if there is no one who will listen with pity,
why should I send the same prayers to heaven?
But if it should chance that I’m not prevented
from ending these sad songs
before my ending,
let it not weigh heavy with my lord if I
ask to sing freely among the grass and flowers:
‘Drez et rayson es qu’ieu ciant e ‘m demori,
It’s right and just I should sing and be happy’.
For it is right that I should sing sometimes,
since I have sighed so very long
that it’s never soon enough to begin
to counter so much grief with smiles.
And if I could only grant those sacred eyes
some delight
through sweet speech of mine
Oh I’d be blessed beyond all other lovers!
More so if I could say without a lie:
‘Donna mi priegha, per ch’io volgio dire,
My lady asks me, so I desire to speak.’
Wandering thoughts, that step by step
have led me to such high poetry,
see how my lady’s heart is cold enamel,
so hardened that I cannot pass inside.
She does not deign to gaze so low
as to care for our words
against heaven’s wishes,
so that I’m already tired of the struggle:
and as my heart becomes hard and rough,
‘così nel mio parlar voglio esser aspro,
so I would wish my speech to be rougher.’
What do I say? Where am I? Do I deceive myself
because my exalted passion runs so high?
Though I traverse the sky from sphere to sphere
there is no planet that forces me to grieve.
If a mortal veil dims my sight
what fault is it of the stars,
or anything of beauty?
With me is what harms me day and night,
what brings me pain from its pleasure,
‘la dolce vista e ‘l bel guardo soave,
the sweet sight and the lovely gentle look.’
Everything with which the world’s adorned
issued pure from the eternal Maker’s hand:
but I who cannot discern how to enter in,
am dazzled by beauty shown me all around:
and whenever I turn to the real splendour,
my eyesight cannot see true,
as if it has been weakened,
through its own fault, not by the day
when I first turned towards that beauty
‘nel dolce tempo de la prima etade,
in the sweet season of my early youth.’
Notes. The last lines of the verses are quotations
in chronological order from the poetic tradition
leading to Petrarch, namely from a poem attributed
to Arnaut Daniel, from Guido Cavalcanti,
from Dante, Cino da Pistoia, and from Petrarch 23.
April 5, 2026
Ben sapeva io che natural consiglio,
Amor, contra di te già mai non valse,
tanti lacciuol’, tante impromesse false,
tanto provato avea ‘l tuo fiero artiglio.
Ma novamente, ond’io mi meraviglio
(diròl, come persona a cui ne calse,
e che ‘l notai là sopra l’acque salse,
tra la riva toscana et l’Elba et Giglio),
i’ fuggia le tue mani, et per camino,
agitandom’i vènti e ‘l ciel et l’onde,
m’andava sconosciuto et pellegrino:
quando ecco i tuoi ministri, i’ non so donde,
per darmi a diveder ch’al suo destino
mal chi contrasta, et mal chi si nasconde.
Love, I well know our natural defences
are never of any value against you,
you’ve so many snares, so many false promises,
so many grasps of your fierce claws.
But recently, what was marvellous to me
(I tell it, as someone unaware of it,
and who noted it, on those salt waters
between Elba and Giglio and the Tuscan shore),
I fled your hand, and on the passage,
driven by the wind and sky and waves,
I went unknown and as a stranger: when
behold your ministers, from who knows where,
to show me how wrong is he who hides
from destiny, and how wrong he who fights it.
April 5, 2026
L’aspetto sacro de la terra vostra
mi fa del mal passato tragger guai,
gridando: Sta’ su, misero, che fai?;
et la via de salir al ciel mi mostra.
Ma con questo pensier un altro giostra,
et dice a me: Perché fuggendo vai?
se ti rimembra, il tempo passa omai
di tornar a veder la donna nostra.
I’ che ‘l suo ragionar intendo, allora
m’agghiaccio dentro, in guisa d’uom ch’ascolta
novella che di súbito l’accora.
Poi torna il primo, et questo dà la volta:
qual vincerà, non so; ma ‘nfino ad ora
combattuto ànno, et non pur una volta.
The sacred aspect of your native place,
makes me sorrow for the evil that is past,
crying: ‘Arise, you wretch, what is it you do?’:
and shows me the way to climb to Heaven.
But with this thought another one contends
and says to me: ‘Why do you run away?
If you recall, the time now is passing
in which you might turn and see our lady.’
I understand what it says, and I turn
to ice inside, like a man who hears
news which suddenly overwhelms him.
The first thought returns, the other flies:
which will win, who knows: but they’ve fought
till now, and more than one single time.
April 5, 2026
Del mar Tirreno a la sinistra riva,
dove rotte dal vento piangon l’onde,
súbito vidi quella altera fronde
di cui conven che ‘n tante carte scriva.
Amor, che dentro a l’anima bolliva,
per rimembranza de le treccie bionde
mi spinse, onde in un rio che l’erba asconde
caddi, non già come persona viva.
Solo ov’io era tra boschetti et colli
vergogna ebbi di me, ch’al cor gentile
basta ben tanto, et altro spron non volli.
Piacemi almen d’aver cangiato stile
da gli occhi a’ pie’, se del lor esser molli
gli altri asciugasse un piú cortese aprile.
On the left shore of the Tyrrhenian Sea,
where the waves weep, broken by the wind,
I suddenly glimpsed the noble leaves
that force me to write so many pages.
Love that was seething in my spirit
through remembering that golden hair,
pushed me so I fell, as if no longer living,
into a stream hidden in the grass.
Alone though I was among the woods and hills,
shame was with me, for the gentle heart
is enough in itself, and needs no other spur.
I’m at least glad to have changed my tale
from eyes to feet, since if these are made wet
the others are dried by a more courteous April.
April 5, 2026
L’aere gravato, et l’importuna nebbia
compressa intorno da rabbiosi vènti
tosto conven che si converta in pioggia;
et già son quasi di cristallo i fiumi,
e ‘n vece de l’erbetta per le valli
non se ved’altro che pruine et ghiaccio.
Et io nel cor via piú freddo che ghiaccio
ò di gravi pensier’ tal una nebbia,
qual si leva talor di queste valli,
serrate incontra agli amorosi vènti,
et circundate di stagnanti fiumi,
quando cade dal ciel piú lenta pioggia.
In picciol tempo passa ogni gran pioggia,
e ‘l caldo fa sparir le nevi e ‘l ghiaccio,
di che vanno superbi in vista i fiumi;
né mai nascose il ciel sí folta nebbia
che sopragiunta dal furor d’i vènti
non fugisse dai poggi et da le valli.
Ma, lasso, a me non val fiorir de valli,
anzi piango al sereno et a la pioggia
et a’ gelati et a’ soavi vènti:
ch’allor fia un dí madonna senza ‘l ghiaccio
dentro, et di for senza l’usata nebbia,
ch’i’ vedrò secco il mare, e’ laghi, e i fiumi.
Mentre ch’al mar descenderanno i fiumi
et le fiere ameranno ombrose valli,
fia dinanzi a’ begli occhi quella nebbia
che fa nascer d’i miei continua pioggia,
et nel bel petto l’indurato ghiaccio
che trâ del mio sí dolorosi vènti.
Ben debbo io perdonare a tutti vènti,
per amor d’un che ‘n mezzo di duo fiumi
mi chiuse tra ‘l bel verde e ‘l dolce ghiaccio,
tal ch’i’ depinsi poi per mille valli
l’ombra ov’io fui, ché né calor né pioggia
né suon curava di spezzata nebbia.
Ma non fuggío già mai nebbia per vènti,
come quel dí, né mai fiumi per pioggia,
né ghiaccio quando ‘l sole apre le valli.
The heavy air, and the oppressive cloud,
compressed on all sides by the raging winds,
will quickly be converted into rain:
and already part-crystal are the rivers,
and where there was grass in the valleys
there’s nothing to be seen but frost and ice.
And on my heart that grows colder than ice
my heavy thoughts form such a cloud,
as sometimes rises from these valleys,
closed off from the more kindly winds,
surrounded by the slow-moving rivers,
when there falls from heaven a gentler rain.
In a little while it passes, all that heavy rain,
and the warmth disperses snow and ice,
giving a swollen surface to the rivers:
never was the sky hidden by such dense cloud
that, meeting with the fury of the winds,
it did not fly from off the hills and valleys.
But, alas, for me there are no flowering valleys,
rather I weep in clear skies or in rain,
and in the chill and in the gentle winds:
when that day comes my lady’s without ice
inside, and outside is without the usual cloud,
dry ocean will be seen, and lakes and rivers.
As long as the sea receives the rivers
and the wild creatures love the shady valleys,
her lovely eyes will be concealed by cloud
that makes in mine one continuous rain,
and in her heart the unyielding ice
which draws from mine such sighing winds.
I should be able to excuse the winds,
for love of that one, that between two rivers
confined me among sweet green and lovely ice,
so that I pictured through a thousand valleys
that shade where I was, so that no heat or rain
troubled me there nor any breaking cloud.
But never did cloud fly before the winds
as on that day, nor rivers ever with rain,
nor ice when the sun unlocks the valleys.
April 5, 2026
Lasso, che mal accorto fui da prima
nel giorno ch’a ferir mi venne Amore,
ch’a passo a passo è poi fatto signore
de la mia vita, et posto in su la cima.
Io non credea per forza di sua lima
che punto di fermezza o di valore
mancasse mai ne l’indurato core;
ma cosí va, chi sopra ‘l ver s’estima.
Da ora inanzi ogni difesa è tarda,
altra che di provar s’assai o poco
questi preghi mortali Amore sguarda.
Non prego già, né puote aver piú loco,
che mesuratamente il mio cor arda,
ma che sua parte abbia costei del foco.
Alas, how unprepared I was at first
that day when Love came to wound me,
and step by step made himself the lord
of my life, and took his place at the head.
I did not think that rasping power of his
could ever lessen by a jot the firmness
or the strength of my well-tempered heart:
but so it is when we overestimate the truth.
From now on all defence comes too late,
other than to prove whether Love
listens to mortal prayers much, or little.
I do not pray, since there is no purpose,
that my heart should ever burn less fiercely,
but only that she might share part of the fire.
April 5, 2026
Se voi poteste per turbati segni,
per chinar gli occhi, o per piegar la testa,
o per esser piú d’altra al fuggir presta,
torcendo ‘l viso a’ preghi honesti et degni,
uscir già mai, over per altri ingegni,
del petto ove dal primo lauro innesta
Amor piú rami, i’ direi ben che questa
fosse giusta cagione a’ vostri sdegni:
ché gentil pianta in arido terreno
par che si disconvenga, et però lieta
naturalmente quindi si diparte;
ma poi vostro destino a voi pur vieta
l’esser altrove, provedete almeno
di non star sempre in odïosa parte.
If you, with signs of your unease,
lowering your eyes, bowing your head,
or being more ready than anyone to flee,
turning your face from honest worthy prayers,
or by some other ingenuity, seek escape
so from my heart, from which Love grafts
more branches of that first laurel, I’d agree
there was just cause for your disdain:
for a noble plant in arid soil
is embarrassed by it, so naturally
delights in being moved somewhere else:
and though your destiny prevents you
being elsewhere, you can at least provide
that you’re not always somewhere you hate.
April 5, 2026
Volgendo gli occhi al mio novo colore
che fa di morte rimembrar la gente,
pietà vi mosse; onde, benignamente
salutando, teneste in vita il core.
La fraile vita, ch’ancor meco alberga,
fu de’ begli occhi vostri aperto dono,
et de la voce angelica soave.
Da lor conosco l’esser ov’io sono:
ché, come suol pigro animal per verga,
cosí destaro in me l’anima grave.
Del mio cor, donna, l’una et l’altra chiave
avete in mano; et di ciò son contento,
presto di navigare a ciascun vento,
ch’ogni cosa da voi m’è dolce honore.
Turning your eyes on my strange colour
that sets people thinking of death,
pity moved you: so that, greeting me
with kindness, you have kept my heart alive.
That frail life, that still exists in me
was the clear gift of your lovely eyes,
and your voice, angelically sweet.
I recognise my being comes from them:
for like a lazy beast stirred by a stick,
they likewise woke my heavy mind.
Lady, you have both the keys of my heart
in your hand: and I am content,
ready to sail with every breeze:
everything of yours is sweet honour to me.
April 5, 2026
Padre del ciel, dopo i perduti giorni,
dopo le notti vaneggiando spese,
con quel fero desio ch’al cor s’accese,
mirando gli atti per mio mal sí adorni,
piacciati omai col Tuo lume ch’io torni
ad altra vita et a piú belle imprese,
sí ch’avendo le reti indarno tese,
il mio duro adversario se ne scorni.
Or volge, Signor mio, l’undecimo anno
ch’i’ fui sommesso al dispietato giogo
che sopra i piú soggetti è piú feroce.
Miserere del mio non degno affanno;
reduci i pensier’ vaghi a miglior luogo;
ramenta lor come oggi fusti in croce.
Heavenly Father, after the lost days,
after the nights spent wandering,
with that fierce desire that burned in my heart,
gazing on limbs adorned to do me harm,
now may it please you by Your light I turn
to the greater life and the sweeter work,
so that my harsh adversary having cast
his nets in vain, may be discredited.
Now, my Lord, the eleventh year revolves
since I was bowed under that pitiless yoke,
which to those most subject to it is most fierce.
Have pity on my unworthy suffering:
lead back my wandering thoughts to a better place:
remind them how you hung, today, upon the cross.
April 5, 2026
Benedetto sia ‘l giorno, et ‘l mese, et l’anno,
et la stagione, e ‘l tempo, et l’ora, e ‘l punto,
e ‘l bel paese, e ‘l loco ov’io fui giunto
da’duo begli occhi che legato m’ànno;
et benedetto il primo dolce affanno
ch’i’ ebbi ad esser con Amor congiunto,
et l’arco, et le saette ond’i’ fui punto,
et le piaghe che ‘nfin al cor mi vanno.
Benedette le voci tante ch’io
chiamando il nome de mia donna ò sparte,
e i sospiri, et le lagrime, e ‘l desio;
et benedette sian tutte le carte
ov’io fama l’acquisto, e ‘l pensier mio,
ch’è sol di lei, sí ch’altra non v’à parte.
Blessed be the day, and the month, and the year,
and the season, and the time, and the hour, and the moment,
and the beautiful country, and the place where I was joined
to the two beautiful eyes that have bound me:
and blessed be the first sweet suffering
that I felt in being conjoined with Love,
and the bow, and the shafts with which I was pierced,
and the wounds that run to the depths of my heart.
Blessed be all those verses I scattered
calling out the name of my lady,
and the sighs, and the tears, and the passion:
and blessed be all the sheets
where I acquire fame, and my thoughts,
that are only of her, that no one else has part of.
April 5, 2026
L’arbor gentil che forte amai molt’anni,
mentre i bei rami non m’ebber a sdegno
fiorir faceva il mio debile ingegno
e la sua ombra, et crescer negli affanni.
Poi che, securo me di tali inganni,
fece di dolce sé spietato legno,
i’ rivolsi i pensier’ tutti ad un segno,
che parlan sempre de’ lor tristi danni.
Che porà dir chi per amor sospira,
s’altra speranza le mie rime nove
gli avessir data, et per costei la perde?
Né poeta ne colga mai, né Giove
la privilegi, et al Sol venga in ira,
tal che si secchi ogni sua foglia verde.
The gentle tree that I’ve loved many years,
while it’s lovely branches did not disdain me
made my feeble intellect flower beneath
its shade, and all my anxieties increase.
When, while I suspected no such deceit,
from sweetness it turned itself to pitiless wood,
I turned all my thoughts to one purpose,
to speak endlessly of that sad harm.
What can he say who sighs because of love,
if my new rhymes have given him fresh hope,
hope that now, because of her, he loses?
Let no poet gather it now, nor Jupiter
favour it, and let Apollo’s sun blaze in anger,
so that it withers all those green leaves.
April 5, 2026
Perché quel che mi trasse ad amar prima,
altrui colpa mi toglia,
del mio fermo voler già non mi svoglia.
Tra le chiome de l’òr nascose il laccio,
al qual mi strinse, Amore;
et da’ begli occhi mosse il freddo ghiaccio,
che mi passò nel core,
con la vertú d’un súbito splendore,
che d’ogni altra sua voglia
sol rimembrando anchor l’anima spoglia.
Tolta m’è poi di que’ biondi capelli,
lasso, la dolce vista;
e ‘l volger de’ duo lumi honesti et belli
col suo fuggir m’atrista;
ma perché ben morendo honor s’acquista,
per morte né per doglia
non vo’ che da tal nodo Amor mi scioglia.
Though another’s fault takes me away
from what drew me to my first bitterness,
I am not moved from my fixed desire.
Love hid the noose he caught me with
among that golden hair:
and cold ice came from those lovely eyes
that passed into my heart,
with the power of a sudden splendour,
that, merely remembering it, all other wishes
are driven from my soul.
Alas, since then, the sweet sight of that blonde hair
has been taken from me:
and the vanishing of those two true and lovely eyes
has saddened me with their flight:
but since dying well brings us honour,
despite grief or death,
I do not wish Love to loose me from this knot.
April 5, 2026
La guancia che fu già piangendo stancha
riposate su l’un, signor mio caro,
et siate ormai di voi stesso piú avaro
a quel crudel che ‘ suoi seguaci imbiancha.
Coll’altro richiudete da man mancha
la strada a’ messi suoi ch’indi passaro,
mostrandovi un d’agosto et di genaro,
perch’a la lunga via tempo ne mancha.
E col terzo bevete un suco d’erba
che purghe ogni pensier che ‘l cor afflige,
dolce a la fine, et nel principio acerba.
Me riponete ove ‘l piacer si serba,
tal ch’i’ non tema del nocchier di Stige,
se la preghiera mia non è superba.
My dear lord, rest that cheek of yours
already tired with weeping, on my first gift,
be more careful of yourself with that cruel one
who makes pallid all those who follow him.
With the second, block with your left hand
the path that his messengers pass along,
appear the same in August as January,
so as not to lose your time on the long road.
And drink a herbal mixture from the third,
to purge away all thought that pains the heart,
sweet at the last, though the start is bitter.
Keep me where all your pleasures are stored,
so I will not fear the Stygian ferryman,
if the request I make does not seem proud.
Note: Sent to Agapito Colonna, Bishop of Luni
with the gifts presumably of a pillow, book, and cup.
The poem has indeed evaded Charon so far.
April 5, 2026
Mie venture al venir son tarde et pigre,
la speme incerta, e ‘l desir monta et cresce,
onde e ‘l lassare et l’aspectar m’incresce;
et poi al partir son piú levi che tigre.
Lasso, le nevi fien tepide et nigre,
e ‘l mar senz’onda, et per l’alpe ogni pesce,
et corcherassi il sol là oltre ond’esce
d’un medesimo fonte Eufrate et Tigre,
prima ch’i’ trovi in ciò pace né triegua,
o Amore o madonna altr’uso impari,
che m’ànno congiurato a torto incontra.
Et s’i’ ò alcun dolce, è dopo tanti amari,
che per disdegno il gusto si dilegua:
altro mai di lor gratie non m’incontra.
My luck is always late and slow to reach me,
hope is uncertain, desire grows and increases,
so that I grieve with loss or anticipation,
and it is quicker than a tigress to depart.
Alas, snow will be black and hot,
the sea without waves, fish on the hills,
and the sun set where Tigris and Euphrates
issue together from their source,
before I can find peace in my mind,
or Love or my lady alter their ways,
who have joined in wrong against me.
And any sweetness follows such bitterness
that through disdain the taste is lost:
I will never know what’s better from them.
April 5, 2026
Se col cieco desir che ‘l cor distrugge
contando l’ore no m’inganno io stesso,
ora mentre ch’io parlo il tempo fugge
ch’a me fu inseme et a mercé promesso.
Qual ombra è sí crudel che ‘l seme adugge,
ch’al disïato frutto era sí presso?
et dentro dal mio ovil qual fera rugge?
tra la spiga et la man qual muro è messo?
Lasso, nol so; ma sí conosco io bene
che per far piú dogliosa la mia vita
amor m’addusse in sí gioiosa spene.
Et or di quel ch’i’ ò lecto mi sovene,
che ‘nanzi al dí de l’ultima partita
huom beato chiamar non si convene.
If, through blind desire that destroys the heart,
I do not deceive myself counting the hours,
now, while I speak these words, the time nears
that was promised to pity and myself.
What shade is so cruel as to blight the crop
which was so near to a lovely harvest?
And what wild beast is roaring in my fold?
What wall is set between the hand and grain?
Ah, I do not know: but I see only too well
that in joyous hope love led me on
only to make my life more sorrowful.
And now I remember words that I have read:
before the day of our final parting
we should not call any man blessed.
April 5, 2026
Quel foco ch’i’ pensai che fosse spento
dal freddo tempo et da l’età men fresca,
fiamma et martir ne l’anima rinfresca.
Non fur mai tutte spente, a quel ch’i’ veggio,
ma ricoperte alquanto le faville,
et temo no ‘l secondo error sia peggio.
Per lagrime ch’i’ spargo a mille a mille
conven che ‘l duol per gli occhi si distille
dal cor, ch’à seco le faville et l’ésca:
non pur qual fu, ma pare a me che cresca.
Qual foco non avrian già spento et morto
l’onde che gli occhi tristi versan sempre?
Amor, avegna mi sia tardi accorto,
vòl che tra duo contrari mi distempre;
et tende lacci in sí diverse tempre,
che quand’ò piú speranza che ‘l cor n’esca,
allor piú nel bel viso mi rinvesca.
That fire that I thought had been quenched
by chill time and declining years,
rekindles flame and suffering in the soul.
They were not wholly spent, as I can see,
those last embers, but covered over,
and I fear this second error will be worse.
With all the thousands of tears I weep
sorrow flowing from my heart distils
from my eyes: sparks and tinder are with me:
it is not as it was, but seems to flare higher.
What fire would not by now be spent and dead
on which these sad eyes were always turned?
Love, though I have been so slow to see it,
stretches me between two contraries:
and spreads his nets in such diverse ways,
that when I’ve most hope my heart will escape,
I can no longer retreat from her lovely face.
April 5, 2026
Perch’al viso d’Amor portava insegna,
mosse una pellegrina il mio cor vano,
ch’ogni altra mi parea d’onor men degna.
Et lei seguendo su per l’erbe verdi,
udí’ dir alta voce di lontano:
Ahi, quanti passi per la selva perdi!
Allor mi strinsi a l’ombra d’un bel faggio,
tutto pensoso; et rimirando intorno,
vidi assai periglioso il mio vïaggio;
et tornai indietro quasi a mezzo ‘l giorno.
Because she bore Love’s emblems in her aspect,
a pilgrim, she vainly moved my heart,
so that all others seemed less worthy of honour.
And I followed her over the green grass:
hearing a loud voice from the distance:
‘Ah, how many steps you lose in this wood!’
I crouched in the shade of a lovely beech,
pensively: and looking all around me,
I saw many dangers on my road:
and turned back, almost at the point of noon.
April 5, 2026
Spirto gentil, che quelle membra reggi
dentro le qua’ peregrinando alberga
un signor valoroso, accorto et saggio,
poi che se’ giunto a l’onorata verga
colla qual Roma et i suoi erranti correggi,
et la richiami al suo antiquo vïaggio,
io parlo a te, però ch’altrove un raggio
non veggio di vertú, ch’al mondo è spenta,
né trovo chi di mal far si vergogni.
Che s’aspetti non so, né che s’agogni,
Italia, che suoi guai non par che senta:
vecchia, otïosa et lenta,
dormirà sempre, et non fia chi la svegli?
Le man’ l’avess’io avolto entro’ capegli.
Non spero che già mai dal pigro sonno
mova la testa per chiamar ch’uom faccia,
sí gravemente è oppressa et di tal soma;
ma non senza destino a le tue braccia,
che scuoter forte et sollevarla ponno,
è or commesso il nostro capo Roma.
Pon’ man in quella venerabil chioma
securamente, et ne le treccie sparte,
sí che la neghittosa esca del fango.
I’ che dí et notte del suo strazio piango,
di mia speranza ò in te la maggior parte:
che se ‘l popol di Marte
devesse al proprio honore alzar mai gli occhi,
parmi pur ch’a’ tuoi dí la gratia tocchi.
L’antiche mura ch’anchor teme et ama
et trema ‘l mondo, quando si rimembra
del tempo andato e ‘n dietro si rivolve,
e i sassi dove fur chiuse le membra
di ta’ che non saranno senza fama,
se l’universo pria non si dissolve,
et tutto quel ch’una ruina involve,
per te spera saldar ogni suo vitio.
O grandi Scipïoni, o fedel Bruto,
quanto v’aggrada, s’egli è anchor venuto
romor là giú del ben locato officio!
Come cre’ che Fabritio
si faccia lieto, udendo la novella!
Et dice: Roma mia sarà anchor bella.
Et se cosa di qua nel ciel si cura,
l’anime che lassú son citadine,
et ànno i corpi abandonati in terra,
del lungo odio civil ti pregan fine,
per cui la gente ben non s’assecura,
onde ‘l camin a’ lor tecti si serra:
che fur già sí devoti, et ora in guerra
quasi spelunca di ladron’ son fatti,
tal ch’a’ buon’ solamente uscio si chiude,
et tra gli altari et tra le statue ignude
ogni impresa crudel par che se tratti.
Deh quanto diversi atti!
Né senza squille s’incommincia assalto,
che per Dio ringraciar fur poste in alto.
Le donne lagrimose, e ‘l vulgo inerme
de la tenera etate, e i vecchi stanchi
ch’ànno sé in odio et la soverchia vita,
e i neri fraticelli e i bigi e i bianchi,
coll’altre schiere travagliate e ‘nferme,
gridan: O signor nostro, aita, aita.
Et la povera gente sbigottita
ti scopre le sue piaghe a mille a mille,
ch’Anibale, non ch’altri, farian pio.
Et se ben guardi a la magion di Dio
ch’arde oggi tutta, assai poche faville
spegnendo, fien tranquille
le voglie, che si mostran sí ‘nfiammate,
onde fien l’opre tue nel ciel laudate.
Orsi, lupi, leoni, aquile et serpi
ad una gran marmorea colomna
fanno noia sovente, et a sé danno.
Di costor piange quella gentil donna
che t’à chiamato a ciò che di lei sterpi
le male piante, che fiorir non sanno.
Passato è già piú che ‘l millesimo anno
che ‘n lei mancâr quell’anime leggiadre
che locata l’avean là dov’ell’era.
Ahi nova gente oltra misura altera,
irreverente a tanta et a tal madre!
Tu marito, tu padre:
ogni soccorso di tua man s’attende,
ché ‘l maggior padre ad altr’opera intende.
Rade volte adiven ch’a l’alte imprese
fortuna ingiurïosa non contrasti,
ch’agli animosi fatti mal s’accorda.
Ora sgombrando ‘l passo onde tu intrasti,
famisi perdonar molt’altre offese,
ch’almen qui da se stessa si discorda:
però che, quanto ‘l mondo si ricorda,
ad huom mortal non fu aperta la via
per farsi, come a te, di fama eterno,
che puoi drizzar, s’i’ non falso discerno,
in stato la piú nobil monarchia.
Quanta gloria ti fia
dir: Gli altri l’aitâr giovene et forte;
questi in vecchiezza la scampò da morte.
Sopra ‘l monte Tarpeio, canzon, vedrai
un cavalier, ch’Italia tutta honora,
pensoso piú d’altrui che di se stesso.
Digli: Un che non ti vide anchor da presso,
se non come per fama huom s’innamora,
dice che Roma ognora
con gli occhi di dolor bagnati et molli
ti chier mercé da tutti sette i colli.
Gentle spirit, that rules those members
in which a pilgrim lives,
a brave lord, shrewd and wise,
now you have taken up the ivory sceptre
with which you punish Rome and her wrongdoers,
and recall her to her ancient ways,
I speak to you, because I see no other ray
of virtue that is quenched from the world,
nor do I find men ashamed of doing wrong.
I don’t know what Italy expects or hopes for,
she seems not to feel her trouble,
old, lazy, slow,
will she sleep forever, no one to wake her?
I should grasp her by the hair with my hand.
I’ve no hope she’ll ever move her head
in lazy slumber whatever noise men make,
so heavily is she oppressed and by such a sleep:
not without the destiny in your right hand,
that can shake her fiercely and waken her,
now the guide of our Rome.
Set your hand to her venerable locks
and scattered tresses with firmness,
so that this sluggard might escape the mire.
I who weep for her torment day and night,
place the greater part of my hopes in you:
for if the people of Mars
ever come to lift their eyes to true honour,
I think that grace will touch them in your days.
Those ancient walls the world still fears and loves
and trembles at, whenever it recalls
past times and looks around,
and those tombs that enclose the dust
of those who will never lack fame
until the universe itself first dissolves,
and all is involved in one great ruin,
trust in you to heal all their ills.
O famous Scipios, o loyal Brutus,
how pleased you must be, if the rumour has yet
reached you there, of this well-judged appointment!
I think indeed Fabricius
will be delighted to hear the news!
And will say: ‘My Rome will once more be beautiful!’
And if Heaven cares for anything down here,
the souls, that up there are citizens,
and have abandoned their bodies to earth,
pray you to put an end to civil hatred,
that means the people have no real safety:
so the way to their temples that once
were so frequented is blocked, and now
they have almost become thieves’ dens in this strife,
so that their doors are only closed against virtue,
and amongst the altars and the naked statues
they commit every savage act.
Ah what alien deeds!
And no assault begun without a peal of bells
that were hung on high in thanks to God.
Weeping women, the defenceless children
of tender years, and the wearied old
who hate themselves and their burdened life,
and the black friars, the grey and the white,
with a crowd of others troubled and infirm,
cry: ‘O Lord, help us, help us.’
And the poor citizens dismayed
show you their wounds, thousand on thousands,
that Hannibal, no less, would pity them.
And if you gaze at the mansion of God
that is all ablaze today, if you stamped out
a few sparks, the will would become calm,
that shows itself so inflamed,
then your work would be praised to the skies.
Bears, wolves, lions, eagles and serpents
commit atrocities against a great
marble column, and harm themselves by it.
Because this gentle lady grieves at it,
she calls to you that you may root out
those evil plants that will never flower.
For more than a thousand years now
she has lacked those gracious spirits
who had placed her where she was.
Ah, you new people, proud by any measure,
lacking in reverence for such and so great a mother!
You, be husband and father:
all help is looked for from your hands,
for the Holy Father attends to other things.
It rarely happens that injurious fortune
is not opposed to the highest enterprises,
when hostile fate is in tune with ill.
But now clearing the path you take,
she makes me pardon many other offences,
being out of sorts with herself:
so that in all the history of the world
the way was never so open to a mortal man
to achieve, as you can, immortal fame,
by helping a nobler monarchy, if I
am not mistaken, rise to its feet.
What glory will be yours, to hear:
‘Others helped her when she was young and strong:
this one saved her from death in her old age.’
On the Tarpeian Rock, my song, you’ll see
a knight, whom all Italy honours,
thinking of others more than of himself.
Say to him: ‘One who has not seen you close to,
and only loves you from your human fame,
tells you that all of Rome
with eyes wet and bathed with sorrow,
begs mercy of you from all her seven hills.’
April 5, 2026
Non al suo amante piú Dïana piacque,
quando per tal ventura tutta ignuda
la vide in mezzo de le gelide acque,
ch’a me la pastorella alpestra et cruda
posta a bagnar un leggiadretto velo,
ch’a l’aura il vago et biondo capel chiuda,
tal che mi fece, or quand’egli arde ‘l cielo,
tutto tremar d’un amoroso gielo.
Diana was not more pleasing to her lover,
when by chance he saw her all naked
in the midst of icy waters,
than, to me, the fresh mountain shepherdess,
set there to wash a graceful veil,
that ties her vagrant blonde hair from the breeze,
so that she makes me, now that the heavens burn,
tremble, wholly, with the chill of love.
April 5, 2026
Poco era ad appressarsi agli occhi miei
la luce che da lunge gli abbarbaglia,
che, come vide lei cangiar Thesaglia,
cosí cangiato ogni mia forma avrei.
Et s’io non posso transformarmi in lei
piú ch’i’ mi sia (non ch’a mercé mi vaglia),
di qual petra piú rigida si ‘ntaglia
pensoso ne la vista oggi sarei,
o di diamante, o d’un bel marmo biancho,
per la paura forse, o d’un dïaspro,
pregiato poi dal vulgo avaro et scioccho;
et sarei fuor del grave giogo et aspro,
per cui i’ ò invidia di quel vecchio stancho
che fa con le sue spalle ombra a Marroccho.
If the light had neared my eyes a little
that dazzles me even when far away,
then, as she changed her form in Thessaly,
I would have changed my form completely.
And since I could not be transformed to be
more hers than I am already (not that it gains me pity),
I think my aspect today would be
carved from whatever stone is hardest,
from diamond, or from a fine marble, white
perhaps through fear, or from rock-crystal,
praised by the greedy and foolish crowd:
and be free of this savage and heavy yoke,
because of which I even envy that old man,
Atlas, whose shoulders shadow Morocco.
April 5, 2026
Ne la stagion che ‘l ciel rapido inchina
verso occidente, et che ‘l dí nostro vola
a gente che di là forse l’aspetta,
veggendosi in lontan paese sola,
la stancha vecchiarella pellegrina
raddoppia i passi, et piú et piú s’affretta;
et poi cosí soletta
al fin di sua giornata
talora è consolata
d’alcun breve riposo, ov’ella oblia
la noia e ‘l mal de la passata via.
Ma, lasso, ogni dolor che ‘l dí m’adduce
cresce qualor s’invia
per partirsi da noi l’eterna luce.
Come ‘l sol volge le ‘nfiammate rote
per dar luogo a la notte, onde discende
dagli altissimi monti maggior l’ombra,
l’avaro zappador l’arme riprende,
et con parole et con alpestri note
ogni gravezza del suo petto sgombra;
et poi la mensa ingombra
di povere vivande,
simili a quelle ghiande,
le qua’ fuggendo tutto ‘l mondo honora.
Ma chi vuol si rallegri ad ora ad ora,
ch’i’ pur non ebbi anchor, non dirò lieta,
ma riposata un’hora,
né per volger di ciel né di pianeta.
Quando vede ‘l pastor calare i raggi
del gran pianeta al nido ov’egli alberga,
e ‘nbrunir le contrade d’orïente,
drizzasi in piedi, et co l’usata verga,
lassando l’erba et le fontane e i faggi,
move la schiera sua soavemente;
poi lontan da la gente
o casetta o spelunca
di verdi frondi ingiuncha:
ivi senza pensier’ s’adagia et dorme.
Ahi crudo Amor, ma tu allor piú mi ‘nforme
a seguir d’una fera che mi strugge,
la voce e i passi et l’orme,
et lei non stringi che s’appiatta et fugge.
E i naviganti in qualche chiusa valle
gettan le menbra, poi che ‘l sol s’asconde,
sul duro legno, et sotto a l’aspre gonne.
Ma io, perché s’attuffi in mezzo l’onde,
et lasci Hispagna dietro a le sue spalle,
et Granata et Marroccho et le Colonne,
et gli uomini et le donne
e ‘l mondo et gli animali
aquetino i lor mali,
fine non pongo al mio obstinato affanno;
et duolmi ch’ogni giorno arroge al danno,
ch’i’ son già pur crescendo in questa voglia
ben presso al decim’anno,
né poss’indovinar chi me ne scioglia.
Et perché un poco nel parlar mi sfogo,
veggio la sera i buoi tornare sciolti
da le campagne et da’ solcati colli:
i miei sospiri a me perché non tolti
quando che sia? perché no ‘l grave giogo?
perché dí et notte gli occhi miei son molli?
Misero me, che volli
quando primier sí fiso
gli tenni nel bel viso
per iscolpirlo imaginando in parte
onde mai né per forza né per arte
mosso sarà, fin ch’i’ sia dato in preda
a chi tutto diparte!
Né so ben ancho che di lei mi creda.
Canzon, se l’esser meco
dal matino a la sera
t’à fatto di mia schiera,
tu non vorrai mostrarti in ciascun loco;
et d’altrui loda curerai sí poco,
ch’assai ti fia pensar di poggio in poggio
come m’à concio ‘l foco
di questa viva petra, ov’io m’appoggio.
At the moment when the swift sky turns
towards the west, and our day flies
to people beyond, perhaps, who see it there,
the weary old woman on a pilgrimage
finding herself alone in a far country,
redoubles her steps, and hurries more and more:
and then so alone
at the end of her day
is sometimes consoled
with brief repose that lets her forget
the troubles and the evils of the way.
But, alas, every grief the day brings me,
grows when the eternal light
begins to depart from us.
While the sun turns his fiery wheel
to give space to the night,
while darker shadows fall from the highest peaks,
the greedy peasant gathers his tools,
and with the speech and music of the mountains,
frees every heaviness from his heart:
and then sets out the meal
of an impoverished life,
like those acorns in the Golden Age
that all the world rejects but honours.
But let whoever will be happy hour on hour
since I have never yet had rest an hour,
not to speak of happiness,
despite the wheeling of the sky and stars.
When the shepherd sees the rays
of the great star sink to the nest where they hide,
darkening the eastern landscape,
he rises to his feet, and with his usual staff,
leaving the grass, the fountains and the beeches,
gently moves his flock:
far from other men
in cave or hut,
he scatters green leaves,
and without thought lies down to sleep.
Ah cruel Love, instead you drive me on
to follow the sound, the path and the traces,
of a wild creature that consumes me,
one I cannot catch, that hides and flees.
And the sailors in some enclosed bay
as the sun vanishes, throw their limbs
on the hard boards, still in their soiled clothes.
But though he dives into the deep waves,
and leaves Spain behind his back,
Granada, and Morocco and the Pillars,
and men and women,
earth and its creatures,
are free of their ills,
I never put an end to my lasting trouble:
and grieve that every day adds to my harm,
already my passion has been growing
for nearly ten long years,
and I can’t imagine who could free me.
And, since speaking comforts me a little,
I see the oxen turn homewards in the evening,
from the fields and the furrows they have ploughed:
why has my sighing not been taken from me
at any time? Why not my heavy yoke?
Why are my eyes wet day and night?
Wretch that I am, what did I wish
when I first gazed
at that lovely face so fixedly
when I carved her image in that part
from which no force or art
can ever move it, till I am given as prey
to him who scatters all!
Nor even then can I say anything about him.
Song, if being with me
from dawn to evening
has made you of my company,
you’ll not wish to show yourself everywhere:
and you’ll care so little for other’s praise,
it’s enough for you to take thought, from hill to hill,
of how I’m scorched by fire
from this living stone, on which I lean.
April 5, 2026
Perch’io t’abbia guardato di menzogna
a mio podere et honorato assai,
ingrata lingua, già però non m’ài
renduto honor, ma facto ira et vergogna:
ché quando piú ‘l tuo aiuto mi bisogna
per dimandar mercede, allor ti stai
sempre piú fredda, et se parole fai,
son imperfecte, et quasi d’uom che sogna.
Lagrime triste, et voi tutte le notti
m’accompagnate, ov’io vorrei star solo,
poi fuggite dinanzi a la mia pace;
et voi sí pronti a darmi angoscia et duolo,
sospiri, allor traete lenti et rotti:
sola la vista mia del cor non tace.
Though I’ve protected you from lying,
and have allowed you honourable speech,
ungrateful tongue you’ve not returned the honour,
but caused me anger and embarrassment:
and the more I’m in need of your help
to ask for mercy, the more frozen you are
and the words you make sound imperfect
like those made by a man in dreams.
And you, sad tears, you stay with me
all night, when I wish to be alone,
then vanish before the face of my peace:
And you, sighs, so ready to bring me anguish
and grief, issue slowly and brokenly then,
so that only my look’s not silent about my heart.
April 5, 2026
Se mai foco per foco non si spense,
né fiume fu già mai secco per pioggia,
ma sempre l’un per l’altro simil poggia,
et spesso l’un contrario l’altro accense,
Amor, tu che’ pensier’ nostri dispense,
al qual un’alma in duo corpi s’appoggia,
perché fai in lei con disusata foggia
men per molto voler le voglie intense?
Forse sí come ‘l Nil d’alto caggendo
col gran suono i vicin’ d’intorno assorda,
e ‘l sole abbaglia chi ben fiso ‘l guarda,
cosí ‘l desio che seco non s’accorda,
ne lo sfrenato obiecto vien perdendo,
et per troppo spronar la fuga è tarda.
Since fire is never quenched with fire,
nor rivers ever dried by the rain,
but a thing’s always increased by its like,
and sometimes its opposite makes it blaze higher,
Love, who have power over my thoughts,
and nourish one soul in two bodies,
why do you there obey a different rule,
making desire weaken by desire?
Perhaps like the great falls along the Nile
that deafen those around with their vast roar,
or the sun that dazzles those who gaze too hard,
so desire that is not in tune with itself,
unrestrained in its object, comes to grief,
and by spurring hard its speed is slowed.
April 5, 2026
Io sentia dentr’al cor già venir meno
gli spirti che da voi ricevon vita;
et perché natural-mente s’aita
contra la morte ogni animal terreno,
largai ‘l desio, ch’i teng’or molto a freno,
et misil per la via quasi smarrita:
però che dí et notte indi m’invita,
et io contra sua voglia altronde ‘l meno.
Et mi condusse, vergognoso et tardo,
a riveder gli occhi leggiadri, ond’io
per non esser lor grave assai mi guardo.
Vivrommi un tempo omai, ch’al viver mio
tanta virtute à sol un vostro sguardo;
et poi morrò, s’io non credo al desio.
I felt those spirits weakening in my heart
that receive their life from you:
and since every earthly creature
naturally protects itself from death,
loosed my desire, that now I rein in hard,
and sent it by a road that is almost lost:
so that it draws me there, day and night,
and I lead it, against its will, another way.
And it brought me, slowly and shamefully,
to look on those delightful eyes, that I
guard myself from so they may not grow cold.
Now I’ll live a while, since a mere glance of yours
has so much power to bring me to life:
then I’ll die, if I don’t follow my desire.
April 5, 2026
L’oro et le perle e i fior’ vermigli e i bianchi,
che ‘l verno devria far languidi et secchi,
son per me acerbi et velenosi stecchi,
ch’io provo per lo petto et per li fianchi.
Però i dí miei fien lagrimosi et manchi,
ché gran duol rade volte aven che ‘nvecchi:
ma piú ne colpo i micidiali specchi,
che ‘n vagheggiar voi stessa avete stanchi.
Questi poser silentio al signor mio,
che per me vi pregava, ond’ei si tacque,
veggendo in voi finir vostro desio;
questi fuor fabbricati sopra l’acque
d’abisso, et tinti ne l’eterno oblio,
onde ‘l principio de mia morte nacque.
The gold and pearls and flowers, crimson and white,
that winter should have made dry and withered,
are cruel and venomous thorns to me,
that sting me fiercely in the chest and side.
So my life will be tearful and short,
since great grief rarely withers or grows old:
but I blame those fatal mirrors more,
that you have wearied gazing at yourself.
They imposed their silence on my lord,
who prayed to you for me, so he was mute,
seeing you sate your passion with yourself:
they were created beneath the watery
depths, and tinted with eternal oblivion,
where the cause of my death was born.
April 5, 2026
Il mio adversario in cui veder solete
gli occhi vostri ch’Amore e ‘l ciel honora,
colle non sue bellezze v’innamora
piú che ‘n guisa mortal soavi et liete.
Per consiglio di lui, donna, m’avete
scacciato del mio dolce albergo fora:
misero exilio, avegna ch’i’ non fôra
d’abitar degno ove voi sola siete.
Ma s’io v’era con saldi chiovi fisso,
non devea specchio farvi per mio danno,
a voi stessa piacendo, aspra et superba.
Certo, se vi rimembra di Narcisso,
questo et quel corso ad un termino vanno,
benché di sí bel fior sia indegna l’erba.
Mirror, my enemy, in which you are allowed
to see your eyes that Love and Heaven honour,
enamours you of beauties not its own,
sweet and delightful in more than mortal ways.
Through its promptings, Lady, I have been
driven from my sweet resting-place:
wretched exile, though I could not rightly stay
where you alone can have existence.
But if I had been fixed there with firm rivets,
that mirror would not have made you proud
and harsh, pleasing to yourself, to my harm.
Surely you can remember Narcissus:
that course and this runs to the same end,
though the grass is not worthy of such a flower.
April 5, 2026
Que’che ‘n Tesaglia ebbe le man’ sí pronte
a farla del civil sangue vermiglia,
pianse morto il marito di sua figlia,
raffigurato a le fatezze conte;
e ‘l pastor ch’a Golia ruppe la fronte,
pianse la ribellante sua famiglia,
et sopra ‘l buon Saúl cangiò le ciglia,
ond’assai può dolersi il fiero monte.
Ma voi che mai pietà non discolora,
et ch’avete gli schermi sempre accorti
contra l’arco d’Amor che ‘ndarno tira,
mi vedete straziare a mille morti:
né lagrima però discese anchora
da’ be’ vostr’occhi, ma disdegno et ira.
Caesar who was all too ready, in Thessaly,
to paint the ground crimson in civil war,
wept for Pompey his dead son-in-law,
recognising his familiar features:
and David the shepherd-boy who shattered
Goliath’s skull, wept for Absalom his rebellious son,
and even drowned his eyes for the dead Saul,
so much so he cursed Gilboa’s cruel mountain.
But you whom pity never caused to pale,
who always have your veil to protect you
against the bow Love draws in vain,
see me tormented by a thousand deaths:
and yet have never let one tear fall
from your sweet eyes, only disdain and anger.
April 5, 2026
Il figliuol di Latona avea già nove
volte guardato dal balcon sovrano,
per quella ch’alcun tempo mosse invano
i suoi sospiri, et or gli altrui commove.
Poi che cercando stanco non seppe ove
s’albergasse, da presso o di lontano,
mostrossi a noi qual huom per doglia insano,
che molto amata cosa non ritrove.
Et cosí tristo standosi in disparte,
tornar non vide il viso, che laudato
sarà s’io vivo in piú di mille carte;
et pietà lui medesmo avea cangiato,
sí che’ begli occhi lagrimavan parte:
però l’aere ritenne il primo stato.
Apollo, Latona’s son, had sent his gaze
down nine times, from his high balcony
looking for one who in former times moved
his sighs in vain, and now moves another’s.
So that tired of searching, not knowing where
she might be, whether near or far,
he appeared to us like one maddened by grief,
who cannot find again a much loved thing.
And positioned apart and being so sad
he did not see that face return, that if I live
will be praised in more than a thousand lines:
and suffering had even altered that face,
until the lovely eyes left off weeping:
so the sky remained in its former state.
April 5, 2026
Ma poi che ‘l dolce riso humile et piano
piú non asconde sue bellezze nove,
le braccia a la fucina indarno move
l’antiquissimo fabbro ciciliano,
ch’a Giove tolte son l’arme di mano
temprate in Mongibello a tutte prove,
et sua sorella par che si rinove
nel bel guardo d’Apollo a mano a mano.
Del lito occidental si move un fiato,
che fa securo il navigar senza arte,
et desta i fior’ tra l’erba in ciascun prato.
Stelle noiose fuggon d’ogni parte,
disperse dal bel viso inamorato,
per cui lagrime molte son già sparte.
But now that her clear sweet humble smile
no longer hides the freshness of her beauty,
that Sicilian smith of ancient times
works his arms at the forge in vain,
for Jupiter lets the weapons fall from his hand,
tempered though they were in Etna’s fires,
and Juno his sister begins to clear the air
under Apollo’s lovely gaze on every side.
A breeze blows from the western shore
that makes it safe to sail without art,
and fills the grass with flowers in every meadow.
Harmful stars vanish from the whole sky,
scattered by that beloved, lovely face,
for which I’ve already shed so many tears.
April 5, 2026
Quando dal proprio sito si rimove
l’arbor ch’amò già Phebo in corpo humano,
sospira et suda a l’opera Vulcano,
per rinfrescar l’aspre saette a Giove:
il qual or tona, or nevicha et or piove,
senza honorar piú Cesare che Giano;
la terra piange, e ‘l sol ci sta lontano,
che la sua cara amica ved’altrove.
Allor riprende ardir Saturno et Marte,
crudeli stelle, et Orïone armato
spezza a’ tristi nocchier’ governi et sarte;
Eolo a Neptuno et a Giunon turbato
fa sentire, et a noi, come si parte
il bel viso dagli angeli aspectato.
When that tree that Apollo once loved
in its human form moves from its proper place,
Vulcan sighs and sweats at his work,
to refresh Jupiter’s sharp lightning-bolts:
who sends now thunder, now snow, or rain,
without regard to July or January:
the earth weeps, and the sun stays far away,
because he sees his dear friend vanish.
Then those fierce planets Saturn and Mars
blaze out again, and armed Orion
shatters the poor sailor’s tiller and shrouds:
and stormy Aeolus makes Neptune,
and Juno, and us, feel the departure
of that lovely face the angels wait for.
April 5, 2026
S’Amore o Morte non dà qualche stroppio
a la tela novella ch’ora ordisco,
et s’io mi svolvo dal tenace visco,
mentre che l’un coll’altro vero accoppio,
i’ farò forse un mio lavor sí doppio
tra lo stil de’ moderni e ‘l sermon prisco,
che, paventosamente a dirlo ardisco,
infin a Roma n’udirai lo scoppio.
Ma però che mi mancha a fornir l’opra
alquanto de le fila benedette
ch’avanzaro a quel mio dilecto padre,
perché tien’ verso me le man’ sí strette,
contra tua usanza? I’ prego che tu l’opra,
e vedrai rïuscir cose leggiadre.
If Love or Death do not bring some flaw
to this new cloth that I now weave,
and if I can keep free of clinging lime,
while I twine the one truth with the other,
perhaps I will create a double work
in modern style but with ancient content,
so that, I’m fearful of saying it too boldly,
you’ll hear the noise even as far as Rome.
But since, to finish the labour, I lack
some of those sacred threads revealed
in those works of my beloved teacher,
why do you close your hand to me,
against your custom? I beg you to open it,
and you’ll see something beautiful appear.
April 5, 2026
Io temo sí de’ begli occhi l’assalto
ne’ quali Amore et la mia morte alberga,
ch’i’ fuggo lor come fanciul la verga,
et gran tempo è ch’i’ presi il primier salto.
Da ora inanzi faticoso od alto
loco non fia, dove ‘l voler non s’erga
per no scontrar chî miei sensi disperga
lassando come suol me freddo smalto.
Dunque s’a veder voi tardo mi volsi
per non ravvicinarmi a chi mi strugge,
fallir forse non fu di scusa indegno.
Piú dico, che ‘l tornare a quel ch’uom fugge,
e ‘l cor che di paura tanta sciolsi,
fur de la mia fede non leggier pegno.
I’m so afraid of those lovely eyes’ assault
in which Love and my death exist,
I run from them like a child from the rod,
and it’s long since I first took that step.
There is no difficult or high place
from now on, I would not reach
to avoid what scatters my senses
leaving me as if I were cold enamel.
So if I turned towards you only lately
not to be nearer what consumes me,
perhaps I am not without a true excuse.
More, to return to the place I fled from,
and free my heart from such deep fear,
is no light testimony to my loyalty.
April 5, 2026
Orso, e’ non furon mai fiumi né stagni,
né mare, ov’ogni rivo si disgombra,
né di muro o di poggio o di ramo ombra,
né nebbia che ‘l ciel copra e ‘l mondo bagni,
né altro impedimento, ond’io mi lagni,
qualunque piú l’umana vista ingombra,
quanto d’un vel che due begli occhi adombra,
et par che dica: Or ti consuma et piagni.
Et quel lor inchinar ch’ogni mia gioia
spegne o per humiltate o per argoglio,
cagion sarà che ‘nanzi tempo i’ moia.
Et d’una bianca mano ancho mi doglio,
ch’è stata sempre accorta a farmi noia,
et contra gli occhi miei s’è fatta scoglio.
Orso, there never was lake or river
or sea, into which all rivers flow,
or shadow of wall, or branch, or hill,
or cloud hiding the sky, bathing the world,
or other obstacle, to make me grieve,
however much it masked human sight,
as the veil that shadows two lovely eyes,
and says by it: ‘Now pine away and weep.’
And then the lowering of them from humility
or pride, so all my joy is dimmed,
is the reason I die before my time.
And I grieve for a white hand too
often lifted shrewdly to do me harm,
and rising like a rock before my eyes.
April 5, 2026
Sí è debile il filo a cui s’attene
la gravosa mia vita
che, s’altri non l’aita,
ella fia tosto di suo corso a riva;
però che dopo l’empia dipartita
che dal dolce mio bene
feci, sol una spene
è stato infin a qui cagion ch’io viva,
dicendo: Perché priva
sia de l’amata vista,
mantienti, anima trista;
che sai s’a miglior tempo ancho ritorni
et a piú lieti giorni,
o se ‘l perduto ben mai si racquista?
Questa speranza mi sostenne un tempo:
or vien mancando, et troppo in lei m’attempo.
Il tempo passa, et l’ore son sí pronte
a fornire il vïaggio,
ch’assai spacio non aggio
pur a pensar com’io corro a la morte:
a pena spunta in orïente un raggio
di sol, ch’a l’altro monte
de l’adverso orizonte
giunto il vedrai per vie lunghe et distorte.
Le vite son sí corte,
sí gravi i corpi et frali
degli uomini mortali,
che quando io mi ritrovo dal bel viso
cotanto esser diviso,
col desio non possendo mover l’ali,
poco m’avanza del conforto usato,
né so quant’io mi viva in questo stato.
Ogni loco m’atrista ov’io non veggio
quei begli occhi soavi
che portaron le chiavi
de’ miei dolci pensier’, mentre a Dio piacque;
et perché ‘l duro exilio piú m’aggravi,
s’io dormo o vado o seggio,
altro già mai non cheggio,
et ciò ch’i’ vidi dopo lor mi spiacque.
Quante montagne et acque,
quanto mar, quanti fiumi
m’ascondon que’ duo lumi,
che quasi un bel sereno a mezzo ‘l die
fer le tenebre mie,
a ciò che ‘l rimembrar piú mi consumi,
et quanto era mia vita allor gioiosa
m’insegni la presente aspra et noiosa!
Lasso, se ragionando si rinfresca
quel’ ardente desio
che nacque il giorno ch’io
lassai di me la miglior parte a dietro,
et s’Amor se ne va per lungo oblio,
chi mi conduce a l’ésca,
onde ‘l mio dolor cresca?
Et perché pria tacendo non m’impetro?
Certo cristallo o vetro
non mostrò mai di fore
nascosto altro colore,
che l’alma sconsolata assai non mostri
piú chiari i pensier’ nostri,
et la fera dolcezza ch’è nel core,
per gli occhi che di sempre pianger vaghi
cercan dí et nocte pur chi glien’appaghi.
Novo piacer che ne gli umani ingegni
spesse volte si trova,
d’amar qual cosa nova
piú folta schiera di sospiri accoglia!
Et io son un di quei che ‘l pianger giova;
et par ben ch’io m’ingegni
che di lagrime pregni
sien gli occhi miei sí come ‘l cor di doglia;
et perché a cciò m’invoglia
ragionar de’ begli occhi,
né cosa è che mi tocchi
o sentir mi si faccia cosí a dentro,
corro spesso, et rïentro,
colà donde piú largo il duol trabocchi,
et sien col cor punite ambe le luci,
ch’a la strada d’Amor mi furon duci.
Le treccie d’òr che devrien fare il sole
d’invidia molta ir pieno,
e ‘l bel guardo sereno,
ove i raggi d’Amor sí caldi sono
che mi fanno anzi tempo venir meno,
et l’accorte parole,
rade nel mondo o sole,
che mi fer già di sé cortese dono,
mi son tolte; et perdono
piú lieve ogni altra offesa,
che l’essermi contesa
quella benigna angelica salute
che ‘l mio cor a vertute
destar solea con una voglia accesa:
tal ch’io non penso udir cosa già mai
che mi conforte ad altro ch’a trar guai.
Et per pianger anchor con piú diletto,
le man’ bianche sottili
et le braccia gentili,
et gli atti suoi soavemente alteri,
e i dolci sdegni alteramente humili,
e ‘l bel giovenil petto,
torre d’alto intellecto,
mi celan questi luoghi alpestri et feri;
et non so s’io mi speri
vederla anzi ch’io mora:
però ch’ad ora ad ora
s’erge la speme, et poi non sa star ferma,
ma ricadendo afferma
di mai non veder lei che ‘l ciel honora,
ov’alberga Honestade et Cortesia,
et dov’io prego che ‘l mio albergo sia.
Canzon, s’al dolce loco
la donna nostra vedi,
credo ben che tu credi
ch’ella ti porgerà la bella mano,
ond’io son sí lontano.
Non la toccar; ma reverente ai piedi
le di’ ch’io sarò là tosto ch’io possa,
o spirto ignudo od uom di carne et d’ossa.
The thread on which my heavy life hangs
is worn so thin,
that if no one supports it
it will soon have arrived at its end:
for after I had suffered the cruel parting
from my sweet good
only one hope
remained that gave reason for living,
saying: ‘Since you are deprived
of the beloved sight,
endure, sad spirit:
Who knows if better times will not return
and more joyful days,
and the good you have lost be regained?
This hope sustained me for a time:
but now it fails I spend too much time on it.
Time passes and the hours are so quick
to complete their journey,
that I have no space
even to think how I race towards death.
A ray of sunlight has hardly appeared
in the east before you see it strike a high peak
on the opposite horizon,
by a long curving path.
Life is so short,
the bodies of mortal men
so burdensome and weak,
that when I recall how I am separated
from that lovely face,
unable to move the wings of my desire,
my usual solace is of little help,
and how long can I live in such a state.
All places sadden me where I do not see
those beautiful bright eyes
which carried off the keys
of my thoughts, sweet while it pleased God:
and all to make my harsh exile harder,
if I sleep or walk or sit,
I long for nothing more,
and nothing I see after them can please me.
How many mountains and waters,
how many seas and rivers,
hide me from those two eyes,
that almost made a clear sky at noon
from my shadows,
only for memory to consume me more,
and to show how joyous my life was before
while my present is harsh and troubled.
Ah, if speaking of it so rekindles
that ardent desire
that was born on the day
when I left the better part of me behind,
and if Love fades away with long neglect
why am I drawn to the bait
that makes my sorrow grow?
And why not rather be turned to silent stone?
Surely crystal or glass
never showed colour
hidden within more clearly
than my desolate soul reveals
my thoughts
and the savage sweetness in my heart
through eyes that always wish to weep
day and night so she might give it rest.
How human wit often turns to seek out
new pleasures, and loves
whatever is new
gathering a greater crowd of sighs!
And I am one whom weeping delights:
and as I bend my wits
to fill my eyes with tears,
so my heart fills with grief:
and since it induces passion
to speak of her lovely eyes
and nothing touches me
or makes me feel so deeply,
I often rush to return
to that which fills me with greater pain,
and with my heart both my eyes are punished
that led me along the road of Love.
That golden hair that might make the sun
move far away in envy,
and that lovely serene gaze,
where Love’s rays burn so,
that makes me fade before my time,
and the deft speech
rare in this world, alone,
that has already granted me courtesy,
are taken from me: and I could pardon
any other offence more easily
than lose that greeting
like a kind angel’s welcome
that lifted my heart to virtue
blazing with one sole desire:
so that I never expect to hear a thing now
that will stir me to anything but deep sighs.
And so I may weep with more delight
her slender white hands
and her gentle arms
and her gestures sweetly noble
and her sweet disdain proudly humble
and her lovely young heart,
a tower of noble feeling,
are hidden from me by wild mountainous places:
and I do not truly hope
to see her before I die:
since hope rises from time
to time, but then does not stand firm,
and recedes, confirming
that I will never see her, whom the heavens honour,
where Honesty and Courtesy reside,
and where I pray my residence might be.
Song, if you see my lady
in that sweet place,
I know well you think
she’ll stretch out her lovely hand to you
that I am far away from.
Do not touch it: but do reverence at her feet
and say I shall be there as swiftly as I can,
as naked spirit, or man of flesh and bone.
April 5, 2026
Sí è debile il filo a cui s’attene
la gravosa mia vita
che, s’altri non l’aita,
ella fia tosto di suo corso a riva;
però che dopo l’empia dipartita
che dal dolce mio bene
feci, sol una spene
è stato infin a qui cagion ch’io viva,
dicendo: Perché priva
sia de l’amata vista,
mantienti, anima trista;
che sai s’a miglior tempo ancho ritorni
et a piú lieti giorni,
o se ‘l perduto ben mai si racquista?
Questa speranza mi sostenne un tempo:
or vien mancando, et troppo in lei m’attempo.
Il tempo passa, et l’ore son sí pronte
a fornire il vïaggio,
ch’assai spacio non aggio
pur a pensar com’io corro a la morte:
a pena spunta in orïente un raggio
di sol, ch’a l’altro monte
de l’adverso orizonte
giunto il vedrai per vie lunghe et distorte.
Le vite son sí corte,
sí gravi i corpi et frali
degli uomini mortali,
che quando io mi ritrovo dal bel viso
cotanto esser diviso,
col desio non possendo mover l’ali,
poco m’avanza del conforto usato,
né so quant’io mi viva in questo stato.
Ogni loco m’atrista ov’io non veggio
quei begli occhi soavi
che portaron le chiavi
de’ miei dolci pensier’, mentre a Dio piacque;
et perché ‘l duro exilio piú m’aggravi,
s’io dormo o vado o seggio,
altro già mai non cheggio,
et ciò ch’i’ vidi dopo lor mi spiacque.
Quante montagne et acque,
quanto mar, quanti fiumi
m’ascondon que’ duo lumi,
che quasi un bel sereno a mezzo ‘l die
fer le tenebre mie,
a ciò che ‘l rimembrar piú mi consumi,
et quanto era mia vita allor gioiosa
m’insegni la presente aspra et noiosa!
Lasso, se ragionando si rinfresca
quel’ ardente desio
che nacque il giorno ch’io
lassai di me la miglior parte a dietro,
et s’Amor se ne va per lungo oblio,
chi mi conduce a l’ésca,
onde ‘l mio dolor cresca?
Et perché pria tacendo non m’impetro?
Certo cristallo o vetro
non mostrò mai di fore
nascosto altro colore,
che l’alma sconsolata assai non mostri
piú chiari i pensier’ nostri,
et la fera dolcezza ch’è nel core,
per gli occhi che di sempre pianger vaghi
cercan dí et nocte pur chi glien’appaghi.
Novo piacer che ne gli umani ingegni
spesse volte si trova,
d’amar qual cosa nova
piú folta schiera di sospiri accoglia!
Et io son un di quei che ‘l pianger giova;
et par ben ch’io m’ingegni
che di lagrime pregni
sien gli occhi miei sí come ‘l cor di doglia;
et perché a cciò m’invoglia
ragionar de’ begli occhi,
né cosa è che mi tocchi
o sentir mi si faccia cosí a dentro,
corro spesso, et rïentro,
colà donde piú largo il duol trabocchi,
et sien col cor punite ambe le luci,
ch’a la strada d’Amor mi furon duci.
Le treccie d’òr che devrien fare il sole
d’invidia molta ir pieno,
e ‘l bel guardo sereno,
ove i raggi d’Amor sí caldi sono
che mi fanno anzi tempo venir meno,
et l’accorte parole,
rade nel mondo o sole,
che mi fer già di sé cortese dono,
mi son tolte; et perdono
piú lieve ogni altra offesa,
che l’essermi contesa
quella benigna angelica salute
che ‘l mio cor a vertute
destar solea con una voglia accesa:
tal ch’io non penso udir cosa già mai
che mi conforte ad altro ch’a trar guai.
Et per pianger anchor con piú diletto,
le man’ bianche sottili
et le braccia gentili,
et gli atti suoi soavemente alteri,
e i dolci sdegni alteramente humili,
e ‘l bel giovenil petto,
torre d’alto intellecto,
mi celan questi luoghi alpestri et feri;
et non so s’io mi speri
vederla anzi ch’io mora:
però ch’ad ora ad ora
s’erge la speme, et poi non sa star ferma,
ma ricadendo afferma
di mai non veder lei che ‘l ciel honora,
ov’alberga Honestade et Cortesia,
et dov’io prego che ‘l mio albergo sia.
Canzon, s’al dolce loco
la donna nostra vedi,
credo ben che tu credi
ch’ella ti porgerà la bella mano,
ond’io son sí lontano.
Non la toccar; ma reverente ai piedi
le di’ ch’io sarò là tosto ch’io possa,
o spirto ignudo od uom di carne et d’ossa.
The thread on which my heavy life hangs
is worn so thin,
that if no one supports it
it will soon have arrived at its end:
for after I had suffered the cruel parting
from my sweet good
only one hope
remained that gave reason for living,
saying: ‘Since you are deprived
of the beloved sight,
endure, sad spirit:
Who knows if better times will not return
and more joyful days,
and the good you have lost be regained?
This hope sustained me for a time:
but now it fails I spend too much time on it.
Time passes and the hours are so quick
to complete their journey,
that I have no space
even to think how I race towards death.
A ray of sunlight has hardly appeared
in the east before you see it strike a high peak
on the opposite horizon,
by a long curving path.
Life is so short,
the bodies of mortal men
so burdensome and weak,
that when I recall how I am separated
from that lovely face,
unable to move the wings of my desire,
my usual solace is of little help,
and how long can I live in such a state.
All places sadden me where I do not see
those beautiful bright eyes
which carried off the keys
of my thoughts, sweet while it pleased God:
and all to make my harsh exile harder,
if I sleep or walk or sit,
I long for nothing more,
and nothing I see after them can please me.
How many mountains and waters,
how many seas and rivers,
hide me from those two eyes,
that almost made a clear sky at noon
from my shadows,
only for memory to consume me more,
and to show how joyous my life was before
while my present is harsh and troubled.
Ah, if speaking of it so rekindles
that ardent desire
that was born on the day
when I left the better part of me behind,
and if Love fades away with long neglect
why am I drawn to the bait
that makes my sorrow grow?
And why not rather be turned to silent stone?
Surely crystal or glass
never showed colour
hidden within more clearly
than my desolate soul reveals
my thoughts
and the savage sweetness in my heart
through eyes that always wish to weep
day and night so she might give it rest.
How human wit often turns to seek out
new pleasures, and loves
whatever is new
gathering a greater crowd of sighs!
And I am one whom weeping delights:
and as I bend my wits
to fill my eyes with tears,
so my heart fills with grief:
and since it induces passion
to speak of her lovely eyes
and nothing touches me
or makes me feel so deeply,
I often rush to return
to that which fills me with greater pain,
and with my heart both my eyes are punished
that led me along the road of Love.
That golden hair that might make the sun
move far away in envy,
and that lovely serene gaze,
where Love’s rays burn so,
that makes me fade before my time,
and the deft speech
rare in this world, alone,
that has already granted me courtesy,
are taken from me: and I could pardon
any other offence more easily
than lose that greeting
like a kind angel’s welcome
that lifted my heart to virtue
blazing with one sole desire:
so that I never expect to hear a thing now
that will stir me to anything but deep sighs.
And so I may weep with more delight
her slender white hands
and her gentle arms
and her gestures sweetly noble
and her sweet disdain proudly humble
and her lovely young heart,
a tower of noble feeling,
are hidden from me by wild mountainous places:
and I do not truly hope
to see her before I die:
since hope rises from time
to time, but then does not stand firm,
and recedes, confirming
that I will never see her, whom the heavens honour,
where Honesty and Courtesy reside,
and where I pray my residence might be.
Song, if you see my lady
in that sweet place,
I know well you think
she’ll stretch out her lovely hand to you
that I am far away from.
Do not touch it: but do reverence at her feet
and say I shall be there as swiftly as I can,
as naked spirit, or man of flesh and bone.
April 5, 2026
S’io credesse per morte essere scarco
del pensiero amoroso che m’atterra,
colle mie mani avrei già posto in terra
queste mie membra noiose, et quello incarco;
ma perch’io temo che sarrebbe un varco
di pianto in pianto, et d’una in altra guerra,
di qua dal passo anchor che mi si serra
mezzo rimango, lasso, et mezzo il varco.
Tempo ben fôra omai d’avere spinto
l’ultimo stral la dispietata corda
ne l’altrui sangue già bagnato et tinto;
et io ne prego Amore, et quella sorda
che mi lassò de’ suoi color’ depinto,
et di chiamarmi a sé non le ricorda.
If I believed I could free myself, by dying,
from amorous thoughts that bind me to the earth,
I would already have laid these troubled limbs
and their burden in the earth myself:
but because I fear to find a passage
from tears to tears, and one war to another,
I remain in the midst, alas, of staying and crossing
on this side of the pass that is closed to me.
There has been enough time now
for the merciless bow to fire its final arrow
bathed and dyed already with others’ blood:
yet Love does not take me, or that deaf one
who has painted me with his own pallor,
and still forgets to call me to him.
April 5, 2026
Solo et pensoso i piú deserti campi
vo mesurando a passi tardi et lenti,
et gli occhi porto per fuggire intenti
ove vestigio human l’arena stampi.
Altro schermo non trovo che mi scampi
dal manifesto accorger de le genti,
perché negli atti d’alegrezza spenti
di fuor si legge com’io dentro avampi:
sí ch’io mi credo omai che monti et piagge
et fiumi et selve sappian di che tempre
sia la mia vita, ch’è celata altrui.
Ma pur sí aspre vie né sí selvagge
cercar non so ch’Amor non venga sempre
ragionando con meco, et io co llui.
Alone and thoughtful, through the most desolate fields,
I go measuring out slow, hesitant paces,
and keep my eyes intent on fleeing
any place where human footsteps mark the sand.
I find no other defence to protect me
from other people’s open notice,
since in my aspect, whose joy is quenched,
they see from outside how I flame within.
So now I believe that mountains and river-banks
and rivers and forests know the quality
of my life, hidden from others.
Yet I find there is no path so wild or harsh
that love will not always come there
speaking with me, and I with him.
April 5, 2026
Apollo, s’anchor vive il bel desio
che t’infiammava a le thesaliche onde,
et se non ài l’amate chiome bionde,
volgendo gli anni, già poste in oblio:
dal pigro gielo et dal tempo aspro et rio,
che dura quanto ‘l tuo viso s’asconde,
difendi or l’onorata et sacra fronde,
ove tu prima, et poi fu’ invescato io;
et per vertú de l’amorosa speme,
che ti sostenne ne la vita acerba,
di queste impressïon l’aere disgombra;
sí vedrem poi per meraviglia inseme
seder la donna nostra sopra l’erba,
et far de le sue braccia a se stessa ombra.
Apollo, if that sweet desire is still alive
that inflamed you by the river of Thessaly,
and if with the passing years you’ve not already
forgotten that beloved blonde hair:
defend the honoured and sacred leaves now,
where you long ago, and I lately, were caught,
through the slow frost and harsh and cruel time
that is endured while you hide your face:
and by the power of that amorous hope
that sustained you, though life was bitter,
disburden the air of this dark weather:
so we may see by a miracle together
our lady seated on the grass
lifting her arms to make herself a shade.
April 5, 2026
Già fiammeggiava l’amorosa stella
per l’orïente, et l’altra che Giunone
suol far gelosa nel septentrïone,
rotava i raggi suoi lucente et bella;
levata era a filar la vecchiarella,
discinta et scalza, et desto avea ‘l carbone,
et gli amanti pungea quella stagione
che per usanza a lagrimar gli appella:
quando mia speme già condutta al verde
giunse nel cor, non per l’usata via,
che ‘l sonno tenea chiusa, e ‘l dolor molle;
quanto cangiata, oimè, da quel di pria!
Et parea dir: Perché tuo valor perde?
Veder quest’occhi anchor non ti si tolle.
Already Venus, the star of love, was blazing
in the east, and that other northern constellation
Callisto’s Great Bear, that makes Juno jealous,
was wheeling round its bright and lovely rays:
the little old woman had risen to her spinning,
barefoot, dishevelled, and had raked the coals,
and that time had arrived for lovers
that calls them by custom to weep again:
when my hope that was already fading
entered my heart, that sleep kept closed
and grief moistened, but not by her usual way:
alas, how altered from how she used to be!
And she seemed to say: ‘Why do you lose courage?
The sight of these eyes is not yet taken from you.’
April 5, 2026
Quanto piú m’avicino al giorno extremo
che l’umana miseria suol far breve,
piú veggio il tempo andar veloce et leve,
e ‘l mio di lui sperar fallace et scemo.
I’ dico a’ miei pensier’: Non molto andremo
d’amor parlando omai, ché ‘l duro et greve
terreno incarco come frescha neve
si va struggendo; onde noi pace avremo:
perché co llui cadrà quella speranza
che ne fe’ vaneggiar sí lungamente,
e ‘l riso e ‘l pianto, et la paura et l’ira;
sí vedrem chiaro poi come sovente
per le cose dubbiose altri s’avanza,
et come spesso indarno si sospira.
The closer I come to that last day
that puts an end to human misery
the more swiftly and lightly I see time go by,
and my hopes of it deceive and fade.
I say in thought: ‘No time is left now
to speak of love, for this hard and heavy
earthly burden has begun to melt
like fresh snow: so we’ll find peace:
since with the body hope too will vanish,
that made us rave for so many years,
with laughter and tears, fear and anger:
for so we see how it often happens
that through uncertain things we advance,
and often we sigh to no real purpose.’
April 5, 2026
Questa anima gentil che si diparte,
anzi tempo chiamata a l’altra vita,
se lassuso è quanto esser dê gradita,
terrà del ciel la piú beata parte.
S’ella riman fra ‘l terzo lume et Marte,
fia la vista del sole scolorita,
poi ch’a mirar sua bellezza infinita
l’anime degne intorno a lei fien sparte.
Se si posasse sotto al quarto nido,
ciascuna de le tre saria men bella,
et essa sola avria la fama e ‘l grido;
nel quinto giro non habitrebbe ella;
ma se vola piú alto, assai mi fido
che con Giove sia vinta ogni altra stella.
That gentle spirit that departs,
called to the other life before its time,
will join the most blessed region of the sky
when it is welcomed as it is sure to be.
If it passed between Venus, the third light, and Mars,
it would lessen the brightness of the sun,
since noble spirits would gather round her
merely to gaze at her infinite beauty.
If it passed below the fourth, the Sun
all the lesser lights would seem less lovely,
and it alone would have the fame and glory:
it could not exist in Mars’ fifth sphere:
but if it flies higher, I believe truly
Jupiter will be conquered and every star.
April 5, 2026
Giovene donna sotto un verde lauro
vidi più biancha et piú fredda che neve
non percossa dal sol molti et molt’anni;
e ‘l suo parlare, e ‘l bel viso, et le chiome
mi piacquen sí ch’i’ l’ò dinanzi agli occhi,
ed avrò sempre, ov’io sia, in poggio o ‘n riva.
Allor saranno i miei pensier a riva
che foglia verde non si trovi in lauro;
quando avrò queto il core, asciutti gli occhi,
vedrem ghiacciare il foco, arder la neve:
non ò tanti capelli in queste chiome
quanti vorrei quel giorno attender anni.
Ma perché vola il tempo, et fuggon gli anni,
sí ch’a la morte in un punto s’arriva,
o colle brune o colle bianche chiome,
seguirò l’ombra di quel dolce lauro
per lo piú ardente sole et per la neve,
fin che l’ultimo dí chiuda quest’occhi.
Non fur già mai veduti sí begli occhi
o ne la nostra etade o ne’ prim’anni,
che mi struggon cosí come ‘l sol neve;
onde procede lagrimosa riva
ch’Amor conduce a pie’ del duro lauro
ch’à i rami di diamante, et d’òr le chiome.
I’ temo di cangiar pria volto et chiome
che con vera pietà mi mostri gli occhi
l’idolo mio, scolpito in vivo lauro:
ché s’al contar non erro, oggi à sett’anni
che sospirando vo di riva in riva
la notte e ‘l giorno, al caldo ed a la neve.
Dentro pur foco, et for candida neve,
sol con questi pensier’, con altre chiome,
sempre piangendo andrò per ogni riva,
per far forse pietà venir negli occhi
di tal che nascerà dopo mill’anni,
se tanto viver pò ben cólto lauro.
L’auro e i topacii al sol sopra la neve
vincon le bionde chiome presso agli occhi
che menan gli anni miei sí tosto a riva.
I saw a girl under green laurel
colder and whiter than the snow
untouched by the sun for many years:
and her speech, her lovely face, her hair
so please me that she’s before my eyes,
and will be always, wherever, on sea or shore.
My thoughts at last will come to shore,
when there are no green leaves on laurel:
when I’ve quieted my heart, dried my eyes,
we’ll see freezing fire and burning snow:
and there’s not as many strands in my hair
as the years I’d wait to see that, and years.
But since time flies and they vanish, those years,
so that death comes to us, and so sure
either with dark hair or with white hair
I’ll follow the shadow of that sweet laurel,
through the brightest sun and through the snow,
until the last day closes my eyes.
Such lovely eyes were never seen
in our age or in earlier years,
that melt me as sun melts the snow:
from which proceeds a tear-drenched shore
a stream that Love leads under harsh laurel,
that has branches of steel, and golden hair.
I fear I’ll be altered in face and hair
before I see real pity in her eyes,
my idol sculptured from living laurel:
if I’ve not miscounted it’s seven years
today that I’ve sighed from shore to shore,
night and day, in heat and snow.
Fire inside, outside white snow
alone with these thoughts, with altered hair,
I’ll walk weeping along every shore
so that pity perhaps will appear in eyes
not to be born for a thousand years,
if such is the span of cultured laurel.
April 5, 2026
Verdi panni, sanguigni, oscuri o persi
non vestí donna unquancho
né d’or capelli in bionda treccia attorse,
sí bella com’è questa che mi spoglia
d’arbitrio, et dal camin de libertade
seco mi tira, sí ch’io non sostegno
alcun giogo men grave.
Et se pur s’arma talor a dolersi
l’anima a cui vien mancho
consiglio, ove ‘l martir l’adduce in forse,
rappella lei da la sfrenata voglia
súbita vista, ché del cor mi rade
ogni delira impresa, et ogni sdegno
fa ‘l veder lei soave.
Di quanto per Amor già mai soffersi,
et aggio a soffrir ancho,
fin che mi sani ‘l cor colei che ‘l morse,
rubella di mercé, che pur l’envoglia,
vendetta fia, sol che contra Humiltade
Orgoglio et Ira il bel passo ond’io vegno
non chiuda et non inchiave.
Ma l’ora e ‘l giorno ch’io le luci apersi
nel bel nero et nel biancho
che mi scacciâr di là dove Amor corse,
novella d’esta vita che m’ addoglia
furon radice, et quella in cui l’etade
nostra si mira, la qual piombo o legno
vedendo è chi non pave.
Lagrima dunque che da gli occhi versi
per quelle, che nel mancho
lato mi bagna chi primier s’accorse,
quadrella, dal voler mio non mi svoglia,
ché ‘n giusta parte la sententia cade:
per lei sospira l’alma, et ella è degno
che le sue piaghe lave.
Da me son fatti i miei pensier’ diversi:
tal già, qual io mi stancho,
l’amata spada in se stessa contorse;
né quella prego che però mi scioglia,
ché men son dritte al ciel tutt’altre strade
et non s’aspira al glorïoso regno
certo in piú salda nave.
Benigne stelle che compagne fersi
al fortunato fianco
quando ‘l bel parto giú nel mondo scórse!
ch’è stella in terra, et come in lauro foglia
conserva verde il pregio d’onestade,
ove non spira folgore, né indegno
vento mai che l’aggrave.
So io ben ch’a voler chiuder in versi
suo laudi, fôra stancho
chi piú degna la mano a scriver porse:
qual cella è di memoria in cui s’accoglia
quanta vede vertú, quanta beltade,
chi gli occhi mira d’ogni valor segno,
dolce del mio cor chiave?
Quando il sol gira, Amor piú caro pegno,
donna, di voi non ave.
Green dresses, crimson, black or purple,
were never worn by ladies,
nor golden hair tied in a fair braid,
as beautifully as she who robs me
of my will, and takes away the path
of my liberty, so I cannot even
tolerate a lighter yoke.
And even if my spirit begins to grieve,
losing its judgement,
when suffering brings doubt,
the loose will is quickly restrained
by the sight of her, who razes from my heart
every mad project, and makes all
disdain sweet through seeing her.
I will have revenge, for all that Love
has made me suffer, all I must still suffer
until she heals the heart she ravaged,
she, alien to pity, but still enticing,
unless Anger and Pride opposing Humility
close off and deny the way
that leads to her.
And the day and the hour that opened my eyes
to the lovely dark and the lovely white
that emptied me of that where Love now lives,
were the new roots of the life that troubles me,
as she does in whom our age is reflected,
for he is made of lead or stone
whom she does not make afraid.
So no tear of those I weep,
because of these arrow-tips
bathing my heart, that first felt them, in blood,
signifies that I un-wish what I wished,
the punishment falls in the right place:
through the eyes my soul sighs, and it’s right
that they bathe my wounds.
My own thoughts struggle against me:
so Dido, weary as I am now,
turned her beloved sword against herself:
yet I do not pray for my freedom,
since all other roads to heaven are less true,
and there is no safer ship in which to aspire
to the glorious kingdom.
Benign stars that were friends
to that fortunate womb
when that beauty came to this world!
She is a star on earth, and she keeps
her chastity as laurel stays green,
so no lightning strikes her, no shameful breeze
can ever force her.
I know that to capture her praise in verse
would be to exceed
the most worthy that set hand to writing.
What cell of memory is there in which to hold
so much virtue and so much beauty together
that shine in her eyes, the sign of all value,
the key to unlock my heart.
Lady, beneath the sun’s circle, Love has
no greater treasure than you.
April 5, 2026
O aspectata in ciel beata et bella
anima che di nostra humanitade
vestita vai, non come l’altre carca:
perché ti sian men dure omai le strade,
a Dio dilecta, obedïente ancella,
onde al suo regno di qua giú si varca,
ecco novellamente a la tua barca,
ch’al cieco mondo ha già volte le spalle
per gir al miglior porto,
d’un vento occidental dolce conforto;
lo qual per mezzo questa oscura valle,
ove piangiamo il nostro et l’altrui torto,
la condurrà de’ lacci antichi sciolta,
per drittissimo calle,
al verace orïente ov’ella è volta.
Forse i devoti et gli amorosi preghi
et le lagrime sancte de’ mortali
son giunte inanzi a la pietà superna;
et forse non fur mai tante né tali
che per merito lor punto si pieghi
fuor de suo corso la giustitia eterna;
ma quel benigno re che ‘l ciel governa
al sacro loco ove fo posto in croce
gli occhi per gratia gira,
onde nel petto al novo Karlo spira
la vendetta ch’a noi tardata nòce,
sí che molt’anni Europa ne sospira:
cosí soccorre a la sua amata sposa
tal che sol de la voce
fa tremar Babilonia, et star pensosa.
Chïunque alberga tra Garona e ‘l monte
e ‘ntra ‘l Rodano e ‘l Reno et l’onde salse
le ‘nsegne cristianissime accompagna;
et a cui mai di vero pregio calse,
del Pireneo a l’ultimo orizonte
con Aragon lassarà vòta Hispagna;
Inghilterra con l’isole che bagna
l’Occeano intra ‘l Carro et le Colonne,
infin là dove sona
doctrina del sanctissimo Elicona,
varie di lingue et d’arme, et de le gonne,
a l’alta impresa caritate sprona.
Deh qual amor sí licito o sí degno,
qua’ figli mai, qua’ donne
furon materia a sí giusto disdegno?
Una parte del mondo è che si giace
mai sempre in ghiaccio et in gelate nevi
tutta lontana dal camin del sole:
là sotto i giorni nubilosi et brevi,
nemica natural-mente di pace,
nasce una gente a cui il morir non dole.
Questa se, piú devota che non sòle,
col tedesco furor la spada cigne,
turchi, arabi et caldei,
con tutti quei che speran nelli dèi
di qua dal mar che fa l’onde sanguigne,
quanto sian da prezzar, conoscer dêi:
popolo ignudo paventoso et lento,
che ferro mai non strigne,
ma tutt’i colpi suoi commette al vento.
Dunque ora è ‘l tempo da ritrare il collo
dal giogo antico, et da squarciare il velo
ch’è stato avolto intorno agli occhi nostri,
et che ‘l nobile ingegno che dal cielo
per gratia tien’ de l’immortale Apollo,
et l’eloquentia sua vertú qui mostri
or con la lingua, or co’laudati incostri:
perché d’Orpheo leggendo et d’Amphïone
se non ti meravigli,
assai men fia ch’Italia co’ suoi figli
si desti al suon del tuo chiaro sermone,
tanto che per Jesú la lancia pigli;
che s’al ver mira questa anticha madre,
in nulla sua tentione
fur mai cagion sí belle o sí leggiadre.
Tu ch’ài, per arricchir d’un bel thesauro,
volte le antiche et le moderne carte,
volando al ciel colla terrena soma,
sai da l’imperio del figliuol de Marte
al grande Augusto che di verde lauro
tre volte trïumphando ornò la chioma,
ne l’altrui ingiurie del suo sangue Roma
spesse fïate quanto fu cortese:
et or perché non fia
cortese no, ma conoscente et pia
a vendicar le dispietate offese,
col figliuol glorïoso di Maria?
Che dunque la nemica parte spera
ne l’umane difese,
se Cristo sta da la contraria schiera?
Pon’ mente al temerario ardir di Xerse,
che fece per calcare i nostri liti
di novi ponti oltraggio a la marina;
et vedrai ne la morte de’ mariti
tutte vestite a brun le donne perse,
et tinto in rosso il mar di Salamina.
Et non pur questa misera rüina
del popol infelice d’orïente
victoria t’empromette,
ma Marathona, et le mortali strette
che difese il leon con poca gente,
et altre mille ch’ài ascoltate et lette:
Perché inchinare a Dio molto convene
le ginocchia et la mente,
che gli anni tuoi riserva a tanto bene.
Tu vedrai Italia et l’onorata riva,
canzon, ch’agli occhi miei cela et contende
non mar, non poggio o fiume,
ma solo Amor che del suo altero lume
piú m’invaghisce dove piú m’incende:
né Natura può star contra’l costume.
Or movi, non smarrir l’altre compagne,
ché non pur sotto bende
alberga Amor, per cui si ride et piagne.
O blessed and lovely spirit expected in Heaven
truly clothed with our humanity,
but not imprisoned in it like others:
oh God’s delight, obedient servant,
so that you ever find the gentler road,
by which we cross from here to his kingdom,
see how recently your boat
has turned its back on the blind world
to sail to a better harbour
with the sweet comfort of a western wind:
you’ll be conducted through the midst
of this dark valley where we weep for our
and another’s sin, from ancient bonds broken,
through the straightest path,
to the true East, towards which you have turned.
Perhaps the devoted and loving prayers
and the sacred tears of mortal beings
have made their way towards the highest pity:
and perhaps they were not great enough nor such
as to merit eternal justice bending
even a little from its course:
but the benign king who governs the heavens
through grace turns his eyes
to the sacred place where one hung on the cross,
breathing vengeance into the heart
of the new Charlemagne, so that delay would hurt us,
since Europe has sighed for it for many years:
so he brings aid to his beloved spouse
so that merely at his voice
Babylon trembles, and stands amazed.
Every place between the Garonne and the mountains,
between Rhone and Rhine and the salt waves
follows the highest ensign of Christ:
and those who ever sought true honour,
from the Pyrenees to the furthest horizon
empty Spain to follow Aragon:
England with the islands Ocean bathes
between the Pillars and the Bear,
as far as where the doctrine resounds
from the most sacred Helicon,
men of varied tongues and arms and dress,
spur to Heaven’s high enterprise.
What love, so lawful and worthy,
whether of children or of wife,
was the subject of such a just design?
There is a part of the world frozen,
always beneath the ice and cold snow,
so far is it from the sun’s path:
the day there is clouded and brief,
and bears a people that death does not grieve,
the natural enemies of peace.
So that if they became more devout than they are,
and took up swords with German fury,
we would soon find out the worth
of the Turks, and Arabs, and Chaldeans,
with all the gods they place their hopes in,
this side of the sea with blood-red waters:
lazy and fearful, naked peoples,
who never fight with steel,
but commit their weapons to the winds.
Now is the time to throw off the yoke
of ancient slavery, and the thick veil
that has long been draped over our eyes:
and for the noble wit you possess
from heaven by the grace of the immortal Apollo,
and your eloquence, to show its power
now in the spoken, now the written word:
for if you don’t marvel at the legends
of Orpheus and Amphion,
less should you at rousing Italy’s sons
with the sound of your clear speech,
so they take up the lance for Christ:
for if this ancient motherland seeks truth,
in none of her intentions
was ever so lovely or noble a cause.
You who’ve enriched yourself
turning the ancient and modern pages,
flying to heaven in an earthly body,
you know, from the empire of Mars’ son
to when great Augustus three times
crowned his head with green laurel,
how many times through injury to others
Rome was generous with her blood:
and should she not be now,
not generous but dutiful and pious
in avenging the impious injury
to the Son of our glorious Mary?
What hope can the enemy have
or human defence
if Christ fights against them?
Remember the rash audacity of Xerxes
who outraged the sea with alien bridges
made in order to land on our shores:
and see how all the Persian women
were dressed in black for their dead husbands:
and the sea at Salamis tinted red.
And not only is victory promised
by that ruinous misery for the sad
Eastern peoples,
but Marathon, and that vital pass
that the Spartan lion defended with the few,
and other battles you have heard of or read:
so we should certainly bow to God,
our knees and spirit,
He who has preserved our age for so much good.
Song, you’ll see Italy and the famous river,
not hidden from my eyes, not concealed
by sea, or hill, or stream,
but only by Love that with his other light
binds me closer the more he fires me:
nor is Nature more opposed to habit.
Now go, without losing other friends,
since Love for which we smile and weep
does not live only beneath women’s veils.
April 5, 2026
Il successor di Karlo, che la chioma
co la corona del suo antiquo adorna,
prese à già l’arme per fiacchar le corna
a Babilonia, et chi da lei si noma;
e ‘l vicario de Cristo colla soma
de le chiavi et del manto al nido torna,
sí che s’altro accidente nol distorna,
vedrà Bologna, et poi la nobil Roma.
La mansüeta vostra et gentil agna
abbatte i fieri lupi: et cosí vada
chïunque amor legitimo scompagna.
Consolate lei dunque ch’anchor bada,
et Roma che del suo sposo si lagna,
et per Jesú cingete ormai la spada.
Charlemagne’s scion, whose head is adorned
with the royal crown of his ancestor,
has taken up arms to bring Babylon down
and all that take their name from her.
and the Vicar of Christ returns to the nest
with the mantle and the burdensome keys,
and if no further accident deters him,
he’ll reach Bologna, and then noble Rome.
That mild and gentle lamb of yours
destroys the fierce wolves: and so may it be
with all who shatter lawful alliances.
Console her then, you whom she waits for,
and Rome who still complains of her spouse,
and take up the sword now for Christ.
April 5, 2026
Piú di me lieta non si vede a terra
nave da l’onde combattuta et vinta,
quando la gente di pietà depinta
su per la riva a ringratiar s’atterra;
né lieto piú del carcer si diserra
chi ‘ntorno al collo ebbe la corda avinta,
di me, veggendo quella spada scinta
che fece al segnor mio sí lunga guerra.
Et tutti voi ch’Amor laudate in rima,
al buon testor de gli amorosi detti
rendete honor, ch’era smarrito in prima:
ché piú gloria è nel regno degli electi
d’un spirito converso, et più s’estima,
che di novantanove altri perfecti.
No ship, beaten and conquered by the waves,
ever made land more happily than me,
when people who were crying for mercy
kneel down on the shore to give thanks:
he who has the rope already round his neck
is no happier to be freed from his bonds,
than me, seeing all those swords shattered
that made so long a war against my lord.
And all who praise Love in your rhymes,
give honour now to the true writer
of loving songs who once went astray:
for there’s more joy, in the realms of the chosen,
in a penitent spirit, and he is more esteemed
than the ninety-nine others who were perfect.
April 5, 2026
Amor piangeva, et io con lui talvolta,
dal qual miei passi non fur mai lontani,
mirando per gli effecti acerbi et strani
l’anima vostra dei suoi nodi sciolta.
Or ch’al dritto camin l’à Dio rivolta,
col cor levando al cielo ambe le mani
ringratio lui che’ giusti preghi humani
benignamente, sua mercede, ascolta.
Et se tornando a l’amorosa vita,
per farvi al bel desio volger le spalle,
trovaste per la via fossati o poggi,
fu per mostrar quanto è spinoso calle,
et quanto alpestra et dura la salita,
onde al vero valor conven ch’uom poggi.
Love wept, and sometimes I wept with him,
from whom my steps never strayed far,
gazing, since the effect was bitter and strange,
at your spirit, set loose from all Love’s bonds.
Now God has returned you to the true way,
I lift my hands with all my heart to heaven,
thankful to him who in his mercy listens
benignly to honest human prayers.
And if in returning to the loving path,
you found hills and ditches in your way
enough to almost make you turn back,
it was to show how thorny is the road,
and how mountainous and hard the climb,
if a man would find where true worth lies.
April 5, 2026
Se l’onorata fronde che prescrive
l’ira del ciel, quando ‘l gran Giove tona,
non m’avesse disdetta la corona
che suole ornar chi poetando scrive,
i’era amico a queste vostre dive
le qua’ vilmente il secolo abandona;
ma quella ingiuria già lunge mi sprona
da l’inventrice de le prime olive:
ché non bolle la polver d’Ethïopia
sotto ‘l più ardente sol, com’io sfavillo,
perdendo tanto amata cosa propia.
Cercate dunque fonte piú tranquillo,
ché ‘l mio d’ogni liquor sostene inopia,
salvo di quel che lagrimando stillo.
If the honoured branch that wards off
heaven’s anger when great Jupiter thunders
had not refused me its laurel crown
which usually wreathes those who write poetry,
I would be a friend of those Muses of yours
that this unworthy age has abandoned:
but that injustice keeps me far from
Minerva who first gave us olive trees:
for the sands of Ethiopia could not burn
hotter under the burning sun than I blaze
at losing a thing so beloved, as my own.
Search out a steadier fount than mine,
which only wells in an impoverished stream,
except for that which distils from my tears.
April 5, 2026
Nel dolce tempo de la prima etade,
che nascer vide et anchor quasi in herba
la fera voglia che per mio mal crebbe,
perché cantando il duol si disacerba,
canterò com’io vissi in libertade,
mentre Amor nel mio albergo a sdegno s’ebbe.
Poi seguirò sí come a lui ne ‘ncrebbe
troppo altamente, e che di ciò m’avvenne,
di ch’io son facto a molta gente exempio:
benché ‘l mio duro scempio
sia scripto altrove, sí che mille penne
ne son già stanche, et quasi in ogni valle
rimbombi il suon de’ miei gravi sospiri,
ch’aquistan fede a la penosa vita.
E se qui la memoria non m’aita
come suol fare, iscúsilla i martiri,
et un penser che solo angoscia dàlle,
tal ch’ad ogni altro fa voltar le spalle,
e mi face oblïar me stesso a forza:
ché tèn di me quel d’entro, et io la scorza.
I’ dico che dal dí che ‘l primo assalto
mi diede Amor, molt’anni eran passati,
sí ch’io cangiava il giovenil aspetto;
e d’intorno al mio cor pensier’ gelati
facto avean quasi adamantino smalto
ch’allentar non lassava il duro affetto.
Lagrima anchor non mi bagnava il petto
né rompea il sonno, et quel che in me non era,
mi pareva un miracolo in altrui.
Lasso, che son! che fui!
La vita el fin, e ‘l dí loda la sera.
Ché sentendo il crudel di ch’io ragiono
infin allor percossa di suo strale
non essermi passato oltra la gonna,
prese in sua scorta una possente donna,
ver’ cui poco già mai mi valse o vale
ingegno, o forza, o dimandar perdono;
e i duo mi trasformaro in quel ch’i’ sono,
facendomi d’uom vivo un lauro verde,
che per fredda stagion foglia non perde.
Qual mi fec’io quando primier m’accorsi
de la trasfigurata mia persona,
e i capei vidi far di quella fronde
di che sperato avea già lor corona,
e i piedi in ch’io mi stetti, et mossi, et corsi,
com’ogni membro a l’anima risponde,
diventar due radici sovra l’onde
non di Peneo, ma d’un piú altero fiume,
e n’ duo rami mutarsi ambe le braccia!
Né meno anchor m’ agghiaccia
l’esser coverto poi di bianche piume
allor che folminato et morto giacque
il mio sperar che tropp’alto montava:
ché perch’io non sapea dove né quando
me ‘l ritrovasse, solo lagrimando
là ‘ve tolto mi fu, dí e nocte andava,
ricercando dallato, et dentro a l’acque;
et già mai poi la mia lingua non tacque
mentre poteo del suo cader maligno:
ond’io presi col suon color d’un cigno.
Cosí lungo l’amate rive andai,
che volendo parlar, cantava sempre
mercé chiamando con estrania voce;
né mai in sí dolci o in sí soavi tempre
risonar seppi gli amorosi guai,
che ‘l cor s’umilïasse aspro et feroce.
Qual fu a sentir? ché ‘l ricordar mi coce:
ma molto piú di quel, che per inanzi
de la dolce et acerba mia nemica
è bisogno ch’io dica,
benché sia tal ch’ogni parlare avanzi.
Questa che col mirar gli animi fura,
m’aperse il petto, e ‘l cor prese con mano,
dicendo a me: Di ciò non far parola.
Poi la rividi in altro habito sola,
tal ch’i’ non la conobbi, oh senso humano,
anzi le dissi ‘l ver pien di paura;
ed ella ne l’usata sua figura
tosto tornando, fecemi, oimè lasso,
d’un quasi vivo et sbigottito sasso.
Ella parlava sí turbata in vista,
che tremar mi fea dentro a quella petra,
udendo: I’ non son forse chi tu credi.
E dicea meco: Se costei mi spetra,
nulla vita mi fia noiosa o trista;
a farmi lagrimar, signor mio, riedi.
Come non so: pur io mossi indi i piedi,
non altrui incolpando che me stesso,
mezzo tutto quel dí tra vivo et morto.
Ma perché ‘l tempo è corto,
la penna al buon voler non pò gir presso:
onde piú cose ne la mente scritte
vo trapassando, et sol d’alcune parlo
che meraviglia fanno a chi l’ascolta.
Morte mi s’era intorno al cor avolta,
né tacendo potea di sua man trarlo,
o dar soccorso a le vertuti afflitte;
le vive voci m’erano interditte;
ond’io gridai con carta et con incostro:
Non son mio, no. S’io moro, il danno è vostro.
Ben mi credea dinanzi agli occhi suoi
d’indegno far cosí di mercé degno,
et questa spene m’avea fatto ardito:
ma talora humiltà spegne disdegno,
talor l’enfiamma; et ciò sepp’io da poi,
lunga stagion di tenebre vestito:
ch’a quei preghi il mio lume era sparito.
Ed io non ritrovando intorno intorno
ombra di lei, né pur de’ suoi piedi orma,
come huom che tra via dorma,
gittaimi stancho sovra l’erba un giorno.
Ivi accusando il fugitivo raggio,
a le lagrime triste allargai ‘l freno,
et lasciaile cader come a lor parve;
né già mai neve sotto al sol disparve
com’io sentí’ me tutto venir meno,
et farmi una fontana a pie’ d’un faggio.
Gran tempo humido tenni quel vïaggio.
Chi udí mai d’uom vero nascer fonte?
E parlo cose manifeste et conte.
L’alma ch’è sol da Dio facta gentile,
ché già d’altrui non pò venir tal gratia,
simile al suo factor stato ritene:
però di perdonar mai non è sacia
a chi col core et col sembiante humile
dopo quantunque offese a mercé vène.
Et se contra suo stile essa sostene
d’esser molto pregata, in Lui si specchia,
et fal perché ‘l peccar piú si pavente:
ché non ben si ripente
de l’un mal chi de l’altro s’apparecchia.
Poi che madonna da pietà commossa
degnò mirarme, et ricognovve et vide
gir di pari la pena col peccato,
benigna mi redusse al primo stato.
Ma nulla à ‘l mondo in ch’uom saggio si fide:
ch’ancor poi ripregando, i nervi et l’ossa
mi volse in dura selce; et così scossa
voce rimasi de l’antiche some,
chiamando Morte, et lei sola per nome.
Spirto doglioso errante (mi rimembra)
per spelunche deserte et pellegrine,
piansi molt’anni il mio sfrenato ardire:
et anchor poi trovai di quel mal fine,
et ritornai ne le terrene membra,
credo per piú dolore ivi sentire.
I’ seguí’ tanto avanti il mio desire
ch’un dí cacciando sí com’io solea
mi mossi; e quella fera bella et cruda
in una fonte ignuda
si stava, quando ‘l sol piú forte ardea.
Io, perché d’altra vista non m’appago,
stetti a mirarla: ond’ella ebbe vergogna;
et per farne vendetta, o per celarse,
l’acqua nel viso co le man’ mi sparse.
Vero dirò (forse e’ parrà menzogna)
ch’i’ sentí’ trarmi de la propria imago,
et in un cervo solitario et vago
di selva in selva ratto mi trasformo:
et anchor de’ miei can’ fuggo lo stormo.
Canzon, i’ non fu’ mai quel nuvol d’oro
che poi discese in pretïosa pioggia,
sí che ‘l foco di Giove in parte spense;
ma fui ben fiamma ch’un bel guardo accense,
et fui l’uccel che piú per l’aere poggia,
alzando lei che ne’ miei detti honoro:
né per nova figura il primo alloro
seppi lassar, ché pur la sua dolce ombra
ogni men bel piacer del cor mi sgombra.
I’ll sing of the sweet time of my first youth,
that saw the birth and the first leafing
of fierce desire that blossomed to my hurt,
since grief is rendered less bitter by being sung:
I’ll sing of when I lived in liberty,
while Love was disdained in my house.
Then follow it with how I scorned him
too deeply, and say what came of it,
of how I was made an example to many men:
even though my harsh ruin
is written of elsewhere, so that a thousand pens
are not yet weary of it, and almost every valley
echoes again to the sound of my deep sighs
that add credence to my painful life.
And if memory does not aid me
as it once did, blame my sufferings,
and one thought which is anguished
it makes me turn my back on every other,
and by the same light makes me forget myself:
ruling what is inside me, I the shell.
I say that many years had passed
since Love tried his first assault on me,
so that I had lost my juvenile aspect,
and frozen thoughts about my heart
had almost made a covering of enamel,
so that its hardness left nothing lacking.
Still no tears had bathed my cheeks,
my sleep unbroken, and what I could not feel
seemed like a marvel to me in others.
Alas what am I? What was I?
Life is ended, and evening crowns the day.
That savage adversary of whom I speak,
seeing at last that not a single shot
of his had even pierced my clothes,
brought a powerful lady to help him,
against whom intellect, or force,
or asking mercy never were or are of value:
and the two transformed me to what I am,
making green laurel from a living man,
that loses no leaves in the coldest season.
What a state I was in when I first realized
the transfiguration of my person,
and saw my hair formed of those leaves
that I had hoped might yet crown me,
and my feet with which I stand, move, run,
since each member accords with the spirit,
turned into two roots by the water
not of Peneus, but a nobler river,
and both my arms changed to branches!
The memory still chills me,
of being clothed then in white plumage,
when my hope that had tried to climb too high
was lightning-struck and lying dead,
and I, who had no idea where or when
I might retrieve it, went weeping alone
day and night where I had lost it,
searching the banks and beneath the water:
and while I might my tongue was never silent
from that moment about hope’s evil fall:
until I took on, with its voice, the colour of a swan.
So I went along the pleasant stream,
and wishing to speak I found I always sang,
calling for mercy in a strange voice,
but never making my loving sorrows echo
in so sweet or in so soft a mode
as to make that harsh and savage heart relent.
What was it to feel so? How the memory burns me:
but I need to say more than this
of my sweet and bitter enemy,
more than ever before,
though she is such as is beyond all telling.
She who maddens men with her gaze,
opened my chest, and took my heart in her hand,
saying to me: ‘Speak no word of this.’
Then I saw her alone, in a different dress,
so that I did not know her, oh human senses,
and full of fear told her the truth:
and she turning quickly back
to her usual guise, made me, alas,
semi-living and dumb stone.
She spoke to me, so angered in aspect
that she made me tremble inside the rock,
saying: ‘Perhaps I am not what you believe.’
And I said to myself: ‘If only she releases me
from the rock, no life will make me troubled or sad:
return, my lord, and let me weep.’
I moved my feet then, I don’t know how,
still blaming no-one but my own self,
between living and dying, all that day.
But because the time is short
my pen cannot keep pace with my true will:
I must pass over many more things
inscribed in my mind, and only speak of those
that will seem marvellous to those who hear.
Death circled round about my heart,
which I could not rescue by being silent,
nor could I help my afflicted senses:
a living voice was forbidden me:
so I cried out with paper and ink:
‘I am not my own. If I die the loss is yours.’
I truly thought I could turn myself in her eyes
from worthlessness to a thing of worth,
and that hope had made me eager:
but hope at times is quenched by disdain
at times takes fire: and so I found it then,
placed in the shadows for so long,
for at my prayers my true light had left me.
And not finding a shadow of her, her or there,
nor even the print of her foot,
one day I flung myself down on the grass
like a traveller who sleeps on the way.
Accusing the fugitive ray of light, from there,
I loosed the reins of my sad tears,
and let them fall as they wished,
I felt myself melt wholly, as snow
never vanished so in the sun,
becoming a fount at a beech-tree’s foot.
I held that moist course for a length of time.
Who ever heard of fountains born of men?
Yet I tell you something manifest and known.
The soul whose gentleness is all from God,
since such grace could come from nowhere else,
holds a virtue like that of its maker:
it grants pardon, and never wearies,
to him of humble face and heart,
whatever sins he comes to mercy with.
And if contrary to its nature it suffers
being prayed to often, it mirrors Him,
and so makes the sin more fearful:
for he does not truly repent
who prepares for one sin with another.
So my lady moved by pity
deigned to look down on me, and seeing
I revealed a punishment matched to the sin,
she kindly returned me to my first state.
But there’s nothing a man can trust to in this world:
praying to her still, I felt my bone and nerves
turn to hard flint: and only a voice shaken
from my former being remained,
calling on Death, and calling her by name.
A grieving spirit (I recall) I wandered
through empty and alien caverns,
weeping my errant ardour for many years:
and at least reached its end,
and I returned to my earthly limbs,
I think in order to suffer greater pain.
I followed my desire so closely
that hunting one day as was my custom,
I saw that creature, wild and beautiful,
standing naked
in a pool, when the sun shone most brightly.
I, because no other sight so pleases me,
stood and gazed: she covered in her shame:
and for revenge or to hide herself,
she splashed water in my face, with her hand.
I speak the truth (though I may seem to lie)
that I felt myself altered from my true form,
and swiftly transmuted to a lonely stag,
wandering from wood to wood:
and fleeing from my own pack of hounds.
Song, I was never that golden cloud
that once fell as a precious shower,
so that Jove’s flame was quenched a little:
but I have been the fire that a lovely look kindled,
and the bird that rises highest in the air,
exalting her with my words in honour:
nor could I leave the highest laurel
for some new shape, for by its sweet shade
all lesser beauties that please the heart are scattered.
April 5, 2026
A qualunque animale alberga in terra,
se non se alquanti ch’ànno in odio il sole,
tempo da travagliare è quanto è ‘l giorno;
ma poi che ‘l ciel accende le sue stelle,
qual torna a casa et qual s’anida in selva
per aver posa almeno infin a l’alba.
Et io, da che comincia la bella alba
a scuoter l’ombra intorno de la terra
svegliando gli animali in ogni selva,
non ò mai triegua di sospir’ col sole;
pur quand’io veggio fiammeggiar le stelle
vo lagrimando, et disïando il giorno.
Quando la sera scaccia il chiaro giorno,
et le tenebre nostre altrui fanno alba,
miro pensoso le crudeli stelle,
che m’ànno facto di sensibil terra;
et maledico il dí ch’i’ vidi ‘l sole,
e che mi fa in vista un huom nudrito in selva.
Non credo che pascesse mai per selva
sí aspra fera, o di nocte o di giorno,
come costei ch’i ‘piango a l’ombra e al sole;
et non mi stancha primo sonno od alba:
ché, bench’i’ sia mortal corpo di terra,
lo mi fermo desir vien da le stelle.
Prima ch’i’ torni a voi, lucenti stelle,
o torni giú ne l’amorosa selva,
lassando il corpo che fia trita terra,
vedess’io in lei pietà, che ‘n un sol giorno
può ristorar molt’anni, e ‘nanzi l’alba
puommi arichir dal tramontar del sole.
Con lei foss’io da che si parte il sole,
et non ci vedess’altri che le stelle,
sol una nocte, et mai non fosse l’alba;
et non se transformasse in verde selva
per uscirmi di braccia, come il giorno
ch’Apollo la seguia qua giú per terra.
Ma io sarò sotterra in secca selva
e ‘l giorno andrà pien di minute stelle
prima ch’a sí dolce alba arrivi il sole.
The time to labour, for every animal
that inhabits earth, is when it is still day,
except for those to whom the sun is hateful:
but then when heaven sets fire to its stars,
some turn for home and some nestle in the woods
to find some rest before the dawn.
And I may not cease to sigh with the sun,
from when dawn begins to scatter
the shadows from around the Earth,
waking the animals in every woodland:
yet when I see the flaming of the stars
I go weeping, and desire the day.
When the evening drives out daylight’s clarity,
and our shadow makes another’s dawn,
I gaze pensively at cruel stars,
that have created me of sentient earth:
and I curse the day I saw the sun,
that makes me in aspect like a wild man of the woods.
I do not think that any creature so harsh
grazed the woods, either by night or day,
as she, through whom I weep in sun or shade:
and I am not wearied by first sleep or dawn:
for though I am mortal body of this earth,
my fixed desire comes from the stars.
Might I see pity in her, for one day,
before I return to you, bright stars,
or turning back into cherished woodland,
leave my body changed to dry earth,
it would restore many years, and before dawn
enrich me at the setting of the sun.
May I be with her when the sun departs,
and seen by no one but the stars,
for one sole night, and may there be no dawn:
and may she not be changed to green woodland,
issuing from my arms, as on the day
when Apollo pursued her down here on earth.
But I will be beneath the wood’s dry earth,
and daylight will be full of little stars,
before the sun achieves so sweet a dawn.
April 5, 2026
Mille fïate, o dolce mia guerrera,
per aver co’ begli occhi vostri pace
v’aggio proferto il cor; mâ voi non piace
mirar sí basso colla mente altera.
Et se di lui fors’altra donna spera,
vive in speranza debile et fallace:
mio, perché sdegno ciò ch’a voi dispiace,
esser non può già mai cosí com’era.
Or s’io lo scaccio, et e’ non trova in voi
ne l’exilio infelice alcun soccorso,
né sa star sol, né gire ov’altri il chiama,
poria smarrire il suo natural corso:
che grave colpa fia d’ambeduo noi,
et tanto piú de voi, quanto piú v’ama.
I have offered you my heart a thousand times
O my sweet warrior, only to make peace
with your lovely eyes: but it does not please you
with your noble mind, to stoop so low.
And if some other lady has hope of it,
she lives in powerless, deceiving hope:
and it can never be what it was to me,
since I too disdain what does not please you.
Now if I banish it, and it does not find in you
any aid in its unhappy exile, nor knows
how to be alone, nor to go where others call to it,
it might stray from its natural course:
which would be a grave crime for both of us,
and more for you, since it loves you more.
April 5, 2026
Vergognando talor ch’ancor si taccia,
donna, per me vostra bellezza in rima,
ricorro al tempo ch’i’ vi vidi prima,
tal che null’altra fia mai che mi piaccia.
Ma trovo peso non da le mie braccia,
né ovra da polir colla mia lima:
però l’ingegno che sua forza extima
ne l’operatïon tutto s’agghiaccia.
Piú volte già per dir le labbra apersi,
poi rimase la voce in mezzo ‘l pecto:
ma qual sòn poria mai salir tant’alto?
Piú volte incominciai di scriver versi:
ma la penna et la mano et l’intellecto
rimaser vinti nel primier assalto.
Ashamed sometimes that your beauty,
lady, is still silent in my verses,
I recall that time when I first saw it,
such that nothing else could ever please me.
But I find the weight too great for my shoulder,
a work not to be polished by my skill:
the more my wit exercises its force
the more its whole action grows cold.
Many times my lips have opened to speak,
but my voice is stilled in my chest:
who is he who could climb so high?
Many times I’ve begun to scribble verses:
but the pen, the hand, and the intellect
fell back defeated at their first attempt.
April 5, 2026
Son animali al mondo de sí altera
vista che ‘ncontra ‘l sol pur si difende;
altri, però che ‘l gran lume gli offende,
non escon fuor se non verso la sera;
et altri, col desio folle che spera
gioir forse nel foco, perché splende,
provan l’altra vertú, quella che ‘encende:
lasso, e ‘l mio loco è ‘n questa ultima schera.
Ch’i’ non son forte ad aspectar la luce
di questa donna, et non so fare schermi
di luoghi tenebrosi, o d’ ore tarde:
però con gli occhi lagrimosi e ‘nfermi
mio destino a vederla mi conduce;
et so ben ch’i’ vo dietro a quel che m’arde.
There are creatures in the world with such other
vision that it is protected from the full sun:
yet others, because the great light offends them
cannot move around until the evening falls:
and others with mad desire, that hope
perhaps to delight in fire, because it gleams,
prove the other power, that which burns:
alas, and my place is with these last.
I am not strong enough to gaze at the light
of that lady, and do not know how to make a screen
from shadowy places, or the late hour:
yet, with weeping and infirm eyes, my fate
leads me to look on her: and well I know
I wish to go beyond the fire that burns me.
April 5, 2026
Quand’io son tutto vòlto in quella parte
ove ‘l bel viso di madonna luce,
et m’è rimasa nel pensier la luce
che m’arde et strugge dentro a parte a parte,
i’ che temo del cor che mi si parte,
et veggio presso il fin de la mia luce,
vommene in guisa d’orbo, senza luce,
che non sa ove si vada et pur si parte.
Cosí davanti ai colpi de la morte
fuggo: ma non sí ratto che ‘l desio
meco non venga come venir sòle.
Tacito vo, ché le parole morte
farian pianger la gente; et i’ desio
che le lagrime mie si spargan sole.
When I have turned my eyes to that place
where my lady’s lovely face shines,
and that light leaves me not a thought
while I burn and melt away inside,
I fear lest my heart parts from my self,
and seeing the end of my light nearing,
I go like a blind man, without light,
who knows no way to go, but must depart.
I receive so many deadly blows
I flee: but not so quickly that desire
does not come with me as is his wont.
I go silently, since one deadly word
would make men weep: and I desire
that my tears might be shed alone.
April 5, 2026
Piovonmi amare lagrime dal viso
con un vento angoscioso di sospiri,
quando in voi adiven che gli occhi giri
per cui sola dal mondo i’ son diviso.
Vero è che ‘l dolce mansüeto riso
pur acqueta gli ardenti miei desiri,
et mi sottragge al foco de’ martiri,
mentr’io son a mirarvi intento et fiso.
Ma gli spiriti miei s’aghiaccian poi
ch’i’ veggio al departir gli atti soavi
torcer da me le mie fatali stelle.
Largata alfin co l’amorose chiavi
l’anima esce del cor per seguir voi;
et con molto pensiero indi si svelle.
Bitter tears pour down my face
with an anguished storm of sighing,
when my eyes chance to turn on you
through whom alone I am lost from the world.
Yet it is true that your soft gentle smile
quietens my ardent desires,
and saves me from the fire of suffering,
while I am intent and fixed on gazing.
But then my spirits are chilled, when I see,
at your departure, my fatal stars
turn their sweet aspect from me.
Released at last by those loving keys,
the spirit leaves the heart to follow you,
and in deep thought, walks on from there.
April 5, 2026
Movesi il vecchierel canuto et biancho
del dolce loco ov’à sua età fornita
et da la famigliuola sbigottita
che vede il caro padre venir manco;
indi trahendo poi l’antiquo fianco
per l’extreme giornate di sua vita,
quanto piú pò, col buon voler s’aita,
rotto dagli anni, et dal cammino stanco;
et viene a Roma, seguendo ‘l desio,
per mirar la sembianza di colui
ch’ancor lassú nel ciel vedere spera:
cosí, lasso, talor vo cerchand’io,
donna, quanto è possibile, in altrui
la disïata vostra forma vera.
Grizzled and white the old man leaves
the sweet place, where he has provided for his life,
and leaves the little family, filled with dismay
that sees its dear father failing it:
then, from there, dragging his aged limbs
through the last days of his life,
aiding himself by what strength of will he can,
broken by years, and wearied by the road:
he reaches Rome, following his desire,
to gaze on the image of Him
whom he hopes to see again in heaven:
so, alas, I sometimes go searching,
lady, as far as is possible, in others
for the true, desired form of you.
April 5, 2026
Io mi rivolgo indietro a ciascun passo
col corpo stancho ch’a gran pena porto,
et prendo allor del vostr’aere conforto
che ‘l fa gir oltra dicendo: Oimè lasso!
Poi ripensando al dolce ben ch’io lasso,
al camin lungo et al mio viver corto,
fermo le piante sbigottito et smorto,
et gli occhi in terra lagrimando abasso.
Talor m’assale in mezzo a’tristi pianti
un dubbio: come posson queste membra
da lo spirito lor viver lontane?
Ma rispondemi Amor: Non ti rimembra
che questo è privilegio degli amanti,
sciolti da tutte qualitati humane?
I turn back at every step I take
with weary body that has borne great pain,
and take comfort then from your aspect
that make me go on, saying: Ah me!
Then thinking of the sweet good I leave,
of the long road, and of my brief life,
I halt my steps, dismayed and pale,
and lower my eyes weeping to the ground.
Sometimes a doubt assails me in the midst
of sad tears: how can these limbs
live separated from their spirit?
But Love replies: Do you not remember
that this is the privilege of lovers,
freed from every other human tie?
April 5, 2026
Occhi miei lassi, mentre ch’io vi giro
nel bel viso di quella che v’à morti,
pregovi siate accorti,
ché già vi sfida Amore, ond’io sospiro.
Morte pò chiuder sola a’ miei penseri
l’amoroso camin che gli conduce
al dolce porto de la lor salute;
ma puossi a voi celar la vostra luce
per meno obgetto, perché meno interi
siete formati, et di minor virtute.
Però, dolenti, anzi che sian venute
l’ore del pianto, che son già vicine,
prendete or a la fine
breve conforto a sí lungo martiro.
My weary eyes, there, while I turn you
towards the lovely face of her who slays you,
I pray you guard yourself
since, already, Love challenges you, so that I sigh.
Only Death can close from my thoughts
the loving path that leads them
to the sweet doorway of their blessing;
but your light can hide itself from you
for less reason, since you are formed
as lesser entities, and of less power.
But, grieve, before the hour of tears
is come, that is already near,
take to the end now
brief comfort from such long suffering.
April 5, 2026
Quando fra l’altre donne ad ora ad ora
Amor vien nel bel viso di costei,
quanto ciascuna è men bella di lei
tanto cresce ‘l desio che m’innamora.
I’ benedico il loco e ‘l tempo et l’ora
che sí alto miraron gli occhi mei,
et dico: Anima, assai ringratiar dêi
che fosti a tanto honor degnata allora.
Da lei ti vèn l’amoroso pensero,
che mentre ‘l segui al sommo ben t’invia,
pocho prezando quel ch’ogni huom desia;
da lei vien l’animosa leggiadria
ch’al ciel ti scorge per destro sentero,
sí ch’i’ vo già de la speranza altero.
When from hour to hour among the other ladies
Love appears in her beautiful face,
by as much as their beauty is less than hers
by so much the desire that en-amours me grows.
I bless the place, the time, and the hour
in which my eyes gazed to such a height,
and I say: My spirit, give thanks enough
that you were then found worthy of such honour.
From her to you comes loving thought,
that leads to highest good, while you pursue it,
counting as little what all men desire:
from her comes that spirit full of grace
that shows you heaven by the true way’:
so that in hope I fly, already, to the heights.
April 5, 2026
Se la mia vita da l’aspro tormento
si può tanto schermire, et dagli affanni,
ch’i’ veggia per vertù de gli ultimi anni,
donna, de’ be’ vostr’occhi il lume spento,
e i cape’ d’oro fin farsi d’argento,
et lassar le ghirlande e i verdi panni,
e ‘l viso scolorir che ne’ miei danni
a llamentar mi fa pauroso et lento:
pur mi darà tanta baldanza Amore
ch’i’ vi discovrirò de’ mei martiri
qua’ sono stati gli anni, e i giorni et l’ore;
et se ‘l tempo è contrario ai be’ desiri,
non fia ch’almen non giunga al mio dolore
alcun soccorso di tardi sospiri.
If my life of bitter torment and of tears
could be derided more, and made more troubled,
that I might see, by virtue of your later years,
lady, the light quenched of your beautiful eyes,
and the golden hair spun fine as silver,
and the garland laid aside and the green clothes,
and the delicate face fade, that makes me
fearful and slow to go weeping:
then Love might grant me such confidence
that I’d reveal to you my sufferings
the years lived through, and the days and hours:
and if time is opposed to true desire,
it does not mean no food would nourish my grief:
I might draw some from slow sighs.
April 5, 2026
Lassare il velo o per sole o per ombra,
donna, non vi vid’io
poi che in me conosceste il gran desio
ch’ogni altra voglia d’entr’al cor mi sgombra.
Mentr’io portava i be’ pensier’ celati,
ch’ànno la mente desïando morta,
vidivi di pietate ornare il volto;
ma poi ch’Amor di me vi fece accorta,
fuor i biondi capelli allor velati,
et l’amoroso sguardo in sé raccolto.
Quel ch’i’ piú desiava in voi m’è tolto:
sí mi governa il velo
che per mia morte, et al caldo et al gielo,
de’ be’ vostr’occhi il dolce lume adombra.
I have not seen you, lady,
leave off your veil in sun or shadow,
since you knew that great desire in myself
that all other wishes in the heart desert me.
While I held the lovely thoughts concealed,
that make the mind desire death,
I saw your face adorned with pity:
but when Love made you wary of me,
then blonde hair was veiled,
and loving glances gathered to themselves.
That which I most desired in you is taken from me:
the veil so governs me
that to my death, and by heat and cold,
the sweet light of your lovely eyes is shadowed.
April 5, 2026
Glorïosa columna in cui s’appoggia
nostra speranza e ‘l gran nome latino,
ch’ancor non torse del vero camino
l’ira di Giove per ventosa pioggia,
qui non palazzi, non theatro o loggia,
ma ‘n lor vece un abete, un faggio, un pino
tra l’erba verde e ‘l bel monte vicino,
onde si scende poetando et poggia,
levan di terra al ciel nostr’intellecto;
e ‘l rosigniuol che dolcemente all’ombra
tutte le notti si lamenta et piagne,
d’amorosi penseri il cor ne ‘ngombra:
ma tanto bel sol tronchi, et fai imperfecto,
tu che da noi, signor mio, ti scompagne.
Glorious pillar in whom rests
our hope and the great Latin name,
that Jupiter’s anger through wind and rain
still does not twist from the true way,
who raise our intellect from earth to heaven,
not in a palace, a theatre, or arcade,
but instead in fir, beech or pine,
on the green grass and the lovely nearby mountain,
from which poetry descends and rests;
and the nightingale that laments and weeps
all night long, sweetly, in the shadows,
fills the heart with thoughts of love:
but you by departing from us my lord,
only cut off such beauty, and make it imperfect.
April 5, 2026
Quando ‘l pianeta che distingue l’ore
ad albergar col Tauro si ritorna,
cade vertú da l’infiammate corna
che veste il mondo di novel colore;
et non pur quel che s’apre a noi di fore,
le rive e i colli, di fioretti adorna,
ma dentro dove già mai non s’aggiorna
gravido fa di sé il terrestro humore,
onde tal fructo et simile si colga:
così costei, ch’è tra le donne un sole,
in me movendo de’ begli occhi i rai
crïa d’amor penseri, atti et parole;
ma come ch’ella gli governi o volga,
primavera per me pur non è mai.
When the heavenly body that tells the hours
has returned to the constellation of Taurus,
power from the burning horns descends
that clothes the world with new colours:
and not only in that which lies before us,
banks and hills, adorned with flowers,
but within where already the earthly moisture
pregnant with itself, adds nothing further,
so that fruits and such are gathered:
as she, who is the sun among those ladies,
shining the rays of her lovely eyes on me
creates thoughts of love, actions and words;
but whether she governs them or turns away,
there is no longer any Spring for me.
April 5, 2026
A pie’ de’ colli ove la bella vesta
prese de le terrene membra pria
la donna che colui ch’a te ne ‘nvia
spesso dal somno lagrimando desta,
libere in pace passavam per questa
vita mortal, ch’ogni animal desia,
senza sospetto di trovar fra via
cosa ch’al nostr’andar fosse molesta.
Ma del misero stato ove noi semo
condotte da la vita altra serena
un sol conforto, et de la morte, avemo:
che vendetta è di lui ch’a ciò ne mena,
lo qual in forza altrui presso a l’extremo
riman legato con maggior catena.
At the foot of the hill where beauty’s garment
first clothed that lady with earthly members,
who has often sent wakefulness to him,
who sends us to you, out of melancholy sleep,
we passed by freely in peace through this
mortal life, that all creatures yearn for,
without suspicion of finding, on the way,
anything that would trouble our going.
But in the miserable state where we are
driven from that other serene life
we have one solace only, that is death:
which is his retribution, who led him to this,
he who, in another’s power, near to the end,
remains bound with a heavier chain.
April 5, 2026
La gola e ‘l sonno et l’otïose piume
ànno del mondo ogni vertú sbandita,
ond’è dal corso suo quasi smarrita
nostra natura vinta dal costume;
et è sí spento ogni benigno lume
del ciel, per cui s’informa humana vita,
che per cosa mirabile s’addita
chi vòl far d’Elicona nascer fiume.
Qual vaghezza di lauro, qual di mirto?
Povera et nuda vai philosophia,
dice la turba al vil guadagno intesa.
Pochi compagni avrai per l’altra via:
tanto ti prego piú, gentile spirto,
non lassar la magnanima tua impresa.
Greed and sleep and slothful beds
have banished every virtue from the world,
so that, overcome by habit,
our nature has almost lost its way.
And all the benign lights of heaven,
that inform human life, are so spent,
that he who wishes to bring down a stream
from Helicon is pointed out as a wonder.
Such desire for laurel, and for myrtle?
‘Poor and naked goes philosophy’,
say the crowd intent on base profit.
You’ll have poor company on that other road:
So much the more I beg you, gentle spirit,
not to turn from your great undertaking.
April 5, 2026
Sí travïato è ‘l folle mi’ desio
a seguitar costei che ‘n fuga è volta,
et de’ lacci d’Amor leggiera et sciolta
vola dinanzi al lento correr mio,
che quanto richiamando piú l’envio
per la secura strada, men m’ascolta:
né mi vale spronarlo, o dargli volta,
ch’Amor per sua natura il fa restio.
Et poi che ‘l fren per forza a sé raccoglie,
i’ mi rimango in signoria di lui,
che mal mio grado a morte mi trasporta:
sol per venir al lauro onde si coglie
acerbo frutto, che le piaghe altrui
gustando afflige piú che non conforta.
My passion’s folly is so led astray
by following what turns and flees,
and flies from Love’s light supple noose
in front of my slow pace,
that the more I recall its steps
to the safe road, the less it hears me:
nor does spurring on help me, or turning about,
resisting what Love does by nature.
And then if the bit gathers me to him by force,
I remain in his sovereign power,
so that my state carries me sadly towards death:
only to come to the laurel from which is culled
bitter fruit, whose taste is a worse wound
for others, whom it does not solace.
April 5, 2026
Quando io movo i sospiri a chiamar voi,
e ‘l nome che nel cor mi scrisse Amore,
LAUdando s’incomincia udir di fore
il suon de’ primi dolci accenti suoi.
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Vostro stato REal, che ‘ncontro poi,
raddoppia a l’alta impresa il mio valore;
ma: TAci, grida il fin, ché farle honore
è d’altri homeri soma che da’ tuoi.
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Cosí LAUdare et REverire insegna
la voce stessa, pur ch’altri vi chiami,
o d’ogni reverenza et d’onor degna:
<br>
se non che forse Apollo si disdegna
ch’a parlar de’ suoi sempre verdi rami
lingua mortal presumptüosa vegna.
When I utter sighs, in calling out to you,
with the name that Love wrote on my heart,
the sound of its first sweet accents begin
to be heard within the word LAUdable.
Your REgal state, that I next encounter,
doubles my power for the high attempt;
but: ‘TAcit’, the ending cries, ‘since to do her honour
is for other men’s shoulders, not for yours’.
So, whenever one calls out to you,
the voice itself teaches us to LAud, REvere,
you, O, lady worthy of all reverence and honour:
except perhaps that Apollo is disdainful
that morTAl tongue can be so presumptuous
as to speak of his eternally green branches.
April 5, 2026
Que’ ch’infinita providentia et arte
mostrò nel suo mirabil magistero,
che crïò questo et quell’altro hemispero,
et mansüeto piú Giove che Marte,
vegnendo in terra a ‘lluminar le carte
ch’avean molt’anni già celato il vero,
tolse Giovanni da la rete et Piero,
et nel regno del ciel fece lor parte.
Di sé nascendo a Roma non fe’ gratia,
a Giudea sí, tanto sovr’ogni stato
humiltate exaltar sempre gli piacque;
ed or di picciol borgo un sol n’à dato,
tal che natura e ‘l luogo si ringratia
onde sí bella donna al mondo nacque.
What infinite providence and art
He showed in his wonderful mastery,
who created this and the other hemisphere,
and Jupiter far gentler than Mars,
descending to earth to illuminate the page
which had for many years concealed the truth,
taking John from the nets, and Peter,
and making them part of heaven’s kingdom.
It did not please him to be born in Rome,
but in Judea: to exalt humility
to such a supreme state always pleases him;
and now from a little village a sun is given,
such that the place, and nature, praise themselves,
out of which so lovely a lady is born to the world.
April 5, 2026
Era il giorno ch’al sol si scoloraro
per la pietà del suo factore i rai,
quando i’ fui preso, et non me ne guardai,
ché i be’ vostr’occhi, donna, mi legaro.
Tempo non mi parea da far riparo
contra colpi d’Amor: però m’andai
secur, senza sospetto; onde i miei guai
nel commune dolor s’incominciaro.
Trovommi Amor del tutto disarmato
et aperta la via per gli occhi al core,
che di lagrime son fatti uscio et varco:
però al mio parer non li fu honore
ferir me de saetta in quello stato,
a voi armata non mostrar pur l’arco.
It was on that day when the sun’s ray
was darkened in pity for its Maker,
that I was captured, and did not defend myself,
because your lovely eyes had bound me, Lady.
It did not seem to me to be a time to guard myself
against Love’s blows: so I went on
confident, unsuspecting; from that, my troubles
started, amongst the public sorrows.
Love discovered me all weaponless,
and opened the way to the heart through the eyes,
which are made the passageways and doors of tears:
so that it seems to me it does him little honour
to wound me with his arrow, in that state,
he not showing his bow at all to you who are armed.
April 5, 2026
Per fare una leggiadra sua vendetta
et punire in un dí ben mille offese,
celatamente Amor l’arco riprese,
come huom ch’a nocer luogo et tempo aspetta.
Era la mia virtute al cor ristretta
per far ivi et ne gli occhi sue difese,
quando ‘l colpo mortal là giú discese
ove solea spuntarsi ogni saetta.
Però, turbata nel primiero assalto,
non ebbe tanto né vigor né spazio
che potesse al bisogno prender l’arme,
overo al poggio faticoso et alto
ritrarmi accortamente da lo strazio
del quale oggi vorrebbe, et non pò, aitarme.
To make a graceful act of revenge,
and punish a thousand wrongs in a single day,
Love secretly took up his bow again,
like a man who waits the time and place to strike.
My power was constricted in my heart,
making defence there, and in my eyes,
when the mortal blow descended there,
where all other arrows had been blunted.
So, confused by the first assault,
it had no opportunity or strength
to take up arms when they were needed,
Or withdraw me shrewdly to the high,
steep hill, out of the torment,
from which it wishes to save me now but cannot.
April 5, 2026
Voi ch’ascoltate in rime sparse il suono
di quei sospiri ond’io nudriva ‘l core
in sul mio primo giovenile errore
quand’era in parte altr’uom da quel ch’i’ sono,
del vario stile in ch’io piango et ragiono
fra le vane speranze e ‘l van dolore,
ove sia chi per prova intenda amore,
spero trovar pietà, nonché perdono.
Ma ben veggio or si come al popol tutto
favola fui gran tempo, onde sovente
di me mesdesmo meco mi vergogno;
et del mio vaneggiar vergogna è 1 frutto,
e ‘l pentersi, e ‘l conoscer chiaramente
che quanto piace al mondo è breve sogno.
You who hear the sound, in scattered rhymes,
of those sighs on which I fed my heart,
in my first vagrant youthfulness,
when I was partly other than I am,
I hope to find pity, and forgiveness,
for all the modes in which I talk and weep,
between vain hope and vain sadness,
in those who understand love through its trials.
Yet I see clearly now I have become
an old tale amongst all these people, so that
it often makes me ashamed of myself;
and shame is the fruit of my vanities,
and remorse, and the clearest knowledge
of how the world’s delight is a brief dream.